Another early morning and we met John Sy to have some breakfast before heading to our scheduled game of World Order from Hegemonic Project Games. We met friends Tom and Tim and they had played the game and prepared to teach Mike and I.

World Order is a strategic level 2-4 player Euro-style board game that focuses on geopolitical influence in 7 different regions. Players are the United States, China, Russia, or the European Union in the year 2010 and compete for global hegemony by earning victory points through economic power, diplomacy, and regional control.

This game is played over 6 turns and players have a hand of 6 cards with various actions such as trading goods, influencing countries to become your ally, building military bases and placing influence. Each of the regions will score at the end of turn 3 and 6 and players will have to scramble to gain influence to get the most Victory Points in each region with lesser VP awarded for 2nd through 5th place. But each turn you only play 4 cards fur the actions and then use your remaining 2 cards to earn money and gain research points to purchase new upgraded and more efficient actions.

The game features asymmetric factions representing each superpower’s unique strengths and starting resources. Players will have to choose 1 of 3 Focus each round included my domestic, diplomatic or military, which grants specialized bonuses for that turn.

I loved this one. What a game! My Chinese won with 114 points as I was able to control 3 regions but also weasel my way into 3 others to gain lesser points. This one has a lot of moving parts but plays fairly quickly once people know what they are doing. I very much want to play again.

I next got into a 4-player game of Coalitions: Realpolitik from PHALANX designed by Valdemar Gumienny and Andrew Rourke.

Realpolitik is an area-control board game that features action selection cards where players have to play a card for 1 action that turn including taxing controlled areas, mobilizing new forces and battle cards, moving into battles, scoring victory points or then picking up your already played cards. It’s a very smart and slick little game that sees players competing for control of mid-19th-century German and Italian unification wars.

Combat is lite and fun and uses battle cards that add values of 1-5 to your combat totals but each played unit also has unique abilities that can change the battlefield such as destroying a played unit, adding +1 if the Barrie occurs in an area you control. The goal is to get to 25 victory points first and the game is very quick playing 60+ minutes with lots of strategy, creating alliances and working toward your goal of dominating key areas. Just a very fun and interesting game. I was able to guide my Prussians to victory scoring 25 VP first and it came down to the very end as Italy was also close on my heals. I liked it so much that I’m going to get a copy and hope to play the game with our local gaming group. Thanks to Ric Mann fur teaching and for the members of the Hoosier Herd gaming group for playing.

I then met up with Mark Miklos to chat about his newest upcoming volume in the Battles of the American Revolution Series called The Battle of Green Spring. We did a fairly lengthy video interview covering the game and its history as well as discussing his upcoming book called Liberty.

The Battle of Green Spring was the largest field battle fought in Virginia during the American Revolution with over 10,000 combatants. In addition to being noteworthy for its scope, this battle was Lord Cornwallis’s final victory in North America and served as the immediate precursor to the Siege of Yorktown.

I ended Day 3 playing The Adventures of Conan from Gale Force Nine, which is an asymmetric, semi-coop dice game of exploration, sorcery and combat set in the Hyborian age of Conan. We bounced off this one hard. Poor rules, lack of structure and little clarity, which is a shame. The art is fantastic, great components with custom dice but I felt like we had no idea what we were doing or how we were supposed to reliably get things done. We will try to watch a video out there to get an idea about what we are supposed to do and then maybe give it another try.

That was a long day and I’m very tired. I don’t have a lot on the schedule tomorrow but will find something to get into. I do get a chance to meet with Wes Crawford tomorrow night to play his new design coming to Kickstarter soon called The Emperor’s Voice from Worthington Publishing and might get in another play of China’s War from GMT Games or maybe Bretwalda from PHALANX. We shall see.

Tomorrow night then.

-Grant

Häuserwürfelspiel

in Stuglandet, Hüttenland im schwedischen, würfeln wir mit kleinen Holzhäuser, platzieren, bewegen oder tauschen diese und wenn jemand keine Häuser mehr zum würfeln hat, werden die Punkte gezählt. Klingt einfach, ist aber nicht trivial.

Bis zu dreimal würfeln wir jeweils drei unserer Häuser, dieses Ergebnis verwenden wir dann in diesem Zug. Abhängig davon, auf welcher Fläche/Seite das Haus steht, können wir es auf dem Spielfeld platzieren, oder es mit einem anderen Haus (gern vom Gegner) tauschen, oder ein Haus versetzen. Liegt das Haus auf dem Dach können wir mit dem Haus keine Aktion durchführen.

Eine taktische Komponente ergibt sich daraus, dass ein Landschaftsplättchen „sicher“ vor den Mitspielern ist, wenn ein Spieler alle Felder belegt hat. Dieses gilt nur für Plättchen mit 2 bis 5 Baufeldern, die Insel (1 Feld) und die Stadt (6) sind ausgenommen. Und natürlich werden die anderen Spieler versuchen, dies zu verhindern.

Punkte gibt es später für das größte zusammenhängende Häusergebiet, Mehrheiten auf den Plättchen und für die Nachbarschaft der Häuser. So sind Häuser in der Stadt oder am See wertvoller, neben der Müllkippe möchte keiner wohnen.

Fazit:

Die Spielbox in Hausform ist wirklich ein Hingucker. Schwierig im Schrank zu stapeln, aber dafür sehr auffällig. Die simplen Regeln sollen nicht täuschen: Hier muss man schon strategisch würfeln und einen Blick auf Mehrheiten in den Landschaftsgebieten haben. Der Mix aus Würfelglück und Taktik bei einer Spieldauer von 20 Minuten ist gut gelungen. Ein toller Starter oder Absacker nach einem komplexeren Spiel zur Entspannung.

Stubenscore: 7,0 / 10

STUGLANDET

BoardGameGeek

Spieledatenbank Luding

Brettspiel (getestet)

Magic: The Gathering‘s record-breaking growth continues despite a surge of high-profile competitors, with the TCG soaring past $500m in quarterly revenues for the first time in its 33-year history.

The veteran card game has been on a tear over the past four years, evolving from parent company Hasbro‘s first $1bn-brand into the toy and entertainment giant’s primary source of growth.

That powerful rise has been built upon the already hugely popular TCG’s expansion into licensed crossovers through its Universes Beyond line since 2021, which has seen it bring out sets for franchises including The Lord of The Rings, Final Fantasy and Avatar: The Last Airbender.

The game’s success now underpins Hasbro’s fortunes, with Magic’s strong performance repeatedly leading the line in the company’s quarterly results – as well as offsetting underperformance in other parts of the business.

Magic’s revenue grew 32% in Q2 of this year compared to the same period in 2025 according to Hasbro’s latest results report, reaching a record $545m on the back of strong sales of Secrets of Strixhaven and Marvel Super Heroes – the latter of which the company described as a “record-breaking debut”.

That result means Magic alone outstripped Hasbro’s entire consumer products segment – which includes Nerf guns, Transformers and Peppa Pig toys – which recorded revenues of $463m in the same period, up 5% year-on-year.

The consumer products segment made an operating loss of about $14.5m in Q2, compared to an operating profit of $270m from Wizards of the Coast, the business arm which includes Magic, Dungeons & Dragons and its digital games such as Monopoly Go!.

Hasbro ascribed the consumer products losses to “incremental tariff expense, entertainment-related mix shifts, and normal seasonality”, as well as the fallout from a cyberattack in March which saw unspecified parties gain unauthorized access to its network.

The company said the cyberattack reduced second-quarter revenue by an estimated $25m while generating $11m in direct costs as order processing, shipping and invoicing were disrupted, particularly on the consumer products side. Hasbro said those operations had now returned to normal, although it expects to incur additional costs related to the incident in future periods.

Hasbro CEO Chris Cocks said in the results report, “With strong indications for our remaining releases and line of sight to continued growth in 2027, the Magic flywheel is firing on all cylinders.”

Wizards revenue was also up 27% across the first six months of 2026, with Magic revenue climbing 34% thanks to continued growth across tabletop and digital products, Universes Beyond releases, Secret Lair products and back catalogue sales.

That continued growth comes despite the emergence of several high-profile challengers in the trading card game market over the past few years, including Disney Lorcana, Star Wars: Unlimited, Altered, Flesh and Blood and One Piece Card Game – as well as the ongoing power of fellow TCG veterans Pokémon and Yu-Gi-Oh!.

Magic’s performance was strong enough for Hasbro to increase its full-year guidance, with the company now expecting total revenue growth of between 5% and 7%, up from its previous forecast of 3% to 5%.

The post “The Magic flywheel is firing on all cylinders”: veteran TCG tops $500m quarterly revenue for first time first appeared on .

Zurück an die Schule nach so langer Zeit? Mit Geheimnisse von Strixhaven entführt uns Magic: The Gathering zurück in ein beliebtes Setting voller Zauberei, Drachen und besonderen Charakter*innen. Kann uns dieses Set erfolgreich durch den Sommer voller Jenseits des Universums-Sets bringen?

Dieser Beitrag wurde von Markus Kastell geschrieben

As board game publishers continue to grapple with volatile manufacturing costs, tariffs and freight disruption, UK-based Eurydice Games is celebrating reaching almost £400,000 in lifetime revenue without ever outsourcing production.

The Newcastle upon Tyne-based company has just completed its 7,000th box of FlickFleet, the dexterity-based tabletop space skirmish game it has manufactured entirely in-house since launching in 2018.

Every copy of the base game and its six expansions has been laser cut and assembled by Eurydice co-founder Paul Willcox in his garage in York, with the company estimating it has now produced well over 400,000 individual laser-cut components.

The unusual approach has allowed Eurydice to build a business that has generated almost £400,000 over eight years. Just under £250,000 has come through crowdfunding, with the remainder generated through direct website and convention sales.

While many indie game designers and small publishers view overseas manufacturing as an inevitable step in the process, Eurydice believes its experience demonstrates that remaining in-house can make commercial sense for certain types of games.

“When we ran our first campaign we had no idea how much money we’d raise, so we investigated doing a manufacturing run so we weren’t going to be caught out if it went wild,” Eurydice director Jackson Pope told BoardGameWire.

“As it was we 101% funded with four hours to spare at the end of the campaign, so stuck to laser-cutting as planned.

“…we would have needed well over £25k [to outsource manufacturing] in that first campaign, and obviously inflation means that number is much higher now.

Instead, narrowly crossing its target saw the team stick with its original plan of producing the game themselves – and that decision has shaped the business ever since.

Rather than treating each expansion as a standalone production run, Eurydice launches a new crowdfunding campaign each year, combining demand for the latest release with reprints of older products into a single manufacturing cycle.

Because production takes place in-house, the publisher says it can economically manufacture extremely small quantities of older products, with some reprints numbering as few as 100 copies.

The company believes that flexibility has enabled it to support a product line that would have been difficult to finance using conventional manufacturing methods.

“In an industry with a lot of indie companies, we are unusual in that we make the game ourselves, on a laser-cutter in Paul’s garage,” Pope said.

“… [rolling] up reprints of everything into a single large print run… has allowed us to reduce costs by placing one large order with each of our suppliers.

“As a result, we’ve been able to release a vast range of ship models, which would have required huge print runs and capital to fund through traditional injection moulding manufacturing.”

That manufacturing model has also had knock-on advantages for the company in fulfilling its games.

Instead of waiting for overseas production and freight, Eurydice says it often begins shipping rewards within months of a crowdfunding campaign ending, with complete fulfilment typically finished within a year.

But there are inevitable trade-offs, Pope added, with each copy of FlickFleet or one of its expansions taking Willcox hours to make – as well as having to be piled up in his home ahead of fulfillment.

The operation has also proven vulnerable to disruption, too, with the laser cutter purchased after the company’s first successful crowdfunding campaign catching fire in 2022 while Eurydice was fulfilling another project, forcing an emergency replacement before production could continue.

Even so, Pope believes recent geopolitical disruption has reinforced some of the advantages of keeping manufacturing close to home. But the model is not without commercial limitations, of course.

Despite considering a larger retail print run, Pope says the amount of labour required to manufacture each copy, coupled with international shipping costs from the UK, has made broad retail distribution difficult. Eurydice currently sells through crowdfunding, direct sales, conventions and just under a dozen UK retailers.

He also stressed that garage manufacturing is not a universal solution.

“It’s definitely an option, if you’re prepared to put in the work. And it is a lot of work,” he said.

“But it lets you do things that would be prohibitively expensive through traditional manufacturing and smaller runs of interesting ideas that would never sell tens of thousands of copies but should still see the light of day.

“If you’re confident you can sell thousands of copies, you’re definitely better using traditional manufacturing.”

Eurydice is planning to launch its seventh FlickFleet expansion, Box of Xeno Flicks 2, on Gamefound in October.

The post Indie publisher Eurydice Games hits almost £400,000 in revenue while hand-making every copy of its game in a garage first appeared on .

Czech Games Edition chief executive Petr Murmak has confirmed US tariffs are the main reason American customers will pay about $30 more than their European counterparts for the publisher’s newly announced Kingdom Come: Deliverance board game, underlining how import duties are now directly shaping board game pricing.

The publisher revealed it has eyes on a Spiel Essen release for the heavy euro adventure game, a Tomáš Holek and Vlaada Chvátil co-design based on the hit medieval RPG video game – which has sold more than 16 million copies across the original release and its 2025 sequel.

That announcement included the news that the game will cost €149.99 (~$170) in Europe, but $199.99 in the US – a situation Murmak explained in BoardGameGeek post was largely down to US tariffs on European imports.

CGE manufactures its games in a factory it co-owns in its home country of Czechia, rather than relying on China-based manufacturers like the bulk of the hobby board game industry.

Murmak explained on BGG in a reply to a post questioning the price difference, “USD to EUR is like 1:1.15 right now and tariff is 15% for production in EU – we produce our games in our own factory in Czechia. So 149.99*1.15*1.15 = 198,362 USD.

“Shipping to US also costs us something, so we have slightly less profit on one copy in US than in EU. Moreover there is uncertainty about tariffs in the future (they might go up – there were some threats already from US government), or dollar might go down like last year…”

Although board game publishers have repeatedly warned that tariffs would push retail prices higher, few have publicly broken down exactly how those increases translate into MSRP in different regions.

BoardGameWire has previously spoken to publishers who said they had already begun passing on to customer both US tariffs on China and the lower rates applied to European manufacturing, while absorbing part of the additional costs themselves in an effort to avoid psychologically difficult price points.

Several board game publishers warned last year that some consumers had yet to fully appreciate how significantly prices could rise once tariff-affected print runs began reaching retail.

Ongoing uncertainty about further US tariff hikes have also heavily impact international freight in recent weeks, with rates on routes between Asia and the US east coast, and Asia and Europe, surging to their highest levels since the Red Sea crisis two years ago, according to a report from the Financial Times earlier this week.

It said the price of a 40ft container between China and the US east coast rose to $7,880 last week, up 62% from a month earlier, while rates between China and the Mediterranean jumped 47% to $6,431 – citing data from shipping platform Freightos.

That surge has come in anticipation of new US tariffs next month, the report added, bringing forward the annual increase in shipping demand that usually starts as retailers filled inventories before the Black Friday and Christmas shopping periods.

CGE said it would be releasing the game in limited quantity waves, citing the need to ensure a high production quality for the “massive, component-rich project”.

Game co-creator Vlaada Chvátil’s pedigree include the huge-selling word game Codenames, the Mage Knight Board Game and Through the Ages: A Story of Civilization, while his co-designer Tomáš Holek scored a huge success two years ago with his multi-award-winning space exploration eurogame SETI.

Chvátil said, “I’m genuinely enjoying working on this game. Amazing source material, a co-designer whose approach to games is very close to my own, the care and support the CGE team brings to every project, and, above all, gameplay that feels both epic and playful at the same time.

“That creates a design playground where every card, quest, skill, and encounter is pure joy to work on.

“Every time Tomáš and I sit down for another playtest, look over the starting setup, reveal the opening cards, and watch the possibilities unfold before us, we inevitably glance at each other and think: damn, this game is still so much fun.”

The post Czech Games CEO says US tariffs drove $30 price gap between US, European editions of Kingdom Come: Deliverance board game first appeared on .

Ein altes Herr der Ringe – Spiel

1985 haben viele in unserem Alter Herr der Ringe gelesen, Rollenspiele wie Dungeons & Dragons gespielt und Zinnfiguren angemalt.

Kurt Feyerabend und Tom Ring konnten Ravensburger überzeugen, ein Spiel in diesem Umfeld zu vermarkten. Dabei war es die Diplomarbeit von Tom zum Thema „Gestaltung eines Spieles und der begleitenden Materialien“. Ich finde es lobenswert, ein Spiel selber zu entwickeln und dann zu vermarkten. Und so merkt man dem Regelwerk und Spielfeld an, dass hier ständig weiter optimiert wurde und man aber irgendwann der Meinung war, so kann es bleiben. Acht Jahre nach diesem Werk hat Tom dann bei Ravensburger als Leiter des Produktionsdesigns begonnen.

Bei Gran (im englisch gefällt mir QUEST besser) machen sich bis zu sechs Abenteurer auf den Weg über die Map, um den Ring zu ergattern und in verschiedenen Städten abzugeben. Hierzu ziehen sie ein oder zwei Felder weiter, kämpfen gegen Drachen, verbannen Mitspieler oder stellen Hindernisse auf, damit andere nicht so einfach voran kommen.

Die einzelnen Mechaniken waren damals aber überschaubar komplex. So ziehen wir beim Drachenkampf eine Karte mit Werten von Null bis Sechs und wir müssen dann mindestens diese Vorgabe erwürfeln. Natürlich muss man nicht zu den Drachen gehen, aber wenn man es schafft ist man gestärkt und kann zwei weitere Felder ziehen. Also ein push-your-luck zum schnell fortbewegen.

Fazit:

Ich weiß nicht, ob mir das damals gefallen hätte. Schließlich gab es weniger Auswahl an Spielen und das Thema war schon cool. Auf jeden Fall ist es schlecht gealtert

Ein wenig strategisch kann man schon spielen. Die Glückskomponente Drachenkampf kann man überwiegend verhindern. Aber Spaß hat man bei dem Spiel nicht. Dafür ist der Ring als Beigabe ganz nett, so was gab es früher eher selten in einem Spiel.

Stubenscore: 5,4 / 10

GRAN

BoardGameGeek

Spieledatenbank Luding

Brettspiel (getestet)

Steamforged Games, which made its name adapting video games such as Dark Souls into multi-million-dollar board game Kickstarters, has confirmed its second set of redundancies in three years as it refocuses away from crowdfunding and towards its booming Warmachine miniatures line.

The company has been one of tabletop crowdfunding’s biggest success stories over the past decade, raising tens of millions of pounds across campaigns based on major video game licences such as Resident Evil, Monster Hunter, Horizon Zero Dawn and Elden Ring.

About a third of the company’s employees are estimated to have been affected by this year’s restructure according to multiple sources who spoke to BoardGameWire on condition of anonymity – mirroring the scale of a previous round of redundancies Steamforged embarked on in 2023.

They said the staff cuts affected a range of departments across the business, including the creative, game design, production, project management, QA, marketing and commercial teams – adding that they feared the cutbacks would lead to problems delivering long-term projects.

Steamforged would not confirm the scale of the latest redundancies to BoardGameWire, but a spokesperson described the staff reduction as “carefully considered”, adding that the company “retain[s] both the internal resource and the external capabilities needed to deliver on our commitments”.

Those commitments include seven currently unfulfilled crowdfunding campaigns which raised more than £15m including late pledges, for titles such as Monster Hunter World Iceborne, Elden Ring: Rot & Sorcery, Helldivers 2: The Board Game and the special edition of classic eurogame Terra Mystica.

Steamforged is also currently attempting to fulfil a pre-order campaign for 6: Siege – The Board Game after buying the title from bankrupt board game crowdfunding specialist Mythic Games – and came under fire from backers last week for posting AI-generated images in a production update it says were sent to it by the manufacturer.

The Steamforged spokesperson told BoardGameWire the AI images were not caught by its team before posting due to “simple human error”, adding “We took this extremely seriously, investigated, and swiftly provided authentic images.

Other currently unfulfilled projects from the publisher include the US production and shipping of Horizon Forbidden West: Seeds of Rebellion and Euthia: Cruel Frost, both of which were postponed due to tariffs uncertainty last year, and the second wave of its P3 Paints crowdfund, which has been delayed by up to a year due to a production issue with the metallic colours.

When asked for reassurance that those campaigns would be fulfilled despite the redundancies and strategic shift, a spokesperson for Steamforged told BoardGameWire, “Steamforged has never failed to fulfil a crowdfunding campaign, even during difficult times, or to make tough choices to deliver on commitments.

“Right now, 6: Siege – The Board Game is entering the final stages of production and will start shipping to supporters in July.”

Steamforged confirmed to BoardGameWire that the redundancies were part of a decision to “reduce new board game crowdfunding activity for the moment” amid the surging growth of Warmachine, the miniatures wargame line it bought from Privateer Press two years ago alongside P3 Paints and the Iron Kingdoms roleplaying series.

The spokesperson said Steamforged had tripled Warmachine and P3 Paints revenue in the last 21 months, despite facing significant stock constraints in the first year due to heavy demand.

They told BoardGameWire, “Demand has been high and we’ve scaled production to meet it. Our US production capacity for Warmachine has increased by 70% since last March, with a 25% increase in Europe
since August and new production facilities introduced in the UK in February 2026.”

The spokesperson added, “Steamforged has always had two strong sides, both retail and crowdfunding, and was originally founded as a miniatures game company. Warmachine’s growth has shown clear demand over and above expectations and has become a core focus to support that growth.

“Our board game crowdfunding projects are currently in various stages of production with the vast majority of creative work complete.

“Our intention to reduce new board game crowdfunding activity for the moment while we focus on supporting Warmachine’s growth meant we needed to restructure accordingly, which included a confidential redundancy process in Q1 of 2026 that’s now complete.”

When asked how the strategic shift towards Warmachine would affect previously announced future crowdfunds such as Tyrant, the spokesperson said, “Steamforged has always looked several years into the future and our internal roadmaps reflect that.

“As with any company, particularly one that works with other studios the way we have, that means many potential projects have been put on ice over the years as opportunities change and emerge. Some of those came to fruition later, and others didn’t.

“Tyrant was an early announcement and was always intended to be a slow build. Given our strategic focus, it’s not something we intend to move forward with in the foreseeable future.”

Asked what they expected Steamforged Games to look like as a business over the next couple of years, the spokesperson concluded, “Over the next two years, we expect Warmachine will continue its strong growth supported by our dedicated team and launch plans in the miniatures and hobby categories.”

The post Steamforged confirms redundancies, crowdfunding cutback amid refocus on booming Warmachine first appeared on .

„Ich möchte so gern einmal Elben sehen, Herr. Ich wünschte, ich wüsste, wo sie wohnen“ Mit diesem
Buch kann die Spielleitung zumindest der eigenen Runde Samweis Gamdschies sehnlichsten Wunsch erfüllen. Neben Rivendell und Lothlorien wird auch das weniger geläufige Lindon genau vorgestellt.

Dieser Beitrag wurde von Gastautor*in geschrieben

With this My Favorite Wargame Cards Series, I hope to take a look at a specific card from the various wargames that I have played and share how it is used in the game. I am not a strategist and frankly I am not that good at games but I do understand how things should work and be used in games. With that being said, here is the next entry in this series.

#79: Culper Ring from Liberty or Death: The American Insurrection from GMT Games

In case you didn’t know, I love Liberty or Death: The American Insurrection! This is my 2nd favorite volume in the COIN Series and is such a fantastic game filled with the history of my favorite historical period the American Revolutionary War. Liberty or Death was the COIN Series’ first foray into non-modern warfare and takes us to the 18th Century and the days of the Brown Bess musket, the 18 pound siege cannon and nice and tidy formations better suited for a gentleman’s war. The focus of the game is the struggle of the American Patriots against their mother British government as they have made their intentions clear to become independent with the Declaration of Independence. The game is a multi-faction treatment of the American Revolution, which includes the Patriots and their allies the French against the British and their reluctant allies the Indians.

Liberty or Death is a 1 to 4 player game focused on all aspects of the struggle including financing operations with Rabble Rousing, infiltrating British held cities to Skirmish, blockading major cities with the mighty French fleet, Raiding the frontiers with the Indian nations, the spread of propaganda to build support for the revolution, fort building and small scale battles. So, with this short description you can see that this game is not a “traditional” wargame but does contain some armed conflict. So a game about the American Revolution that isn’t focused on battle you say? How can that be? Well, I will tell you that this game is probably a perfect representation of the multifaceted struggle that wasn’t necessarily decided on the field of combat, but by the little actions of many behind the scenes characters. Yes battle will decide the control of major areas of the board and decide the fate of troops as they must be concerned about being in supply through a network of forts but the game is so much more than just rolling some dice and consulting a CRT!

In today’s entry, we are going to take a look at a very interesting card called Culper Spy Ring. I very much enjoy the connection of this card to the history of the American Revolution as it deals with one of the more important aspects of the war being that of reconnaissance and spying to gain intel on the enemy’s plans and the makeup and disposition of their forces. The Culper Spy Ring card allows the British/Indian players to Activate 3 Patriot Militia pieces anywhere on the board. These pieces do not have to be located together in the same space but can be in 3 different spaces if the players chooses. This is a very powerful event as the Patriot Militia are generally only able to perform their actions if they are Underground meaning hidden from the British. Typically their Commands and Special Activities for things such as Rabble Rousing (create Opposition to Crown rule), Persuasion (get Resources) and Partisans (attack Royalist pieces), require at least 1 Underground Militia piece be in the space and typically requires that they be Activated or turned face up with their embossed star icon showing. The process of turning up these Militia pieces normally involves a British March Command into a space with Underground Militia but the process of removing them requires an additional step by taking either a Skirmish Special Activity or a Battle Command. This card allows for these turncoats to be discovered and then removed in a later action. If you also read the card above the action description you will notice that it says “Hercules Mulligan arrested”. Hercules Mulligan was an Irish-American tailor, spy, and founding member of the Sons of Liberty. Operating in British-occupied New York City, he used his high-end tailor shop to befriend British officers, gather critical intelligence, and covertly pass military secrets to General George Washington. Mulligan is credited with twice saving General Washington from capture or ambush. He sent secret messages, often via his trusted assistant Cato, warning Washington of planned British traps. I love the history here and am very glad that the design and development team gave a shout out to this little known American hero who risked his life to perform these spy activities in New York City.

The bottom half of the event is for the Patriot/French player and has an immediate powerful effect that can change the odds of an upcoming Battle or wrest control of a key province from the British at an inopportune time. The event simply allows the removal of 3 British Cubes from the board, consisting of British Regulars or Tories, and then placing them into the Casualties Box. This is a key action because it can cause the shifting of the delicate balance for the British between Combined Rebellion Casualties (CRC) versus Combined British Casualties (CBC). This difference is 1 of the 2 parts of the British Victory Condition and the CRC must be higher than the CBC. I also love the text above this benefit as it states “Spies reduce British effectiveness”. This is an homage to the critical work of these spy rings as they often lead to more beneficial and favorable Patriot outcomes to Battles as they were better prepared or knew the British plans before the battle event took place.

The Culper Spy Ring was an American intelligence network established in 1778 by Major Benjamin Tallmadge and General George Washington. Operating primarily in British-occupied New York City and Setauket, Long Island, the ring provided vital reconnaissance on British troop movements, notably exposing Benedict Arnold’s treasonous plot to surrender West Point. The network utilized a chain of trusted individuals rather than trained military spies from all walks of life. Some of the more famous spies in this vital ring included:

Agent 355: An anonymous female member within the ring whose true identity remains unknown, though she is credited with providing crucial insights

Benjamin Tallmadge (alias “John Bolton”): The spymaster and director of intelligence who managed the flow of information.

Abraham Woodhull (alias “Samuel Culper Sr.”): The primary gatherer of intelligence in Setauket, who oversaw the ring’s daily operations.

Robert Townsend (alias “Samuel Culper Jr.”): A Manhattan merchant and journalist who operated within British circles, collecting firsthand intelligence on the enemy.

Caleb Brewster: A daring whaleboat captain who transported the messages across the treacherous Long Island Sound.

Austin Roe: A Setauket tavern keeper who acted as the primary courier, frequently riding the 55 miles between Setauket and New York City.

The Culper Spy Ring is widely considered one of the most successful intelligence networks of the American Revolution. Its greatest achievements included preventing a surprise British ambush on incoming French forces in Rhode Island and securing the intelligence that led to the capture of British spy master John André. The secrecy maintained by Tallmadge was so effective that the true identities of the spies were not discovered by historians until the 20th century.

This Culper spy network was the feature of a television series on AMC called TURИ: Washington’s Spies that aired from April 2016 through August 2017 and spanned a total of 40 episodes.

The story of the drama covers events from 1776 to 1781 and features a farmer from Setauket, New York and his childhood friends who form an unlikely group of spies called the Culper Ring, which eventually helps to turn the tide during the American Revolutionary War. The series begins in October 1776, shortly after British victories, including the recapturing of Long Island and the Port of New York for the Crown, leaving General George Washington’s army in dire straits. The first episode opens with the following introductory text:

Autumn 1776. Insurgents have declared war against the Crown. Following a successful naval landing, His Majesty’s Army has forced Washington’s rebels into the wilderness. New York City serves as a military base of operations for the British. The Loyalists of nearby Long Island keep vigilant watch out for sympathizers and spies.

I very much enjoyed the tv show and loved watching each episode to see the hidden historical details of the Culper Spy Ring be revealed that have been discovered over the past few hundred years since the events of the American Revolution. Just an amazing example of a grass roots and loosely organized group of Patriots who risked their lives and families to ensure that the cause of Liberty prevailed.

In the next entry in this series, we will take a look at Rome Offers Settlement from Barbarians at the Gates, The Decline and Fall of the Western Roman Empire 337 – 476 from Compass Games.

-Grant

Der US-Spielwarenkonzern Hasbro hat seinen Bericht zum ersten Quartal 2026 nach einem Cyberangriff um knapp einen Monat verschoben. Trotz der Verzögerung rechnet das Unternehmen mit einem Umsatz von bis zu 985 Millionen US-Dollar, getragen vor allem von der anhaltenden Stärke des Sammelkartenspiels Magic: The Gathering. Den vollständigen Quartalsbericht will Hasbro nun am 20. Mai vorlegen.

Cyberangriff und vorläufige Q1-Zahlen

Hasbro identifizierte am 28. März einen unautorisierten Zugriff auf das Unternehmensnetzwerk. Nach eigenen Angaben gilt der Vorfall mittlerweile als eingedämmt. Die Auslieferung und der Veröffentlichungsrhythmus von Magic seien davon nicht betroffen gewesen.

Für das erste Quartal erwartet das Unternehmen einen Umsatz zwischen 970 und 985 Millionen US-Dollar, ein Plus von 9 bis 11 Prozent gegenüber dem Vorjahreszeitraum. Der operative Gewinn soll bei 235 bis 245 Millionen US-Dollar liegen – ein Sprung von 38 bis 44 Prozent. Diese vorläufigen Werte sollen mit dem ausführlichen Bericht am 20. Mai bestätigt werden.

Die Folgen des Cyberangriffs werden sich laut Hasbro vor allem im Consumer-Products-Segment niederschlagen. Im zweiten Quartal seien dort Verzögerungen bei Auftragsabwicklung, Versand und Rechnungsstellung zu erwarten, was sich auf Umsatz und operativen Gewinn auswirken dürfte.

Magic als Wachstumsmotor

Magic: The Gathering bleibt der zentrale Treiber für Hasbros Geschäft. Im Geschäftsjahr 2025 stieg der Umsatz mit dem Trading Card Game um 59 Prozent und markierte damit das stärkste Jahresergebnis in der Geschichte des Spiels. Den Höhepunkt bildete das vierte Quartal mit einem Umsatzplus von 141 Prozent gegenüber Q4 2024, getragen durch die Sets zu Avatar: The Last Airbender und Final Fantasy.

Der Konzernumsatz wuchs 2025 insgesamt um knapp 14 Prozent auf 4,7 Milliarden US-Dollar. Treiber war erneut die Sparte Wizards of the Coast, die Magic, Dungeons & Dragons sowie das Digitalgeschäft umfasst und ein Plus von 45 Prozent verbuchte. Das Consumer-Products-Segment mit Marken wie Nerf, Transformers und Peppa Pig ging dagegen um vier Prozent zurück, was Hasbro auf makroökonomische Unsicherheiten und die Tarifankündigungen aus dem zweiten Quartal zurückführt.

Für das Gesamtjahr 2026 hält Hasbro an der Prognose fest, den Umsatz um drei bis fünf Prozent zu steigern. CFO und COO Gina Goetter rechnet damit, dass Wizards of the Coast ein Wachstum im mittleren einstelligen Bereich beisteuert, gestützt durch den geplanten Veröffentlichungsrhythmus und das anhaltende Engagement im Magic-Ökosystem

Toy and game maker Hasbro has delayed its quarterly results by almost a month after suffering a cyber attack, but said it expects to post Q1 revenues of up to $985m thanks to continued strong performance of Magic: The Gathering.

Hasbro said it identified “unauthorized access” to the company’s network on March 28, but believes that access has been “contained” – adding that Magic’s shipments and release cadence had continued unaffected.

The company expects Q1 revenue to be between $970m and $985m, a rise of between 9% and 11% compared to the same period last year – while operating profit is expected to reach $235m to $245m, a 38% to 44% jump.

Those preliminary results are expected to be solidified when Hasbro eventually releases its full Q1 financial report, which is now scheduled for May 20.

Magic continues to underpin Hasbro’s fortunes, with the veteran trading card game’s revenue having soared 59% last year to mark its strongest annual performance yet.

Hasbro saw its wider 2025 revenue rise almost 14% to $4.7bn, driven by a record 45% growth in its Magic, D&D and digital gaming division Wizards of the Coast, the company revealed in February.

Magic’s record-breaking year was capped off by a storming fourth quarter, which saw revenues from the game up 141% compared to Q4 2024 on the strength of the Avatar: The Last Airbender and Final Fantasy releases.

That stellar performance of Wizards, and Magic in particular, was in stark contrast to Hasbro’s consumer products segment – which includes Nerf guns, Transformers and Peppa Pig toys.

That segment saw revenues drop 4% last year “amongst macro and retailer volatility brought on by tariff announcements in Q2″ – and unlike for Magic, Hasbro said that the cyber incident would likely impact second quarter revenues and operating profit in consumer products due to expected order processing, shipping and invoicing delays.

Hasbro added that it still expects full-year revenues to rise between 3% and 5% in 2026. Hasbro CFO and COO Gina Goetter said in February that the company expects Wizards of the Coast to deliver mid-single-digit revenue growth in 2026, “supported by a healthy release cadence and continued engagement across the Magic ecosystem”.

The post Hasbro delays Q1 results after cyber attack, expects revenue rise from ongoing Magic strength first appeared on .

Now the year truly comes to a close. Let’s look back at the eighth full year of this blog.

You can read all of the Farewell 2025 posts here:

• Farewell 2025 – New-to-Me Games!
• Farewell 2025 – Historical Fiction!
• Farewell 2025 – Non-Historical Games!
• Farewell 2025 – Historical Non-Fiction!
• Farewell 2025 – Historical Games!
• Farewell 2025 – Best on the Blog!

The overall blog statistics are pretty meaningless – both last year and this year are skewed by WordPress sending my Farewell 2024 – Historical Fiction! post out to a bajillion people (from Dec 26 to Jan 8), which makes it easily the most popular post of each year (providing more than a fourth of my total views this year). If you factor that out, 2025 has been a good year on the blog, but slightly behind the (organic) record of 2023.

The posts doing particularly well have been the usual suspects, that is, the Most Anticipated Historical Board Games post in January, and the evergreen strategy posts for several games published over the last year. It was nice to see that a few of my research-intensive posts in the American Revolution and the Wallenstein series also did well.

Most of my readers come from the United States (also skewed by the Historical Fiction anomaly, but not entirely), as well as other Anglophone (UK, Canada, Australia) or European (Germany, the Netherlands, Spain, and France) countries. Especially the Dutch have made a leap up… maybe because of my post on the history of Amsterdam? Welkom, anyway.

New arrivals in the top 10 of the countries from which most views stem are Sweden and Poland in a joint Baltic effort.

If you compare views with population numbers, there are possibly no more loyal readers of this blog than the fine people of Ireland, closely followed by Hong Kong, whose views eclipse those of huge countries like Japan, Brazil, or India. The Irish have been devoted to history, board games, and history in board games for some years now, for which I am grateful. The Hongkongers are new in their excitement for the blog – welcome! If you are from Hong Kong, leave a comment below!

I can only speculate what brought people to this blog (but maybe you can enlighten me with a comment, especially if read this blog, but don’t comment often or ever). Here is, however, what I think was the finest which I published this year – as per usual, with six instead of three entries, and without crowning a winner. Let’s go!

“Give Me Liberty, or Give Me Death!” (American Revolution, #2)

Most of the history articles on this blog are about what people in the past did – the politicians, merchants, soldiers of times past. Yet I also like to dwell on what they thought, and thus I’m very happy to have written this post on the political philosophy of the American Revolution, its core value of liberty, and the promise and limitation of that idea. It was also an opportunity to engage with the still-compelling documents of the Revolution – Common Sense and the Declaration of Independence.

Tariffs, Onshoring, and the Board Game Industry

It’s been a wild year politically. Almost forgotten by now is the Great Tariff Rollercoaster of April 2025, in which the American federal government announced tariffs on imports from almost all other countries and then engaged in a flurry of raising, lowering, and holding off on them that made everyone’s head spin. By now, the 145% tariff on Chinese goods imported by US buyers is long gone, but at the time it seemed like an existential threat to US board game companies manufacturing their games in China (so, almost all of them), and given that the current US administration will still be in office for another three years, one worth revisiting.

Wallenstein: Rise

This blog often gives me the opportunity to learn about new subjects. Wallenstein was one of them. I approached the post about his life with not more than a general knowledge about his role in the Thirty Years’ War… and then was sucked into a research rabbit hole in which I read over 2,000 pages about the guy. The result is a four-part series and the longest, most detailed board game assisted biography I have ever written about anyone.

Frederick the Great. A Military Life / Friedrich

…and this blog also allows me to re-visit topics and games with which I have engaged for years (and sometimes decades) now. Frederick II of Prussia is such a person, and Friedrich (Richard Sivél, Histogame) such a game. Reflecting on their insights on Frederick’s campaigns, the command and control exercised, and Frederick’s psychology was a delight.

Amsterdam in History and Board Games

Amsterdam is one of the iconic cities of the world. It is a symbol of art, commerce, and progress, and unique in its canal-structured urban layout. Unsurprisingly, these characteristics have also inspired board game designers. I have told Amsterdam’s 750-year history through the lens of the many board games set in Amsterdam – which gives a glimpse into what the city stands for in the popular imagination. As both this and my earlier Venice post were so much fun to write, I should do more city histories!

Immersive Weimar Playlist

One of my brighter new ideas was to link historical board games to period music. Of course, that works particularly well from the 20^th century on – the age of the music record. I started with an immersive playlist for your next game of Weimar (Matthias Cramer, Capstone Games/Skellig Games/Spielworxx), full of everything that was hot at the time – from traditional songs to jazz, from movie tunes to workers’ songs. It will surely not remain the only such playlist.

And thus concludes the year 2025 on this blog. I hope you had as much fun reading it as I had writing.

I wish you all an excellent year 2026, full of joy, health, and success!