For over five years (but fewer than seven), Postmark Games has published high-quality, low-cost print-and-play games. Oh, you need examples? How about roll-and-move titles like Voyages, Aquamarine, and Waypoints? Or ditties like Battle Card, Scribbly Gum and Koala Rescue Club? Or even 52 Realms: Adventures? Now the company is working on their first coin-flip title, Master of Coin. For today’s Space-Cast!, we’re joined by Rory Muldoon, half of the Postmark team, to discuss the beginnings, current status, and future of the company. How does one build a business on games that players print for themselves? Maybe we’ll find out!
Listen here or download here. Timestamps can be found after the jump.
TIMESTAMPS
2:06 — the origins of Postmark Games: when Rory met Matthew
11:33 — the first game
15:20 — roll-and-moves: Voyages, Aquamarine, and Waypoints
24:52 — licensed games: Battle Card, Scribbly Gum, and Koala Rescue Club
31:55 — Postmark’s compact form factor
40:19 — playing card games: 52 Realms: Adventures and 52 Duels
51:48 — from the customer’s perspective
58:28 — the current title: Master of Coin
(If what I’m doing at Space-Biff! is valuable to you in some way, please consider dropping by my Patreon campaign or Ko-fi. Right now, supporters can read the next installment in my series Talking About Games, this time tackling the topic of what makes a good list! Naturally, the piece includes a list.)
I recently read an interesting announcement on Board Game Wire that Scott Brady (co-designer of one of my favorite party games, Caution Signs, along with some others I really enjoy like Boop and Hues & Cues), is trying a new “proof-of-play” model of publishing through his company, A Game Studio. Their goal and methodology is to make a single, small print run of selected games “to generate real-world sales, player feedback, and retail validation before presentation to larger publishing partners.”
In the interview, Scott mentions a few problems he is trying to solve through this model:
Publishers are passing on great games because they already have a full schedule for the next few years.
Publishers are wary of taking on risk for a big print run without knowing how people will respond to the game.
Mass-market games aren’t a good fit for crowdfunding.
I agree that those are all legitimate problems facing publishers (and designers). This certainly isn’t the only solution or approach, but I appreciate Scott for trying something different. He’s aiming for a single print run of these games at smaller quantities (1500-3000 units), then try to license the game to a studio that wants to invest in a bigger print run.
Of course, like any publisher, A Game Studio has limits as to how many games they can publish, so they may quickly run into the same issue that any publisher faces when they are inundated by submissions. Scott is starting with two games, and he says in the interview, “I am personally staking my reputation on the games I choose to help.”
I have some questions about the model, and I’m genuinely curious to see how it plays out.
If a game does extremely well in the proof-of-play model, wouldn’t A Game Studio prefer to keep it in house?
Are publishers actually looking for more games than they already have in their crowded release schedules?
Is this actually similar to a publisher signing the worldwide rights to a game that’s currently only found in one language or that had a single successful crowdfunding campaign?
Given the slim margins on selling games into distribution and retail, will publishers be willing to decrease their margins on these licenses? In this model, a publisher would pay both the designer and A Game Studio based on the sales they generate.
I 100% applaud Scott for trying to create a win-win-win situation for designers, publishers, and his studio, and I genuinely hope it works. I’m sorry I don’t have a link to his website or where publishers can submit to this process–I can’t find it on any of the articles, and web searches for “A Game Studio” aren’t providing accurate results.
“What’s next?” This was the question on everyone’s minds after we had just wrapped up a 10-month campaign of Betrayal Legacy, and it was time for my monthly legacy gaming group to pick our next campaign. We had already done … Continue reading →
There are times, engaging with this hobby of games, when one is confronted with the very real possibility, regardless of one’s self-esteem, that one is in fact stumbling through this harrowing and at times magnificent experience we call life with a dearth of cognitive capacity.
Put another way, there are games that make you wonder, “Am I a dumdum?”
Thief’s Market, from publisher PickPocket Games and designer Dave Chalker, is just such a game. This is surprising for a few reasons, not least of which is because Thief’s Market is, mechanically, a breeze. It’s a challenge to think of something simpler without tipping over into party games. Each round is divided into two phases: grab some loot, then spend said loot on resource conversion powers and points until someone wins. This is not, in theory, the stuff analytical types tend to lose much sleep over.
The starting player rolls all the dice, which are then placed in the middle of the table along with the first player token. Players take turns drafting dice by either staking a claim from that middle or picking the pocket of a fellow player. If…
Haratama is a trick-taking game from Japan with a horror theme and great art. Every round, three card values are randomly drawn to become the penalty values for the round. That means if you win these cards you will be penalised. This is a game about scoring as few points as possible. Points are bad.
Most standard trick-taking rules apply. You must follow suit if you can. There is a
Rinse and repeat with the after gaming sleeping and eating of breakfast. I was very tired this morning when the alarm went off at 7:30am. I knew I had a big day and hoped that I’d have the energy to do all that I had planned.
First up was a learning game of the brand new The Weimar Republic from GMT Games. The Weimar Republic is a Card Driven Game of political struggle in interwar Germanywhere 4 unique factions compete for dominance including the democratic Coalition, the Soviet-backed Communist Party, Hitler’s National Socialists and the far-right Radical Conservatives. The game covers the Interwar Years between 1919-1933 and represents all of the different fighting factions trying to gain control in Germany’s regions and major cities, to maneuver the political landscape of the Republic, and to dominate through a combination of propaganda, parliamentary elections, street violence, economic influence and ideological zeal. This situation sets itself up perfectly for a game to explore the various parties involved. I was able to get into a game with the Hoosier Herd gaming group from Bloomington, Indiana.
The game appears to be a COIN Series like game as each faction has their own unique abilities and powers but also win in their own way. The game also visually looks like a COIN game as it uses multi-colored wooden cubes to represent influence in the various districts of pre-WWII Germany.
A major focus of the game is the concept of Elections. Each Era has a number of Election Cards (based on the historical number of Elections) that are shuffled into the Event Card decks. When an Election Card is played, both a Regional and a General Election is held at the end of that round. Election scoring is based on players’ Dominance over spaces and Regions, with modifiers such as Middle Class Sympathies, Cadres, military Supremacy, etc. Regional Elections gives Parliamentary Control over the game’s Regions while a General Election can potentially end the game – if anyone but the Coalition wins a General Election, that player also immediately wins the game.
Players draw a hand of cards for each Era and use their AP to conduct Actions. You don’t chose between AP and Event as when you play an Event Card the Event always takes place, unless there are some requirements that aren’t met. You don’t need to play a card every turn – in fact you can’t, as there are fewer cards in a hand than turns in an Era and you may only play one Event Card per turn. However, you always have a basic 1 AP that may be used by itself or in combination with any Event Card played, so during some turns you will be using only that basic point. You can also pass which allows you to discard a card and draw a new one.
I very much like what I was doing but need to grok the rules so I know what I should be doing. We had a good time and I look forward to another play in the near future.
Next up I sat down with Greg Smith to play the upcoming Korean Tide from Compass Games. I took Greg to the woodshed with the Chinese and had a great time with the game. This one is a very good addition to the Tide Series and adds in some new tricks.
One of the things that I liked was the addition of new Divisional Displays which hold the strength points and assets of each division. The player will track the strength points as they are lost and gained but also will keep track of their reserves which is a new concept. Reserves can be used to force a reroll of your opponents dice during combat or to reroll your dice. The reserves are created by reducing the division’s strength points by 1. There are also tank counters that are attached to units, particularly the North Korean units at the start of the game which add a single strength point but also cause the defender to retreat after being attacked regardless of outcome. Both of these additions are very nice changes.
Greg and I played for the first 2 years of the war including 1950 and 1951 and I was able to break his units and destroy several American divisions. But the real thorn in Greg’s side was my 6th KPA unit who was dug in and just wouldn’t die. I was able to continually feed them reinforcements and their combat rolls were amazing inflicting 2-3 losses on the UN forces while taking no more than 1 loss. Such an interesting system and I very glad that I was able to play it.
Next up was a game of Baltic Empires from GMT Games. Baltic Empires covers the tumultuous period in the Baltic region from the collapse of the Teutonic Order in 1558 to the end of the Great Northern War in 1721. The game really focuses on representing both the mercantilist economic thinking of the time, the very limited resources at hand on the state/ruler level and the destructive nature of warfare and its effects on the local economy. When war occurs in spaces infrastructure can be destroyed and it is very expensive to keep replacing units that just die on the battlefield.
The game has 5 factions including Denmark-Norway, Sweden, Poland-Lithuania, Prussia-Brandenburg and Russia. Each power has 2 common victory conditions and 1 or 2 that are specific to that power. The shared victory conditions are either control of 2 custom houses or being the hegemon on all 3 tracks at the same time.
One of my favorite parts was that each turn, 5 Dramatis Personae Cards are randomly drawn from the deck and become available for purchase by the players in the Production phase. These cards have a wide variety of effects, but can be broadly divided into 4 types: those that have permanent effects, those that have one-time effects, those that affect victory conditions and those that provide a special leader unit.
These cards are excellent fun and really create somewhat of a race to purchase the best cards before others can acquire them.
I loved the game and was doing quite well with Sweden as I had captured Riga and Kurland in the Baltics and had built up quite the nice economic engine.
The economic system is simple, but manages to capture a lot of key elements of this period. Each province has between 0 and 3 resource icons and between 0 and 2 city icons. If a workshop marker is present on a resource icon the province produces 1 of that type of resource and if a city marker is present on a city icon the province produces 1 thaler (the currency of the game). There is one twist though, as provinces under noble control will contribute a maximum of 1 of the resources and 1 of the thalers produced in it to the central administration while the rest is discarded as it goes into the coffers of the local nobility. Only provinces where royal control has been imposed will contribute their full income to the player. In addition to this there are 3 trade center provinces on the map, and these generate extra income for their controlling player as they are able to tax the trade there. Just a great little game that I hope to explore further later.
My final game of the evening was a look at The Emperor’s Voice and The Emperor’s Choice coming to Kickstarter soon from Worthington Publishing. I was able to sit down with Wes Crawford to play his game The Emperor’s Voice which covers midnight until noon on August 15, 1945 when an attempted Army coup occurred against the Emperor of Japan in order to stop the surrender. The Emperor’s Choice is about the week leading up to the attempted coup, where the Imperial Cabinet debated over the issues concerning the ultimate decision by the Emperor to surrender. The two games may be joined together to create one longer legacy game that may be played in about two hours, although each may be played separately as a complete game, too.
I played The Emperor’s Voice as the Honor player who is trying to convince the Emperor to call off the surrender. The game is played with each player having a set type of action cards with things like move, plot, force commit, attack and persuade. Each of these actions is used to move into position to influence key figures and generals to sway them to your side with the draw of random chits and event cards to overcome your opponents total influence of the figures.
It’s all very tense and planning is key as you only have a few turns of 4-5 card plays to sway the generals, find the recording to destroy it, pressure the emperor and take out resistance against you. It all works well to create a very interesting and thematic game. I was able to win the game by convincing several of the key generals to my side and then successfully moved the emperor. I ended with 11 total cubes or VP’s to 5 for Wes.
I also played 1 round of The Emperors Choice where players are moving 1 of 6 issues up a track to their side to score VP’s and to gain special abilities from the won issues to assist in their next turn.
Both are great fun and will be coming to Kickstarter in the 4th quarter.
I had a great time today and got in a total of 5 games. I’m a bit beat and my mind is mush but I’m really looking forward to tomorrow as we have a full 6-player game of Imperial Elegy from VUCA Simulations planned and a look at an upcoming WWI aerial dogfight game called Above the Trenches from Flying Pig Games.
I really haven’t been playing enough Conquest for a while now – not because it isn’t good, but it’s a bit of a big ‘lifestyle’ game that demands a lot of time investment (like Age of Sigmar or Warhammer 40,000) and so many other games clamour for my attention. But I was very pleased to see Para Bellum release a completely revamped 2nd edition ruleset for the skirmish version of their game, which is called First Blood. It’s a much easier proposition to get a couple of warbands on the table for a battle than the big rank and flank armies of Conquest: Last Argument of Kings. And whereas before First Blood was really just a cut-down version of its big brother, this new edition feels more like a game in its own right.
I redid my rules and reference from scratch for this new edition. If you get a chance to play, let me know what you think of the game!
Not that long ago, my twelve-year-old daughter listed Tag Team as her favorite title of 2025. When I asked her whether that was still the case, she replied, “I like other games more, but I still like Tag Team.” There we have it, I guess.
Except now there’s a second set, Arthur’s Legacy, that can be played standalone with its own six fighters or merge with the original ten to create infinite possibilities. Or 120, which might as well be infinite. How does it stack up? Honestly, I think it might be the stronger of the pair.
Two of the set’s six characters.
For those coming in late, Arthur’s Legacy keeps the Tag Team formula fully intact. Both players pick two fighters and shuffle their decks together. Then you take those fighters’ two starting cards, one apiece, and order them as you like. When battle kicks off, these cards resolve simultaneously: my first card and yours, then our second cards together.
What happens next is where the game shines. We both take a trio of cards from our larger decks, pick one, and slide it into our battle decks. The order of our previous cards must be preserved, but our new attack (or block or heal or defense or whatever else) can be added before, after, or in the middle of our previous cards. Now we have a battle deck that’s three cards deep. We resolve another clash. Then we add a fourth card. Another battle. Now a fifth card.
We continue adding cards to our battle deck and duking it out until a fighter is KO’d, at which point the game is over. Along the way, our decks grow outward, but only in manageable increments. It’s so simple that one designer friend, in the midst of theory-crafting his own auto-battler, was shocked at its lack of adornment. Which isn’t to say the game is shallow. It’s just that it’s subtle, capable of being played sloppily or carefully, and reliant more on memory and yomi than on flashy stratagems.
My worry, when it came to expansions, was that the design team would clutter what was otherwise such an elegant piece of work. Even in the original set, a few of the fighters were decidedly more complicated than the others. In some cases, this could distract from the actual battle, adding an unnecessary cognitive load over the top of the cards and their all-important ordering.
Here’s the good news: while Arthur’s Legacy is somewhat slimmer than the initial Tag Team, with only six fighters rather than the original ten, this is probably the stronger ingress for newcomers. Instead of bumping up the complexity, Corentin Lebrat, Gricha German, and their added co-designers have kept the powers meaningful and punchy. If anything, the new characters are easier to handle than many of the previous set’s fighters.
Drafting from a selection of three cards.
Naturally, each fighter has its own gimmick. The Dragon sprouts scales that act as makeshift armor, reducing opposing attacks but shedding them in the process. Percival grows more powerful with added cards, performing lots of little n-value attacks that encourage you to focus on his combos, but at the risk of neglecting his partner. Basically he’s self-obsessed, but for good reason. Morgan’s whole thing is dead simple: her gift of foresight lets her see which card her opponent is drafting before she makes her own selection. And the Green Knight offers a miniature game of press-your-luck. He heals fully every round, but many of his abilities lower the ceiling on his actual life pool. This makes him difficult to whittle down, but also prone to killing blows. Prolonged bouts are not his friend.
The last two fighters are a little more complicated, but, again, not by much. My personal favorite is Merlin. He comes with a little sideboard that’s kin to a skill tree. Certain cards let him upgrade his skills, gaining blocks or attacks or heals. These then trigger thanks to other cards, resulting in attack/heal/block combos that are incredibly powerful. Then again, because they only trigger on rare cards, they become fragile and easy to preempt. Arthur’s Legacy continues Tag Team’s tradition of including occasional cards that cancel their foe’s ability outright, meaning a well-timed counter can leave Merlin with his smock down. Or blown up. Whichever way an awkward smock goes.
Lastly, there’s Excalibur. This one is tricky. The gist is that it’s a low-health, high-finesse fighter, almost guaranteed to shatter midway into the match. But rather than ending with a KO, the duel continues with an invulnerable Excalibur. The downside is that Excalibur’s cards now add a “broken” trigger. In nearly every case, these injure Excalibur’s partner. But there are a couple that are even more potent when shattered, like one that damages everyone at the table, or another that lets Excalibur’s partner make an unblockable attack. Perhaps more importantly, this upsets the previous status quo. The order of cards is thrown into disarray, with attacks that previously targeted Excalibur suddenly rendered ineffective. It’s tough to play, but incredibly rewarding at the same time.
Where is Merlin, for I much desire to speak with him?
In nearly every regard, Arthur’s Legacy is an excellent follow-up to one of last year’s strongest two-player titles. It’s a little slimmer than I would have preferred, but it hits the right spot in terms of rules load and complexity. Most importantly, it preserves the system’s elegance. Indeed, it doubles down in that regard. These characters have a clear identity, feel distinct without risking obvious power gaps, and make strong additions to any duo, whether paired with the original or on their own.
A complimentary copy of Tag Team: Arthur’s Legacy was provided by the publisher.
(If what I’m doing at Space-Biff! is valuable to you in some way, please consider dropping by my Patreon campaign or Ko-fi. Right now, supporters can read the next installment in my series Talking About Games, this time tackling the topic of what makes a good list! Naturally, the piece includes a list.)
HELLO GEN CON! We are all ready for these new releases!
[imageid=8916698 medium rep]▪️ Mythologies from Super Meeple is set to release August 12, but will be available for Gen Con pickup as well. This new game is designed by Maxime Babad, Mickaël "Froh" Garcin. Mythologies is a new light civ and tableau building game that plays in 20-40 minutes and plays 2-4 players.
From the Hachette Website:
Summon deities and legendary creatures, build your pantheon, and earn their favor! In Mythologies, you'll journey through the beliefs of the world's greatest civilizations. Choose the right cards, and unleash powerful abilities, overcome thrilling challenges, and position your deities and creatures wisely to gather gems and win divine favors.
With 70 different starting setups and endless combinations, no two games are ever the same. Guaranteed replayability makes Mythologies a perfect match for families and seasoned players alike!
Mountain Goats: Legacy combines dice rolling/combining and events into a longer version of Mountain Goats. But, after the first session, more and more hazards and gameplay tweaks show up. The dice now have a goat symbol — when rolled, you’ll get to use one of the unlocked player powers. These can change with every session! There’s also a new system called “Courage” that greatly affects your ability to mitigate luck and refine your dice rolls.
This game can be played as either a single session or a legacy game. As a legacy game, it is fully replayable and resettable. You will not be asked to destroy or modify components. The first session can also be combined with the original Mountain Goats game.
A package with no sender—what could be inside? It appears there are still treasures to be unearthed and secrets to be unveiled. Gear up with new items and head back into the jungle. The island of Arnak is expecting your return.
Lost Ruins of Arnak: Surprise Shipment is the final addition to the vast and mysterious world of Arnak. The expansion is packed with 50 new cards (30 artifacts, 20 items), two new sites, and an updated site. It comes in a beautifully illustrated box that will complement every player's Arnak collection.
Six Sojourns is a reimagining of Eight-Minute Empire. It's a short area control game full of tough choices, creative strategy and tactics, and high player interaction.
Your goal in Six Sojourns is to grow your family and broaden their influence. Players take turns selecting a card from five on display. Each card has actions that let players build houses, gain ships, move, and gain new family members. The cards also have special abilities and sets of icons that represent your family's expertise in various trades: cooking, carpentry, sewing, shoe-making, art, blacksmithing, and jewelry. Each game, you only select nine cards, and you'll be faced with meaty choices each turn as you focus on trades, abilities, or the map.
When all players have 9 cards, the game ends. Players count victory points, and the player with the most points wins.
▪️ Bézier Games has a small new card game coming out called Warp 99. From designer Reinhard Staupe (La Habana, David & Goliath...), this is a quick-paced card game where you are racing to collect 99 points first. for 2-4 players and plays in 30 minutes.
From the BGG page:
Zoom through space in the super-fast card game Warp 99!
On your turn, add 1 card to your own growing card row—it has to be a bigger number than the last one, and NO repeating colors!
Then blast as many cards as you can onto the 2 middle piles using cool rules like Same Color, Plus 1, or Total 10. Get Stuck? Change the rules! Match extra rules? Get bonus cards! Empty your hand? Get another turn!
Score big points by making long card rows and get 15 more points every time you use up your Personal Draw Deck. First to reach 99 points wins!
Let's get the obvious question out of the way: yes, it's a miniatures game, and yes, that phrase alone is enough to send some board gamers running for the hills. I get it. I was one of you. The idea of assembling tiny plastic limbs with tinier plastic glue, then learning a ruleset that looks like it was fully written for people who already know what a "beam attack" is, felt like I was trying to translate the Necronomicon or something.
Marvel: Crisis Protocol is Atomic Mass Games' skirmish game built around Marvel's absurdly deep bench of heroes and villains. "Skirmish" is doing real work in that sentence: you're not commanding armies or pushing platoons around a table. You're fielding a handful of named, iconic characters and throwing them at each other across a comic-book landscape. This means the game is about how Juggernaut specifically behaves in a fight as an unstoppable wrecking ball, not how many identical soldiers you can cram into a formation. If you've ever wanted Hulk to pick up a dumpster and throw it through a building, this is the game built for that exact impulse.
Here's the game, stripped all the way down. You build a roster of characters ahead of…
Last November, I attended the San Diego Historical Games Convention for the first time and it was one of the best events of 2025. When the SDHistCon board announced they would be putting on a new convention outside of San Diego, SDHistCon North, and invited me to attend, I was absolutely thrilled. Even more so when I learned it was just about an hour flight from Chicago, in St. Paul, Minnesota.
Purple and Gold
Given my undying love of Prince, Hüsker Dü, and the Coen Brothers, it’s strange that this was actually my first time in the North Star State. The downtown St. Paul office buildings, ballparks, and breweries definitely gave it a different vibe from the tiny surf shops, bait shops, and oceanside restaurants of Point Loma in San Diego. The convention itself had a distinct feel, as well. To begin with, it was only a two-day event, as opposed to four in San Diego. While this meant that I had to pack my gaming schedule pretty tightly, it also meant that I didn’t spend too much time exploring the city.
SDHistCon North took place at the historic St. Paul Union Depot. Originally built in 1881, it was rebuilt in 1923 after the original burned down in 1915.…
Over the last few years, there’s been a clear trend of creating “distilled” or more “accessible” versions of larger games. Terraforming Mars has Ares Expedition, 7 Wonders has 7 Wonders Architects, Pandemic has Pandemic: Hot Zone, and Ticket to Ride has its Express line, to name a few. When Wingspan first came out in 2019, […]
Azure Designers: Trevor Benjamin and Brett J. Gilbert Publisher: Bitewing Games Players: 2 Age: 8+ Time: 20 minutes Amazon affiliate link: https://amzn.to/3RjFga2 Played with review copy provided by publisher The Lung Mei, or dragon paths, are lines of … Continue reading →
I have been playing many trick-taking games lately. I am not specifically a
fan of the genre, but I don't dislike it either. If anyone suggests a
trick-taking game, I'm usually happy to play. Torchlit is a
trick-taking game which emphasises making predictions. Based on your
starting hand, you secretly choose one card as your torch. This number is your prediction about how
Another early morning and we met John Sy to have some breakfast before heading to our scheduled game of World Order from Hegemonic Project Games. We met friends Tom and Tim and they had played the game and prepared to teach Mike and I.
World Order is a strategic level 2-4 player Euro-style board game that focuses on geopolitical influence in 7 different regions. Players are the United States, China, Russia, or the European Union in the year 2010 and compete for global hegemony by earning victory points through economic power, diplomacy, and regional control.
Game at setup. You can see the card market where players build up their deck through improved actions.
This game is played over 6 turns and players have a hand of 6 cards with various actions such as trading goods, influencing countries to become your ally, building military bases and placing influence. Each of the regions will score at the end of turn 3 and 6 and players will have to scramble to gain influence to get the most Victory Points in each region with lesser VP awarded for 2nd through 5th place. But each turn you only play 4 cards fur the actions and then use your remaining 2 cards to earn money and gain research points to purchase new upgraded and more efficient actions.
The game features asymmetric factions representing each superpower’s unique strengths and starting resources. Players will have to choose 1 of 3 Focus each round included my domestic, diplomatic or military, which grants specialized bonuses for that turn.
I loved this one. What a game! My Chinese won with 114 points as I was able to control 3 regions but also weasel my way into 3 others to gain lesser points. This one has a lot of moving parts but plays fairly quickly once people know what they are doing. I very much want to play again.
I next got into a 4-player game of Coalitions: Realpolitik from PHALANX designed by Valdemar Gumienny and Andrew Rourke.
Realpolitik is an area-control board game that features action selection cards where players have to play a card for 1 action that turn including taxing controlled areas, mobilizing new forces and battle cards, moving into battles, scoring victory points or then picking up your already played cards. It’s a very smart and slick little game that sees players competing for control of mid-19th-century German and Italian unification wars.
Combat is lite and fun and uses battle cards that add values of 1-5 to your combat totals but each played unit also has unique abilities that can change the battlefield such as destroying a played unit, adding +1 if the Barrie occurs in an area you control. The goal is to get to 25 victory points first and the game is very quick playing 60+ minutes with lots of strategy, creating alliances and working toward your goal of dominating key areas. Just a very fun and interesting game. I was able to guide my Prussians to victory scoring 25 VP first and it came down to the very end as Italy was also close on my heals. I liked it so much that I’m going to get a copy and hope to play the game with our local gaming group. Thanks to Ric Mann fur teaching and for the members of the Hoosier Herd gaming group for playing.
I then met up with Mark Miklos to chat about his newest upcoming volume in the Battles of the American Revolution Series called The Battle of Green Spring. We did a fairly lengthy video interview covering the game and its history as well as discussing his upcoming book called Liberty.
The Battle of Green Spring was the largest field battle fought in Virginia during the American Revolution with over 10,000 combatants. In addition to being noteworthy for its scope, this battle was Lord Cornwallis’s final victory in North America and served as the immediate precursor to the Siege of Yorktown.
I ended Day 3 playing The Adventures of Conan from Gale Force Nine, which is an asymmetric, semi-coop dice game of exploration, sorcery and combat set in the Hyborian age of Conan. We bounced off this one hard. Poor rules, lack of structure and little clarity, which is a shame. The art is fantastic, great components with custom dice but I felt like we had no idea what we were doing or how we were supposed to reliably get things done. We will try to watch a video out there to get an idea about what we are supposed to do and then maybe give it another try.
Anmelden
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