Don’t move. The beast is fierce. But if we show no fear, we might escape.

A new edition of Conquest: First Blood means a new rules and reference!

I really haven’t been playing enough Conquest for a while now – not because it isn’t good, but it’s a bit of a big ‘lifestyle’ game that demands a lot of time investment (like Age of Sigmar or Warhammer 40,000) and so many other games clamour for my attention. But I was very pleased to see Para Bellum release a completely revamped 2nd edition ruleset for the skirmish version of their game, which is called First Blood. It’s a much easier proposition to get a couple of warbands on the table for a battle than the big rank and flank armies of Conquest: Last Argument of Kings. And whereas before First Blood was really just a cut-down version of its big brother, this new edition feels more like a game in its own right.

I redid my rules and reference from scratch for this new edition. If you get a chance to play, let me know what you think of the game!

Icarus, how close is this to full brightness?

Get out of the sun with your Lands of Evershade rules and reference!

Awaken Realms have been creating story-driven adventure games for a while now, but they’ve gone almost full RPG with their newest game, Lands of Evershade. And considering the huge success of their campaign, this RPG/board game hybrid with modular adventures is just what the punters have been looking for.

Yes, the adventures are, as always, elaborate Choose Your Own Adventure branching paragraphs (is there any other way to control the rhythm of a story in RPG-like boardgames, I wonder?), but Awaken have reached a new a level of elegance here. Their games tend to be very rules-heavy, with an emphasis on following complex turn structures that can sometimes feel a bit like ticking off items on a spreadsheet (I’m looking at you ISS Vanguard). Which can work fine because they do demand a level of deep involvement and commitment unlike most casual games, and are often weighted towards playing solo as a result. But Lands of Evershade takes things to a smarter level by combining a simple skill check dice mechanic with detailed player-created characters, and then only layering on bits of complexity for the particular scenario set-piece your characters are involved in.

They’ve also hit that sweet spot, in my opinion, that makes the game something you want to keep taking off the shelf – it’s a campaign, but each full adventure demands a manageable commitment of time and is broken into bite-sized chunks of an evening’s play each. And the tactical combat system is just complex enough to be interesting, without getting bogged down in fiddly rules for things like line of sight, range, and too many special rules.

I’ve only completed the starter adventure, Into the Whitewell, and just started on the advanced adventure, but so far I’m really enjoying this relatively light and fun fantasy game, and I’m very much looking forward to continuing my adventures in this interesting world. The game definitely rests on the quality of its modular adventures, so here’s hoping the high bar set by the introductory one is maintained.

The rules are in the main easy to remember, but here’s my summary, along with a reference sheet that handily replaces the multiple reference cards in the game with one small sheet. The summary is of course also in my app, Tabletop Codex).

There’s something down here, it’s carnivorous.

Don your black leather and grab your Grimcoven rules and reference!

Awaken Realms are now a decade old as of this writing, and their astonishing success and huge creative output has not only made them one of the best publishers in the business, but the flag bearers for huge, over-the-top productions absolutely drenched in theme and atmosphere. A gaming style I’ve had a soft spot for since I bought my first big box Games Workshop games back in the late 80s.

Grimcoven continues the tradition of wonderful excess, but there are some interesting things here that break the mould a little and tell us that the company isn’t just resting on its laurels. First, it’s a boss battler in which you play one-off games – no overarching campaign here (though you can add a little bit of character development with the Personal Stories expansion). Next, there’s something about this game system that, as I was playing, made me think of that much-used word ‘elegant’ – and I can assure you that’s not a word I use often when it comes to Awaken Realms. Unlike their usual style of dense, many-step phases that you can never remember without a reference sheet close to hand, Grimcoven actually flows smoothly and cleverly from step to step (and where it does get a bit complicated, nice little standees remind you of the sequence of steps).

I’m very happy to see Awaken step back from the long campaigns which demand a commitment of months (and often seem end up in solo play mode as a result), and move more into one-off games and more manageable campaign structures (see Lands of Evershade). Not all of us want to leave a game set up for months, or wish to devote that much extended gaming time to a single game.

Grimcoven is packed with content – there are 6 unique hunters, and each of the 6 ‘big bad’ Griefbounds have 5 scenarios of increasing difficulty (plus combinations of elite enemies and minions), plus expansions give you 2 more hunters and 2 more Griefbounds. Then, if the hunters get corrupted enough, they unlock ‘Pretenders’ – semi-Griefbounds that you can also hunt. The game plays out on modular hexagonal tiles with various terrain setups, and special cards give the terrain even more personality. The dice allocation system that powers the hunters’ actions is nothing revolutionary, but it works smoothly and efficiently here, without all the dice modifier jiggery-pokery that slowed down ISS Vanguard.

And you want the system to be smooth, because this game does not go easy on you, and you have to fully concentrate on your tactics to beat your Griefbound of choice. The game demands careful cooperation between players for success, so this is one of the most engaging cooperative combat experiences I’ve had. Also, as your hunters collect lament (the power currency of the game), you can customise your suite of abilities and gain more dice as you simultaneously become more corrupted, which gives the game a lot of forward momentum. While the difficulty can be frustrating at times, there’s a great sense of wanting to come back and try again if you lose, and there are enough interesting choices to keep you planning what you’ll try next time.

I’m highly impressed by Grimcoven so far, but I have a few more games to play yet before my full review. In the meantime, download my rules & reference (also available on Tabletop Codex) and check out my full ‘boss pledge’ unboxing video, released tomorrow!

I’m just a man who’s good at what he does. Killing.

Control Solid Snake with your Metal Gear Solid: The Board Game rules and reference!

Popular game publisher CMON has been having a rough time of it post-tariff-idiocy period, forced to sell of their most profitable IPs and stop new campaigns, but to their credit they really did seem to hunker down and concentrate on getting promised crowdfunded games out to backers while slowly rebuilding the company. I think I’m even getting my Dune: Arrakis expansions soon, finally.

Metal Gear Solid: The Board Game is one of their underrated gems. I played the original computer game way, way back when, but these stealth and action mechanics are so solid, and feel so good, they could have been attached to any similar theme. The bonus for Metal Gear Solid fans is that the scenarios follow the first game’s beats so closely, which supplies a fun nostalgia hit. And like a video game, the scenarios introduce rules and new situations as you go, so you’re not overloaded from the start.

This game is nicely produced, plays smoothly (despite a long-winded and badly organised rulebook), and just works. Stealth mechanics are hard to get right sometimes, especially when you add patrolling guards and security cameras into the mix, but MGS nails it. In between there are some fun boss battling segments that use a deck of custom behaviours to give the antagonists personality. Apparently the crowd-funded version came with a comic book which fleshed out the scenarios, and it is missed here, but you can easily live without the bonus big walker miniature.

In the end, I’d trade one really solid, fun, well-designed game like this for shed-load of useless Zombicide and Marvel-themed plastic crack, but that’s just me. Definitely recommended!

You’re in it now, up to your neck!

Infiltrate the Third Reich with your Reichbusters: Reloaded rules and reference!

I spent a lot of time and money on the original Reichbusters: Projeck Vril. Painting all those miniatures was a huge job, which is why I was very relieved when Monolith bought the property from the crashing-and-burning Mythic Games and promised a new version with better rules. The original version suffered from a fiddly, clunky ruleset that bogged the game down in the second half and frustrated more than entertained. Could Monolith provide a game worthy of all those characterful miniatures?

Well, it cost me a lot more more money to get it of course, but thankfully they did. I’m very happy to say that Reichbusters: Reloaded is finally a fun game that I look forward to playing. It’s not perfect by any means – after the alarm goes off there’s still a lot of enemy wrangling to do – but it no longer feels like a game of two separate parts, one fun, the other not. Instead of constantly fiddling about with noise rolls, you have a pretty good idea how long you can get away with your team killing bad guys before the alarm goes off and all hell breaks loose; and once it does, controlling them isn’t quite so onerous and you still have a very good chance to fulfil your objectives and get out. I also love the way the objectives have been broken into three levels of difficulty – not only can you decide to go for a more difficult objective on the fly if things are going well, but extra objectives increase replayability by incentivising a return to a scenario armed with the knowledge gained on earlier playthroughs.

Thankfully, all the fiddly little tokens have completely gone, replaced by item cards and clearly laid out character reference sheets. In fact, this version is so well done I find myself looking at the original and wondering “what were they thinking?”. Probably something like “that’ll do, we’ll fix it later with an upgrade pack at huge expense”, which is no doubt one of the reasons Mythic went bust.

But enough of the past, Reichbusters: Reloaded is now the fun, frantic, silly, Nazi-bashin’ and alien-shootin’ game I always wanted it to be, and all those many hours of miniature painting were not in vain. Thanks Monolith!

You’ve taken your chances, made your mistakes… and now, a final triumph!

Put it in a museum with your Archaeology: The New Expedition rules summary!

The once popular theme of Indiana Jones-like archaeologists plundering the world for ‘treasure’ certainly hasn’t aged well, and you can count me as one of the people who believes that in almost all cases, countries are entitled to display items belonging to their own history and heritage rather than have them stolen by colonialist powers and never returned. But I’ll get off my little soapbox now and say that Archaeology: The New Expedition, despite the slightly long-in-the-tooth theme, is a great little set-collection push-your-luck game that I’ve enjoyed as a light diversion for many years now (the original Archaeology: The Card Game from 2007, that is) and it’s great it got a revamp.

The latest version introduces a little bit more variety to the gameplay, with various monument sites you can set up that shake up the actual plundering part of the thematic framework, represented on small, solid tiles. The artwork is vastly improved and in fact the game is better all round, so it’s a no-brainer if you want a fun little card game to take with you on your travels. Most recently my partner and I played a lot of it on a trip to India, though I was frustrated by the fact she constantly seemed to win, despite the fact it’s a very luck-driven game!

By the way, because this is a very small sheet designed to fit in the box, I’ve put the Setup instructions on the flip side, in order to keep most of the game play information on the front. If you’re wondering …

But it is not this day! This day we fight!

Be victorious on the battlefield with your Kings of War rules & reference!

I’ve been covering a lot of Mantic Games lately (especially since a certain other company decided they didn’t want the support of content creators), and I’ve been very pleasantly surprised by their offerings. The new Epic Warpath is a great system with a wide range of classic scifi factions to play with, and Halo: Flashpoint is coming into its own as the range of available models increases. But the one game of theirs I haven’t explored yet is Kings of War. It’s perfect timing then, because the new 4th edition has just been released!

Kings of War is a classic ‘rank and flank’ fantasy tabletop miniatures game, in the tradition of the old Warhammer Fantasy Battle (now Warhammer: The Old World). It’s been interesting to see these old regimental games enjoy a resurgence of popularity – Hobgoblin and Conquest: Last Argument of Kings are two others – and there’s certainly something very satisfying about pushing around trays of warriors in neat rectangular formations. Kings of War commits completely to the concept because you actually model the miniatures attached to the base, rather than have them individually standing on it. It may mean a lot more modelling – building and painting 10 miniatures to make a single unit is a big job – but it certainly looks spectacular when you have a full army on the field.

As for the rules themselves, they’ve been cleaned up from previous editions. I haven’t played yet (I’ve been busy painting, which is now all done – watch out for a tips video), but will film a game when I do so you can see how it goes; but Mantic have a habit of making very solid rules systems, so I have high hopes. The new starter set Claws in the Sand is a good introduction box for new players and features two unusual small armies – the aquatic Trident Kingdom and the Medieval Japanese-syled dogmen of the Xirkaali Kingdom.

In the meantime, here’s my rules and reference to make your games easier and smoother – and of course you can also find it in my rules app Tabletop Codex!

Now, there will be some shooting.

Remember the Reach with your Halo: Flashpoint rules & reference!

As mentioned in yesterday’s video, I’ve updated my Halo: Flashpoint rules & reference to encompass the two new expansions, Rise of the Banished and Feet First Into Hell! But if you were quick and immediately downloaded it, check again, because I discovered a keyword was missing and have updated it again to v2.1. Enjoy!

Never set foot on the wrong side of history.

Conquer worlds with your Epic Warpath rules & reference!

It’s been a bumper time for fans of epic scale wargaming lately, and Mantic Games has got in on the act by Kickstarting an entire range – 8 factions – for their own epic system, Epic Warpath. I received the starter set, a couple of large resin models, and some epic scale building sets for review, and as I write the painting is finally done and I played my first game last week – and had a blast!

The rules are a nice mixture between old and new, using the command dice system from Deadzone and the order tokens pioneered in GW’s original Adeptus Titanicus and still used in their recent epic scale game Legions Imperialis. Order and combat tokens do a very nice job of tracking each unit’s current status during the game, so you can see what’s going on at a glance, and the combat system is straightforward and effective. It wasn’t long before the rules began to recede into the background during our first game and we could concentrate on what was happening on the table. The order of the rules in the book is a bit clunky however, and I’ve tried to improve comprehension with my rules & reference. Stayed tuned for a battle report video as soon as I get an opportunity!

The miniatures look great and there’s a minimum of fiddly construction, which is good to see. For me the big draw here over GW’s offering is the variety and distinctness of the available factions – and the fact they’re all available up front. While GW seems obsessed with their Horus Heresy, Mantic is having fun putting space rats, dwarves, zombies and weird aliens together on the tabletop, and to me that’s far more enjoyable than civil war amongst space marines.

To see what you get in the starter set, check out my unboxing. More to come!

They ate him! Can you believe that? They ate him!

Survive the night with your The Bloody Inn rules summary!

If there’s one thing that attracts me to a new game it’s a distinctive theme. Based on the true story of L’Auberge rouge (The Red Inn), where in 1831 the inn’s owners were guillotined for multiple murders, not to mention other dark deeds, The Bloody Inn is a great game that mixes dark humour with European gothic.

Definitely not the same old themes here then! Players are family members competing to make the most francs by hosting guests at the inn – though it’s far more profitable to just murder the guests and bury them somewhere in the yard. And you will have to bury them, because leaving bodies around is a sure way to get nabbed by any police that show up at the inn, though you can always bribe the local gravedigger to get rid of the evidence at the last minute.

There’s a lot going on here for a card game, but thankfully the cards fulfill multiple roles. You’ll discard cards to pay for accomplices, all of which have particular specialisations – bribing other characters, murdering guests, building annexes to bury the corpses under, and burying the corpses. But you’ll have to keep paying them to keep using them (though a couple of peasants will work for free, they’re discarded at the end of each round). To juggle this bunch of actions efficiently you’ll need to plan ahead, because you only get a stingy two actions per round. And this is where the real challenge kicks, in, because getting the cards to help you do those actions cheaply and actually doing the actions, is a tricky balancing act. On top of that, there are only so many francs you can accumulate before you’ll have to pass a turn and launder some of it into 10-franc cheques.

The Bloody Inn is one of those games where you always forget the rules each time you play it, so this rules summary should prove very handy for picking it up again quickly. But it’s always an entertaining game and its dark theme is played completely for laughs, like a 1970s comedy horror film. It’s all enhanced even further by the addition of The Carnies expansion which adds three modules to the game, including a bunch of disreputable folk from a travelling carnival.

That’s the last goddamn hitchhiker I ever pick up.

Escape the farmhouse with your The Texas Chainsaw Massacre: Slaughterhouse rules summary!

Despite being a huge aficionado of horror cinema, I got around very late to watching The Texas Chainsaw Massacre – too late really, as unfortunately the transgressive, dangerous aura it had when I was young had long rubbed off by that time. This can happen as I finally get around to watching a few films that were once deemed ‘video nasties’, long past the cultural zeitgeist they were born in.

A lot of people would consider it their favourite horror film however, though my taste runs to the fantastical rather than slashers. Be that as it may, this board game version by the sadly defunct Prospero Hall studio could become a tabletop favourite. It’s a tight, lean, enjoyable horror romp in the old Sawyer house that nails its theme and provides lots of (nervous) laughs and tension alike.

One player plays the unhinged Sawyer family, the others the ‘trespassers’ – the clueless young people who stumble across the house and quickly learn the error of their ways. Most actions as a trespasser carry the risk of generating noise tokens that you may have to hand over to the Sawyer player as fear tokens, who can use them to power their actions. Not an original mechanic – The World of SMOG does something similar – but it works perfectly here.

The Sawyer player starts with just one character, but as the panic meter (a big cardboard chainsaw) increases, more characters emerge, culminating in the appearance of good ol’ Leatherface himself. At which point the trespassers are really in trouble. And while the trespassers can quite easily be killed (a clever system of drawing 4 different injury cards), attacking the Sawyers only reduces their number of actions. Everything reinforces the cat-and-mouse feel of the gameplay, as the trespassers uncover horror tokens throughout the house and can briefly hide in rooms for a brief respite from pursuit. The basic rules system is enhanced by several scenarios with different goals, plus a very simple legacy system that adds item cards left behind by previously killed trespassers to the common item card pool.

Unusually, there are no win conditions as such – the goal is simply to survive, which is thematic and all, but raises questions if one player is playing 2 trespassers, and 1 escapes – is that a win, or do you keep playing? One of the game designers told me players can come up with their own ideas about success, and that the goal was to make a game that felt like a horror movie. Which is fine, though this is still a game … anyway, it’s a small issue. There are also some omissions in the rulebook, but all that is fixed in my summary.

Overwhelmingly however, this is a huge success and a fitting swan song for the creative people at Prospero Hall, all of whom, I hope, are still gainfully employed in making more games that blend theme and gameplay with such success.

I can remake you, just as I was remade.

Control the city with your City of the Great Machine rules & reference!

This game was brought to my attention by a great review on Charlie Theel’s Player Elimination website, and as usual, Charlie didn’t steer me wrong (well, there was that Fate of the Fellowship review, but there’s always an exception to the rule). City of the Great Machine is one of those rare games I like so much in which mechanics and theme are inextricably intertwined.

It’s a one-vs-many struggle set in a steampunk city dominated by a mechanical overlord – sort of George Orwell meets H. G. Wells. Players are Revolutionaries trying to inspire citizens to riot against oppression; the Great Machine has time on its side and a legion of automata to quell the dissent.

City of the Great Machine blends hidden movement, resource management, and asymmetric gameplay in a wonderfully thematic package – and it can also be played solo or co-operatively. It’s a stunning production with an excellent artwork, a well-written rulebook and comprehensive support material, and some very nice miniatures as a bonus. I enjoyed this at 2 players, but I’m very much looking forward to to playing this at a higher player count so players can scheme amongst themselves in the presence of the Great Machine (the rulebook expressly tells you to refer to players as Revolutionaries or the Great Machine, in one of many thematic touches). And, dare I say it, its theme of revolution against autocratic technology is more relevant than the glossy layer of steampunk initially leads you to believe.

There’s a wealth of strategic material in the rulebooks, but this summary distills the rules into an easily digestible few sheets. And of course, it’s available on my app, Tabletop Codex!