Tom Lehmann is one of the sharpest card game designers in the biz. Responsible for highly regarded engine builders such as Race for the Galaxy, Jump Drive, and Res Arcana, he has branched off to ply his trade in the somewhat creaky deckbuilding realm. The result is a mashup of traditional aspects riffing on Dominion…

Read more →

For the last few years, I’ve been buying bar soap from a friend who makes custom soap as a hobby in the greater St. Louis area (Nerdy Bird Nest). In early 2025, after buying my latest batch, I had a wacky idea: What if we worked with Jenna to make soap that smelled like the themes for several of our games?

We already find a variety of ways to make game nights more immersive (thematic music, food, drinks, etc)–why not add to the immersion with soap that reminds us of the gritty landscape of Scythe or the vineyards of Bordeaux?

It seemed like a great fit for our series of silly-but-real April Fools products, and Jenna agreed…but she said it was already too late to have the soap ready in time for April 1, 2025. So we decided to plan ahead for 2026.

The extra time was a big help, as it gave Jenna time to experiment with different ingredients, fragrances, and colors. After a few months, she shared with me a total of 6 different bars that smelled and looked like Euphoria, Scythe, Finspan, Viticulture, Apiary, and Wingspan:

Making soap is just a hobby for Jenna, so I asked her for full honesty in regards to how many bars of soap she could comfortably make over the next few months and still have fun with the process. She said would be comfortable making 100 of each bar, which is far more than she’s ever made of even a single type of soap in the past.

So while Jenna made the soap (a process that is just as much about waiting for the soap to set as it is about mixing the ingredients), I collaborated with our graphic designer to design two sets of boxes. We decided to sell the soap in sets of 3 so we could reach more people (200 people instead of 100).

I looked into box manufacturers in the US, but I found the same thing I’ve found with various US manufacturers: Less customization, less personal, limited communication, odd scaling, and higher costs. In contrast, Panda made the process incredibly easy. They quickly printed the boxes and sent them to us, and I handed them off to Jenna at our monthly cookbook club.

I also looked into the possibility of shipping the soap from the US over to our fulfillment centers in Canada, Europe, and Australia. There were several key problems with that idea, though: The shipping would have significantly increased the price of the soap, it would have spread such a small quantity even thinner, and most importantly, each region has its own regulations and certifications for beauty products that added risk and expense. So I made the call to only offer the soap on our US webstore.

Real April Fools products are always a bit odd, as people generally assume they’re not real. However, enough people clicked through to our webstore on April 1 that the soap sold out in just over 10 minutes.

I genuinely never want to have such a limited stock of anything, but I think people understood that there was an individual human behind the creation of these soaps–Jenna is just one person, not a factory, and there truly was a limit to how many bars she could make. However, Jenna can make more, and if/when she does, she’ll share them on her Etsy store.

If you were among the 200 people who bought the soap on April 1, I look forward to hearing your thoughts upon receipt. For everyone else, what game world would you like to see as soap?

***

If you gain value from the 100 articles Jamey publishes on this blog each year, please consider championing this content! You can also listen to posts like this in the audio version of the blog.

Und sonst so
Play Store App im Closed Test
„Kleine Zeithelden“ Uhr Lern App für Kinder

Print and Play Bastelecke
Scoundrel
Scoundrel Poker Deck

Was habe ich gespielt?
boardgamearena.com: – – –
Fantasy Ink
Light Speed Arena
Stapelsalat
Boss Fighters QR

Podcast Hinweis

Bluesky – @vintersphrost.bsky.social
Mastodon – @vintersphrost@brettspiel.space
Boardgamearena.com – vintersphrost
Yucata.de – vintersphrost
tutti.ch: https://www.tutti.ch/de/seller?id=2079528265671090841
Instagram – https://www.instagram.com/vintersphrost/
YouTube Hörspiel Einspieler – https://www.youtube.com/playlist?list=PLCER_eNjl0R-Rzev5IMG2uufJSbXt01Mp

💾

“The largest U.S. carriers seek to capture corporate travelers and affluent leisure passengers who are willing to pay more for comfort. Increasingly, airlines are betting on selling fewer seats at higher yields rather than packing planes more densely with standard economy passengers.” —NTD

Here’s how one might rewrite this quote if it were about tabletop crowdfunding:

“Tabletop publishers seek to capture affluent gamers and those who want to focus on fewer, deluxified games. Increasingly, publishers are betting on selling expensive games (lower total quantities) at higher yields rather than lower-priced games (higher total quantities) at lower margins.”

Two recent examples are Brass Pittsburgh and Slay the Spire: Downfall. Both campaigns are impeccably crafted and highly successful: Even just a few days in, they’ve raised close to $7 million combined.

If I wanted to pledge to the highest core levels for both campaigns ($425 for the game and expansion for Slay the Spire and $350 for all three Brass games), I would spend close to $800. Out of around 31,000 backers between the two campaigns, close to 3,000 people have already backed at those levels (around 10%). These top pledges have raised around $1 million out of the combined $7 million total (around 14%).

Clearly there is an audience for these top-tier reward levels, particularly for highly acclaimed games that have earned their value (Brass Birmingham is ranked #1 on BoardGameGeek; Slay the Spire is #18). Perhaps at least part of this stems from hobby gamers with bursting collections who want to focus on fewer, fancier games.

Unlike airlines, however, there isn’t limited space on a crowdfunding campaign–these publishers have found a way to serve more budget-conscious backers too. Roxley included a $79 reward for Brass Pittsburgh (821 backers) and Contention Games included an $84 reward (2325 backers) for the Downfall expansion.

Another example is Garden Club, which has a $39 level and a $69 level on Kickstarter now. Chris Couch Games can serve both budget-conscious backers who just want the game and wealthier backers who want everything.

Here’s my hope: Selling some premium, high-margin products can help publishers maintain lower prices for the masses.

What do you think? How do you feel as a consumer right now, and what would you like publishers to learn from these campaigns? Is there such thing as an economy that serves all types of people?

***

If you gain value from the 100 articles Jamey publishes on this blog each year, please consider championing this content! You can also listen to posts like this in the audio version of the blog.

One thing a board game will never formally have, is an overture. The three hour and 47-minute epic Lawrence of Arabia begins with a four-minute piece that encompasses a medley of themes pertaining to the film’s atmosphere, setting, and characters. It sets the stage for the powerful cinema you are about to experience. The closest…

Read more →

Every month, I update the progress chart on the News page of our website so anyone can see the current status of any Stonemaier project. There are 12 steps (some overlapping, some sequential) that define the process from design to retail release. If you’re curious about what each step entails, here’s a brief summary, along with the approximate timeframe for each.

1. Design (6-24 months): Take the game from an idea to something fun and functional. This includes prototyping and local playtesting. If you’re submitting the game to publishers instead of self-publishing, most of your responsibilities end here.
2. Art (3-6 months): Create the art for all components in the game, including (as needed) cards, tiles, boards, player mats, the box, etc. If there are miniatures, 3D modeling is also necessary.
3. Development (2-3 months): Make the game even more fun and functional by playing and honing the game. Focus on rules clarity, gameplay intuitiveness, and balance. This overlaps with blind playtesting.
4. Blind Playtesting (4-8 months): Send the files for the game to paid playtesters who assemble the game, learn it from the rules, and play it several times before reporting their experiences. Use those reports and data to update the game (ideally with support from the designer), then start another wave of blind playtesting.
5. Solo Design (3-5 months): Solo specialists (e.g., Automa Factory) craft the solo mode for the game based on the final rules/prototype. They also prototype it extensively, sometimes discovering new balance issues to address in the multiplayer game.
6. Graphic Design (3-4 months): Design the icons, layout, and user interface, then transfer all the content from the prototype into these templates. This also includes the proofreading and oversight process, with the graphic designer updating the files with each new batch of edits. Graphic design culminates in the graphic designer preparing the printer-ready files based on the manufacturer’s specs.
7. Pre-Production (1 month): The manufacturer reviews the final PDFs and tokens for any issues that might arise during production. Usually there’s some back and forth (digitally and via samples) until the digital proofs and components are approved by both parties. This culminates in the manufacturer sending a PPC (pre-production copy) to the publisher for them to test–this is a single copy of the game printed on its own.
8. Components (2 months): The manufacturer (and any third-party factories they outsource to) produces the diecuts for tokens and moulds for miniatures, as well as actually making those components at scale. They also prepare for the printing itself–for most printed components, the prep takes longer than the printing. Anything that needs to be glued takes longer (i.e., boards, player mats, and the box), as the paper needs time to dry properly to the cardboard.
9. Print & Assemble (1 month): Cards and rulebooks are printed en masse. Now, with all the components ready and in one place, they can finally be assembled into the game boxes and placed in cartons (they may also be palletized).
10. Freight Shipping (1-2 months): From factory to final destinations, the games go by truck to train to ship to train to truck until they arrive at warehouses around the world. This applies no matter where you make products–it’s a global economy. It’s at this time that we typically announce and start to market our products.
11. Launch & Fulfillment (1 month): This is specific to Stonemaier Games, as we don’t sell products until they have arrived (or are imminently arriving) at our fulfillment centers in the US, Canada, Europe, and Australia. The hardworking folks at these fulfillment centers then pack every order, pair it with the correct label, and send it out with many others via couriers.
12. Retail Release (1 month): While the webstore launch is in progress, distributors and the publisher gather orders from retailers. This is why it’s super helpful for you to let your store know what you want to buy from them–that way they can ensure they have a copy of the product just for you in time for the retail release day.

Not shown here is the reprint process, which starts a little before step 8 (usually there’s a least a few files in which we make tiny updates before making more of a product).

These are only brief summaries of the steps, but I’m happy to answer questions in the comments.

***

Also read:

• Board Game Supply Basics
• An Open Letter to Non-Gamer Journalists Researching Modern Tabletop Games
• How to Design a Tabletop Game
• The Hidden Job of Every Creator
• My Game Publishing Checklist

If you gain value from the 100 articles Jamey publishes on this blog each year, please consider championing this content! You can also listen to posts like this in the audio version of the blog.

Print and Play Bastelecke

Was habe ich gespielt?
boardgamearena.com: Toy Battle, Skara Brae
Light Speed Arena
Crisps!
Soviet Kitchen Unleashed
Pili Pili

Podcast Hinweis

Bluesky – @vintersphrost.bsky.social
Mastodon – @vintersphrost@brettspiel.space
Boardgamearena.com – vintersphrost
Yucata.de – vintersphrost
tutti.ch: https://www.tutti.ch/de/seller?id=2079528265671090841
Instagram – https://www.instagram.com/vintersphrost/
YouTube Hörspiel Einspieler – https://www.youtube.com/playlist?list=PLCER_eNjl0R-Rzev5IMG2uufJSbXt01Mp

💾

With college basketball’s March Madness tournament underway, I’d like to announce a new experiment: The Tabletop Power Rankings.

I’ve always enjoyed subjective and objective rankings in sports (e.g., the weekly BCS rankings for college football and the Premier League standings in English football). I like checking in to see how different teams are moving up or down the rankings and to see how they are perceived.

I’ve also recently renewed my fascination with anticipation following last year’s article about the most-viewed tabletop YouTube videos. Since then, I’ve posted a monthly video showcasing my most anticipated games to play again.

The confluence of these two interests have now formed the Tabletop Power Rankings. The concept is a monthly reveal of the top 10 games (plus the top 5 Stonemaier games) that people are the most excited to play again after playing them at least once.

That last phrase is particularly important, as it places the emphasis on what we already have (and have firsthand experience with) instead of what we don’t have (and haven’t even played). As much as I enjoy the BGG Hotness, it’s typically filled with future releases.

I seeded the initial rankings based on a Stonemaier Ambassador survey, but now anyone can participate: here is the current 3-question voting and nomination link for the next month.

While the exact format might change, my plan is to post the overall top 10 each month along with a survey that replaces the 3 lowest voted games with the top 3 nominations from the previous month.

Overall Games (March 2026)

1. SETI
2. Galactic Cruise
3. Slay the Spire
4. Bomb Busters
5. Speakeasy

This will expand to a full top 10 starting in April. At that point I’ll add previous rankings and months on the rankings.

Stonemaier Games (March 2026)

1. Viticulture
2. Vantage
3. Wingspan
4. Scythe
5. Tapestry

Here’s what the initial ambassador survey looked like. I’ve since separated non-Stonemaier games from Stonemaier games and opened the survey to everyone.

I’ll reveal the new Tabletop Power Rankings the first Wednesday of each month on our website and on my anticipated games video.

I hope you choose to participate in this experiment (survey link)! If you have any ideas, suggestions, or questions, please let me know in the comments.

***

If you gain value from the 100 articles Jamey publishes on this blog each year, please consider championing this content! You can also listen to posts like this in the audio version of the blog.

Zurmat is a small Pashtun district south of Kabul. In 2007, It was a tense region with a fragile sense of order. The Taliban moved throughout the villages and roads at night, issuing threats to dissuade cooperation with the Afghan government. Zurmat is also a wargame. Some soldiers write about their experience. Tim Densham designs.…

Read more →

Print and Play Bastelecke

Was habe ich gespielt?
boardgamearena.com: Mountain Goats, Dice Missions, Trailblazers
Light Speed Arena
Carp City
13 Leaves
Köder

Podcast Hinweis

Bluesky – @vintersphrost.bsky.social
Mastodon – @vintersphrost@brettspiel.space
Boardgamearena.com – vintersphrost
Yucata.de – vintersphrost
tutti.ch: https://www.tutti.ch/de/seller?id=2079528265671090841
Instagram – https://www.instagram.com/vintersphrost/
YouTube Hörspiel Einspieler – https://www.youtube.com/playlist?list=PLCER_eNjl0R-Rzev5IMG2uufJSbXt01Mp

💾

Almost exactly 1 year ago today, Mitchell and I recorded our first episode of the 30-minute Positively Board Gaming Podcast. Today we will record episode 52 for release next week (episode 51–focused on the mechanism of delayed gratification and custom dice–went live this morning).

As much as I enjoy chatting with Mitchell, I was nervous about adding yet another form of content to my current weekly schedule for Stonemaier Games: 2 articles, ~4 videos, 1 livecast, and 7 Instagram posts, plus monthly Rolling Realms liveplays and quarterly launch videos and design diary posts. Creating all that content takes time, as does participating in the ensuing conversations.

Also, I know from years of being a guest on podcasts that it’s really easy for a 30-minute conversation to end up more like 60+ minutes if you include the preparation, warm-up, the podcast itself, and the post-recording chat. I’ll say yes to pretty much any podcast or video chat, but after 30 minutes I start to check out as I think about all the other work I need to do (and want to do).

Despite these concerns, I’ve found myself looking forward to 30 minutes with Mitchell each week, and it seems that people have enjoyed our positivity as well. I don’t know the audio stats, but the videos average around 1,000 views with great discussions in the comments.

Here are a few key things I’ve learned and remained mindful of during the first year of Positively Board Gaming (and as an avid listener of many podcasts):

1. The delicate balance between familiarity and inclusivity. Any episode might be a listener’s 50th experience with our podcast or their 1st. I want repeat listeners to feel a sense of comfort from the podcast, like they’re just hanging out with friends. But I also want a new listener to feel welcome. We’re still navigating this balance: When do we overexplain the format (e.g., we don’t need to tell listeners that we’re going to discuss a treat of the day–they know what a treat is) and when do we underexplain it (e.g., is it relevant to tell people that neither of us knows the other person’s topic each week)?
2. The delicate balance between dialogue and monologue. Mitchell and I each bring a topic to the table each week, and we allot around 10 minutes each. 10 minutes can fly by when it’s a back-and-forth dialogue (which is my preference, as I talk to myself on camera all the time), so I try to ensure that the person who raised the topic has the time to share what they wanted to say about it.
3. The delicate balance between focus and variety. As a podcast listener, I find that I’m the most drawn to gaming episodes about 1 specific game, maybe 2 at most. Tabletop Takeaway, One-Stop Co-Op Shop, and Lens & Veil are a few that do this well, though there are others (like The Secret Cabal) that have a more varied chat before focusing on a specific game–I like that too. However, I find myself less inclined to only discuss 1 game on our podcast because there isn’t much Mitchell can say about it if he hasn’t played it too. Perhaps I’ll experiment with this in the future to see if can work.

I’m guessing that the balance I’m describing isn’t unique to us, hence why I’m sharing it here. Whether you’re a content creator or a listener/viewer, I’d love to hear your thoughts about how podcasts balance these elements and what makes keeps you coming back to the podcasts you love. Feel free to also share your favorite gaming and non-gaming podcasts!

New episodes of Positively Board Gaming are available every Thursday morning on YouTube and various podcast platforms. Also, I highly recommend the Overcast podcast app–it is heads and tails above any podcast app I’ve used in the past.

***

If you gain value from the 100 articles Jamey publishes on this blog each year, please consider championing this content! You can also listen to posts like this in the audio version of the blog.

There are few acts of violence more righteous than killing Adolf Hitler. On July 20th, 1944, German Colonel Claus Von Stauffenberg attempted to do just that. Not to spoil the 2008 Bryan Singer film, but von Stauffenberg failed thanks to the leg of an oak table. The 2016 board game Black Orchestra allows players to…

Read more →

Print and Play Bastelecke

Was habe ich gespielt?
boardgamearena.com: Stone Age, Toy Battle, Dice Missions, Dewan
Super Fantasy Brawl
Crisps!
Light Speed Arena
Carp City
7 Wonders
Dewan
Piña Coladice
Light Speed Arena

Podcast Hinweis

Bluesky – @vintersphrost.bsky.social
Mastodon – @vintersphrost@brettspiel.space
Boardgamearena.com – vintersphrost
Yucata.de – vintersphrost
tutti.ch: https://www.tutti.ch/de/seller?id=2079528265671090841
Instagram – https://www.instagram.com/vintersphrost/
YouTube Hörspiel Einspieler – https://www.youtube.com/playlist?list=PLCER_eNjl0R-Rzev5IMG2uufJSbXt01Mp

💾

It’s 1998. Goldberg is dominating the only wrestling league that matters. The Wolfpac is running wild, and that damn cattle prod is about to make an appearance at Starrcade. But that hasn’t happened yet. Right now, a Totino’s pizza is crackling to life in the oven. My buddy Chris is spending the night, and we…

Read more →

With our 2025 tax calculations now complete, it’s time for me to share the annual Stonemaier Games stakeholder report.

A “stakeholder” in Stonemaier Games is anyone who has an impact on our company and a stake in our story, whether it’s my coworkers, contractors, customers, Champions, Ambassadors, retailers, distributors, localization partners, artists, designers, readers, etc. So if you’re reading this, the transparency in this post is out of respect and appreciation for you.

Joy is always our goal–we don’t measure success by money, units sold, rankings, followers, or awards. Those are just metrics. So all of the data aside, I truly hope we were able to create some joy for you in the last year, and I’m grateful for your connection to Stonemaier Games.

2025 Revenue and Personnel

We use the accrual method for accounting (expenses and revenue count in the year when we ship the products to the customer). Our total revenue for 2025 was $25.1 million. The sources were distribution (34%), Stonemaier webstore (21%), localization (19%), direct hobby retailers (9%), Amazon FBA (13%), and digital game royalties (4%).

For comparison, revenue was $23.7 million in 2024 (actual profit is a much lower number on any given year; we consistently reprint almost all of our games, so the majority of our profits are reinvested into manufacturing, freight shipping, and personnel). Please note that comparing annual revenue isn’t particularly relevant, as changing the timing of a large first printing or restock by even just a month can shift millions from one year to the next. 2025 was also a particularly release-heavy year, and Vantage is among our more expensive games. Even with the increased expense of tariff taxes, we did not increase our prices.

We have no debt, nor did we take any loans in 2025. As usual, cash flow was tight at certain times of the year due to the gap between when we need to pay Panda (our manufacturer) and when distributors pay us, but we make it work. (I mention this to dispel the notion that profitable companies are always flush with cash.)

• Full-time employees: 7 (Jamey, Joe, Alex, Dave D, Susannah, Erica, Christine)
• Part-time employees: 1 (Alan)
• Every day contractors/partners: 4 (Morten, David, Dave H, Shannon, and Karel)
• Number of cats: 6
• Number of dogs: 3
• Independent contractors: 100+
• New games (including re-releases): 7
• New expansions: 2
• New accessories: 5
• Crowdfunding campaigns: 0
• Shareholders: 30 (including all 8 Stonemaier employees)

Here’s a longer list of everyone who has an impact on Stonemaier Games, including demographics (photos of many of them are here).

We warehouse and ship our games from Miniature Market for our products in the US, from Asmodee Canada for our products in Canada, from Spiral Galaxy in the UK to serve Europe, and from Let’s Play Games in Australia for Oceania/Asia. My coworkers and I work from home.

Games in Print

The quantities below are the lifetime units in circulation for each game (just the game, not expansions, accessories, or promos) in all languages released in 2025 or before, and the BGG rankings are as of today. If you haven’t rated our games, you can do so here!

• Viticulture: 273,584 units (BGG rank: 44)
• Euphoria: 44,000 units (BGG rank: 678)
• Between Two Cities: 56,900 units (BGG rank: 889)
• Scythe: 601,102 units (BGG rank: 26)
• Charterstone: 97,500 units (BGG rank: 625)
• My Little Scythe: 68,500 units (BGG rank: 837)
• Between Two Castles: 58,000 units (BGG rank: 771)
• Wingspan & Wingspan Asia: 2,639,429 units (BGG ranks: 38 and 89)
• Tapestry: 91,650 units (BGG rank: 293)
• Pendulum: 49,200 units (BGG rank: 3786)
• Red Rising: 154,800 units (BGG rank: 1055)
• Rolling Realms & Rolling Realms Redux: 62,000 units (BGG rank: 1124)
• Libertalia: 62,584 units (BGG rank: 516)
• Smitten & Smitten 2: 38,000 units (BGG rank: 6155)
• Expeditions: 77,500 units (BGG rank: 386)
• Apiary: 55,004 units (BGG rank: 314)
• Wyrmspan: 451,994 units (BGG rank: 125)
• Stamp Swap: 34,000 units (BGG rank: 3175)
• Finspan: 233,584 units (BGG rank: 489)
• Tokaido: 29,500 units (BGG rank: 835)
• Vantage: 64,000 units (BGG rank: 225)
• Origin Story: 33,500 units (BGG rank: 2314)
• Tokaido Duo: 27,834 units (BGG rank: 1800)

The products we introduced in 2025 were Finspan, Between Two Castles Essential Edition, Tokaido, Vantage, Tokaido Duo, Smitten 2, Origin Story, Wyrmspan: Dragon Academy, Tokaido: Crossroads & Matsuri, a variety of promos for Rolling Realms, and the Wingspan bird promo packs. As usual, we’ve tried to keep our release schedule streamlined and focused so we can shine a big spotlight on everything we make; with the addition of the Tokaido brand, we didn’t accomplish that goal particularly well in 2025.

Social Media, Contacts, and Other Metrics

This data is as of March 1, 2026.

• e-newsletter subscribers: 54,247 (40% open rate)
• Facebook fans: 43,305 (though most interactions are in our Facebook groups, which have over 100,000 members)
• YouTube subscribers: 57,033
• Instagram followers: 56,698
• Discord members: 3,155
• Bluesky followers: 2,695
• Stonemaier Champions: 15,738
• ambassadors (active volunteers): 780
• reviewers (active): 310
• international localization partners: 42
• Stonemaier Games Design Day attendees: 100
• funds donated to charities (annual auction): $22,364

With Joe as our Director of Communications, Alex as our COO, Susannah as our Sales Relationship Manager, Dave as our Customer Outreach Manager, Christine as our Director of Visual Design, Erica as our Ecommerce Brand Manager, Alan as our Director of Special Projects, and Jamey (me) handling lead design, development, marketing, content creation, project management, and direct-to-consumer sales, we have people specializing in different interactions on various platforms in service of you. This is reflected by our org chart:

New in 2025

Our other new endeavors and experiments in 2025 are as follows:

• While this isn’t our first foray into publishing content that originated in fan creations, it was new for us to publish a few packs of promo birds for Wingspan that were designed by fans of the game.
• We created an official place on our website for third-party accessory creators to feature their creations related to our games.
• I started the Positively Board Gaming Podcast with my friend Mitchell, with whom I’ve enjoyed chatting every week for the last year. It’s also found on our YouTube channel.
• We sponsored a professional disc golfer, Jeremy Koling, who has shared Wingspan with hundreds of people around the world while touring.
• We stood up for other publishers and small businesses who were subject to an illegal tariff tax forced upon us by the US government.

Looking Ahead to 2026

At the beginning of 2026, I previewed our releases for the year as follows:

• Q1: Wingspan expansion (based on the birds of Central and South America and the Caribbean; vision friendly cards are available as an add-on) and a Viticulture expansion (a new 4-season board with the original board on the back)
• Q2: Euphoria Essential (combines the expansion with the core game and offers a new board layout with some rules tweaks; the board and rules will be available separately for those who already have Euphoria) and the first Finspan expansion (I previewed a shark card and a colorful fish)
• Q3: Scythe vs Expeditions 2-player dueling game (this content expands Scythe and Expeditions, and all Scythe factions/player mats and Expeditions mechs/characters are compatible with the dueling game; there will be add-on packs containing metal versions of the mechs and a plastic airship [which isn’t used in the dueling game]), a small-box, lighter Wingspan bird experience playable in around 3o minutes, and a mini-expansion to Origin Story (many more superheroes)
• Q4: The first Smoking Bones game from artist and worldbuilder Andrew Bosley and a debut designer (see some info about the world here) and our version of Namiji (combines the core game and the expansion in a normal box size with accessibility updates)
• reprints for the Rolling Realm promos (other reprints for out-of-stock products are dependent on demand as indicated by back-in-stock requests on our webstore)

You can sign up for our monthly e-newsletter to receive notifications about these announcements.

In 2026, my goals are to welcome both new and experienced gamers into the gaming community and bring joy to their tabletops, to support my amazing coworkers, and to lead with kindness, compassion, and empathy.

***

Thanks for joining Stonemaier Games on this journey, and if there’s anything we can do to add joy to your tabletop experiences, please let us know.

Do you have any thoughts, observations, or questions about this report? I want to continue to learn from mistakes and successes, experiment, and listen to our stakeholders in 2026.

Also read:

• 2024 Stakeholder Report
• 2023 Stakeholder Report
• 2022 Stakeholder Report
• 2021 Stakeholder Report
• 2020 Stakeholder Report
• 2019 Stakeholder Report
• 2018 Stakeholder Report
• 2017 Stakeholder Report
• 2016 Stakeholder Report

If you gain value from the 100 articles Jamey publishes on this blog each year, please consider championing this content! You can also listen to posts like this in the audio version of the blog.

Print and Play Bastelecke

Was habe ich gespielt?
boardgamearena.com:
Toy Battle, Cacao, A Gest of Robin Hood, Planet Unknown, Dice Missions, Beer & Bread
Boss Fighters QR
Dewan
Trio
Crisps!
7 Wonders Architects
Deckers
Carp City

Podcast Hinweis

Bluesky – @vintersphrost.bsky.social
Mastodon – @vintersphrost@brettspiel.space
Boardgamearena.com – vintersphrost
Yucata.de – vintersphrost
tutti.ch: https://www.tutti.ch/de/seller?id=2079528265671090841
Instagram – https://www.instagram.com/vintersphrost/
YouTube Hörspiel Einspieler – https://www.youtube.com/playlist?list=PLCER_eNjl0R-Rzev5IMG2uufJSbXt01Mp

💾

Die spannende Neuigkeit zuerst: Das Spiel Lords of Waterdeep von Renegade Game Studios und Wizards of the Coast (dem Rechteinhaber von Dungeonss and Dragons), welches bereits 2012 auf Englisch erschien, soll im Herbst 2026 auf Deutsch erscheinen. Das wurde auf dem Asmodee Pressetag am 26.02.26 verkündet. Eine Nachricht, mit der wahrscheinlich niemand mehr gerechnet hätte. Und Asmodee will zeitgleich auch die Erweiterung (die ich unbedingt empfehle) mit herausbringen.

Ausschlaggebend war hier vielleicht auch das angekündigte Reprint des Spiels, dass bereits im Herbst letzten Jahres für April 2026 angekündigt wurde.

Aber nun mal zum Spiel selbst. In Lords of Waterdeep spielen wir einen der maskierten Lords und versuchen die Macht über die Hafenstadt Waterdeep (Deutsch: Tiefwasser), im Nordwesten von Faerun, an uns zu reißen. Über unsere Agenten rekrutieren wir Abenteurer (Ganoven, Kleriker, Kämpfer und Zauberer), um diese dann auf Missionen zu entsenden und damit in erster Linie Siegpunkte und Geld zu erringen.

Zu Beginn des Spiels erhält jeder, der maximal 5 Mitspielenden, einen zufälligen Lord. Jeder der Lords hat eine Vorliebe für bestimmte Missionen (Quests) und man erhält für jede dieser erfüllten Missionen am Spielende (nach der 8. Runde) noch mal zusätzliche Siegpunkte.

Bei den Missionen (Quests) gibt es 5 unterschiedliche Arten, plus die Mandatory Quests (die aber zu den Intrigen gehört). Die Art gibt an welche Art von Abenteurern für die betreffende Mission primär erforderlich sind.

Die Mandatory Quests sind verpflichtende Missionen, die man einem Mitspielenden aufdrücken kann. Dieser muss dann diese Quest zuerst erfüllen, bevor er sich wieder seinen anderen Missionen zuwenden kann.

Zudem gibt es bei den normalen Missionen noch sogenannte Plot Quests. Diese besitzen dauerhafte Effekte, wenn sie erfüllt wurden.

Wenn man am Zug ist entsendet man einen seiner Agenten zu einem Ort in der Stadt und führt dort die Ortsaktion aus, danach darf man noch eine seiner offenen Missionen erfüllen.

Eine wichtige Quelle für Siegpunkte sind Gebäude, die man im Spielverlauf errichten kann. Außer Siegpunkten bringen diese Gebäude neue Einsetzfelder. Setzt hier im Spielverlauf ein Mitspieler seinen Agenten ein, so erhält der Gebäudeerbauer (Owner) dafür Einkommen.

Eine besondere Würze (und Interaktion) kommt durch die Intrige-Karten ins Spiel. Mit diesen kann man Mitspielende attackieren, zusätzliche Aktionen ausführen oder konkurrierenden Lords eine Mission aufzwingen.

Ich würde jedem auch direkt die Erweiterung Scoundrels of Skullport empfehlen. Diese bringt 2 neue Spielpläne: Undermoutain (mit 3 Orten) und Skullport (mit dem Corruption Track und 3 weiteren Orten), Material für einen 6. Spieler, neue Quest und Intrige-Karten und neue Gebäude. Die Orte in Skull Port sind dabei sehr verlockend, da man hier besonders viel für seine dorthin entsandten Agenten erhält, aber Vorsicht, man muss hier auch immer 1 Totenschädel (Corruption) nehmen und wenn man die bis zum Spielende nicht wieder los wird, dann gibt es kräftig Minuspunkte.

Lords of Waterdeep ist ein einfaches und schnell erklärtes Kennerspiel, in dem es in erster Linie um das Sammeln von Ressourcen (Abenteurer und Gold) geht, um damit die Missionen (Quests) zu erfüllen.

Eine Partie hat bei uns bisher immer so um die 90 Minuten gedauert, wobei ich das Spiel noch nie mit mehr als 3 Leuten gespielt habe.

Meine Wertung für Lords of Waterdeep: 8/10

Mich begeistert es vor allem thematisch, auch wenn es objektiv betrachtet gar nicht so thematisch ist. Man muss schon ein Fan der D&D Welt Faerun und der Geschichten, die darin spielen, sein und sich auf die Flufftexte einlassen. Ich habe die Welt und Tiefwasser vor allem durch die Romane von R. A. Salvatore, rund um den Dunkelelfen Drizzt Do’Urden und seinen Gefährten, kennengelernt. Mittlerweile gibt es hier 39 Romane und die meisten davon habe ich mehrfach gelesen.

Für das Spiel habe ich mir noch einen großen Spielplan (90x90cm), der noch die 3 kleinen Pläne aus der Erweiterung integriert, auf LKW-Plane drucken lassen. Darauf gestoßen bin ich durch ein Video vom Brettspiel Snob: Lords of Waterdeep – German Review

Kennt ihr Lordss of Waterdeep und habt ihr es schon mal gespielt? Dann teilt mir eure Meinung gerne mit.