Normale Ansicht

More Ways to lose ’22

18. November 2025 um 20:36
  1. Merge minors in too fast, leaving your company under capitalized when the permanent train rush starts (because those shares weren’t earning for the company). Unless you need to absorb the minors to handle a train disappearance, they typically earn fine.
  2. (Related) — Too many minors and no privates to bump up company income. Privates are a good way to stuff some money into the company (without taking stock out).
  3. Start your company too early — You get slightly better money at 50% of a minor instead of (say) 40% of a major, but nobody can buy into your minor. “Second mouse gets the cheese.”
  4. Forgetting that the train limit is 2 during brown phase. (aka “Too much 1846 muscle memory“). The solution is to start a minor & buy the locked train1 (and infuse extra cash into your company). It can be worth taking a big hit on paper (since you lose value if you par the company over $200) because if you don’t your company is going to back up anyway and you’ll still eat the $$$ out of pocket.
  5. Not noticing that a minor can open and block your connection — Particularly early in phase 2 a minor can start before your minor goes without losing any value2 to put down a critical lumber space (or even just a yellow3), typically in the second OR of the batch (the first to take their home, the second to block).
  6. Not adjusting your bids to the presence of blockers — As mentioned in the last comments, you want to up your certificate count. But if a ‘bad’ minor4 is coming up in the next round, there is going to be one less cert available next round, which means that next rounds auctions will be bid up a bit more …. which means (since you can see it coming) you should be willing to bid up this round (either to win or at least drain some money out before next round).
  7. (In the mid/end game) Placing bids before snapping up the juiciest stock shares.
  1. The problem is noticing during the OR, instead of during the SR … when you could have corrected it. ↩
  2. Typically bidding 140 so as to buy and L and upgrade it automatically, which lets the company start at 70, which will be before all the companies opened in SR1 if they had <= 3 ORs ↩
  3. Since you won’t be able to upgrade to green until phase 3, which can be a delay of several ORs. ↩
  4. Usually a regional (in PNW) when it’s too early; but also a minor that won’t be able to merge in time ↩

Time value of minors in 1822

08. November 2025 um 20:53

I’ve been thinking about this for 1822(MX, PNW, etc): How much is running your minor for an extra Operating Round (at the beginning of the game) worth?

For simplicity — Let’s assume that all the minors are identical1. They will run for $30 (20+10) with an ‘L’ train and $40 (20+20) with a ‘2’. So getting your minor in an earlier stock round is worth at least $15 more. After all, you will get one extra round of payment ($15), plus the company will also pocket $15 more. Additionally you will also make the jump from $15 to $20 one OR earlier; but as Barbie says “Discount rates are hard, let’s go shopping for rolling stock.”

Any company requires 3 ORs to convert it’s ‘L’ to a ‘2’ (The company has $40 after purchasing a train, and keeps $15, so $55 after 1 OR, $70 after 2 ORs, and $85 after 3 ORs, which lets it convert). But that assumes that you have time before the L-trains rust. Starting in SR 1 will be fine, SR 2 should be fine, SR 3 is a bit touchy and depends how many trains are exported. But we can safely say the longer you wait, the bigger the risk of losing the ‘L’, which is presumably catastrophic and (at a minimum) a waste of money.

(Minors started after the first ‘2’ comes out can keep extra money over the $100 minimum bid, which mitigates the risk, but also costs the president extra money anyway).

Other benefits:

  • The extra OR means one extra track build (or building cube) to head towards a concession/associated minor/destination/anything of interest. This build could also be aimed at annoying other nearby minors before they start, but we’ll focus on positive goals.
  • Minor companies always move up in stock price, which means they will be worth more when absorbed. This seems more like a positive than negative, but I’d have to think about ’22 MX vs ’22 PNW more concretely.
  • Your strategy is more “concrete” and crystalized. (This could be a downside as well, but it often isn’t).
    • You could snap up the concession you want cheaply because its speculative for anyone else.
    • You might be able to use a private company instantly instead of simply keeping it as potentially useful (you could have a ‘2’ that could attach a pullman, or run an permanent L trains, or use some building cubes/port/special build) and your opponent would get less value from the thing, which might let you win something more cheaply.

There costs are mainly the opportunity cost of any auctions you cannot win (and these can be significant), as well as the loss you take from bidding over face value.

But just labelling these, how much should we see. If we assume a 5p game and 4 starting minors, it is seems clear that they should all have a premium of at least $15, and probably more2.

Similarly, how much should a ‘better’ minor be worth? Let’s assume it simply starts at a $30 city. This is not simply an extra $5 per OR; this minor can upgrade its ‘L’ into a ‘2’ train in 2 ORs instead of three, which will bump it up $10 one OR faster. (There’s that pesky discounting again). So again, this clearly should go for at least $5 more (since you’ll break that even in the first OR), but probably at least $10 or $15 (and maybe much more). It also places later companies more at risk of not upgrading their ‘L’ trains, so the mere fact that this company is in the first SR affects the rest of the companies.

A surprisingly complex problem … still thinking about it.

  1. Assume each carriage is pulled by a perfectly spherical cow. ↩
  2. Since companies could be shared “evenly” with four players, whether there is a premium depends on group think. In theory in 5p only one player might be willing to pay more, which would put them ahead of those who didn’t get a minor in OR 1, but behind those he didn’t bid up. Hmmm. ↩

The dreaded ruff and sluff

06. November 2025 um 17:34

Playing in a club game with a strong expert, I pick up S:8 H: QT8 D: AKJ9765 C: QT. With nobody vulnerable, my RHO opens 1 NT. With our NT defense system, I can double to show a long minor or both major suits1 but that means that if LHO bids partner is in the dark (although likely looking at diamond shortness, so has an educated guess). But I decide to bid 3 Diamonds because a) I have seven good ones, b) it takes up a lot of space, and c) relatively novice opponents. Even if I am in trouble they might not double me or let me make it (or they might go overboard). I kind of wish I didn’t have both the other queen-ten combinations, those might be just enough defense to stop them from making whatever game they’d get to if I passed (while not helping my diamond contract much), and I’d be turning a small positive into a small negative

This goes back to RHO who bids 3 Spades, which is the final contract. See point ‘C’ above.

I lead the diamond king (king from AK in this partnership) and see the following dummy:

S: Axx H: J9xx D: Q2 C: 87xx

LHO has made a good pass, despite having a great fit. She didn’t forget the earlier auction and even if RHO has a 17 count with 5 spades, game is still unlikely. I cash the King and Ace of diamonds, everyone else following and partner signaling a doubleton. (I already knew that, as diamonds are 7=2=2=2 around the table; but from her perspective I might have only had six diamonds and would need to know).

What else do I know? Almost nobody opens 1NT with a six card major, so I’m fairly certain that diamonds (edit: spades) are 1=3=4=5 around the table (partner having four). That’s nice. I have 12 points, Dummy has 7, Declarer has 15-17 and probably the top end. So that leaves 4-6 HCP for partner. Not much.

After mulling it over for a bit, I think the right play is to give declarer a ruff and sluff. This is usually one of the first things a novice learns NOT to do, as it’s almost always a free trick. But I’m not sure it will be. But let’s check the alternatives.

Leading a trump will no doubt annoy partner and likely destroy a trick. Leading a heart with the jack in dummy is scary. Declarer could easily have AKx of hearts. Leading a club from QT seems like suicide. Sure, leading from either queen could work if I hit lucky, but I’m blind as to where partners points are.

And the diamond? If dummy pitches I doubt declarer will be ruffing a fourth round (which would be a winner in any case) and declarer would risk losing control. And if dummy ruffs (as expected) partner should be able to read the situation and know if she needs to over ruff or go passive. Partner is a true expert and I’ve already made several undiscussed auctions, but things I think that are matters of bridge logic or “any expert will know,” and she’s caught them all.

I lead the diamond jack. Partner would have a tough choice on whether to over-ruff since she actually had J9xx of trump (and the club ace), but declarer pitches a club and ruffs in hand. (See point ‘c’ above again). Declarer then plays trumps incorrectly (with KQTx opposite Axx, play the King then the ace to reveal if you need to finesse the fourth round), setting up partners jack and then plays the AK and a small heart. At this point I can win and run diamonds. Declarer ruffs in, but that’s her last trick. Down two.

But it does look like the ruff and sluff is the only way to guarantee down one (assuming partner over-ruffs dummy).

Later I pick up S: Q H: J9543 D: J9753 C: QJ. RHO deals and everyone is vulnerable. RHO opens 1 Spade. I have the right shape for a Michaels cue bid, but not nearly enough winners, so I pass. LHO makes a 2 Diamonds bid and RHO bids 3 Clubs. Interesting. To step into a live (game forcing) auction at the three level partner must have a monster club suit. RHO bids 3 hearts. I could compete with 4 clubs, but honestly even giving partner 7 club tricks my hand only adds maybe a spade ruff and in any case …. so far I’d love to defend a red suit. Where are the spades? I pass.

LHO bids 4 Spades, showing a minimum game force with diamonds. Everyone passes and I’m certainly not going to bid five clubs now after partner has told me what to lead. I lead the club queen and dummy hits with

S: Kxx H: Axx D: KQT8x C:xx

Partner overtakes my club queen with the king and continues with the ace, and everyone follows. Partner considers this for a few seconds and then puts down the ten of clubs. Declarer ruffs with six (point C applies in this round, too) and I ruff with the queen and dummy ruffs with the king.

At this points trumps are

     Dummy 32

Me -- Partner J956

Declarer AT87

Declarer has two reasonable lines: Assume I started with QJ tight and play the ace then the ten of spades, or take the deep finesse of the eight cross back to dummy and repeat and then run the diamonds for a trump coup to pick up trumps for no losers (and that has some other complications).

Partner’s ruff-and-sluff was also the right play … declarer only had winners (outside of the trump suit) so the ruff-and-sluff would not let declarer pitch a loser and removing a small trump from dummy would stop a repeated finesse. In practice declarer over-ruffed with the Spade King then played the trump ace AND lost count. Down four. (“Point C”).

I mention to partner that we’ve both given up a ruff and sluff correctly (albeit on different boards), and she appreciates that is a rare situation. 

  1. The “Meckwell” defense to 1NT ↩

Endeavor: Deep Sea

04. November 2025 um 15:32

I literally have no recollection of Endeavor. After writing those words I did search for it in my blog and found a quote:

I’ve now played Endeavour three times. It’s fine, respectable, and I imagine it will be forgotten in a year or two. — Me

So, I’m pleased that my assessment was correct. One point to Ravenclaw! Even looking at the pictures on BGG, I couldn’t tell you the first thing about the game. And — since I was aware that Endeavor had left no mark — I was not particularly interested in trying Endeavor: Deep Sea. But it has been repeatedly getting to the table instead of dying out (like the flash in the pan I suspected it was), so I tried it.

And I’ve got to admit, there a plenty of reasonable ideas. You have simplified tech tracks you want to advance (to get a better selection of workers, more worker discs, and movement for your subs) and you both build the board and fill in the boards. So there is a feeling of growth (as you get more worker types and spots on the board) and shrinking (as you spend your worker discs to claims spots on the board, removing both the disc and the spot). The central board is where players conflict, but a lot of the game is “heads down” managing your tech/discs/workers.

All of which is to say that Endeavour Deep Sea is fine, and respectable. I suspect I won’t forget it quite as quickly (since I’ve had some “Endeavor reinforcement.”) There is nothing “wrong” with it, but it has enough of a point-salad-y scoring that means there is no spark of excitement where it haunts my thoughts.

RatingIndifferent.

Oct ’25 Links

30. Oktober 2025 um 21:48

Actual Gaming Link — Essen Report w/ pics from Kulkmann (one of the OG bloggers).

All these worlds are yours … except Encelades? (Complex Organic Molecules found).

Conversations with Tyler talks to John Amaechi — the (first?) openly gay NBA player on leadership, science, science fiction, being a professor, and consulting. “An overrated idea in current psychology?…. So personality testing, it’s absolute bollocks.”

I thought I had seen all the Far Side comics, but apparently I missed the one that name-checked Jane Goodall (that she loved).

We have invented mithril?

RIP Paul Chemla (Bridge World Champion) has the great quote — “SEPT CONTRE UN !!  SEPT CONTRE UN !! SEPT CONTRE UN !! CHAQUE EPREUVE, CHAQUE MATCH, C’EST SEPT CONTRE UN !!!” (Seven against one, seven against one, seven against one — Every event, every match, it is seven against one!)

Systems fight back and the MIT Beer Game.

I think I’ve mentioned the Peter Principle Game now and then (for some reason the CMU game club had a copy and we played it … once). Marginal Revolution sees a paper that provides a formal foundation.

John Oliver has thoughts on Air Bud 2.0. (Sequel to John Oliver’s thoughts on Air Bud).

I watch Anton Petrov’s science videos on youtube from time to time (and have mentioned him, I think) but last week I turned one off due to flickering that I had assumed was just a bad upload. But then he posted “Youtube AI filter is making my videos dangerous to watch.” So, uh, yeah, I guess I’ll point to his Patreon.

I’ve been watching Feral Historian’s video takes on classic SF. I remember Footfall coming out (remember when books had marketing campaigns?), and remembered almost nothing of the story (except the ending, and that it was the SF equivalent of a big network miniseries — too many characters, too long). I don’t agree throughout. but its interesting. “Footfall and Cultural Blindspots.” Also interesting was video opening with a quote from Isaac Asimov “They asked me to do a screen adaptation (of I, Robot) and, of course, I refused. So they did an extraordinarily intelligent thing. They got Harlan Ellison to do it.”

D&D For retirees.

My first run of Factorio Space Age took 130 hours. One speedrunner decided to beat Space game 60 times in a September (twice a day) and, lowered the world record from 4h20m min to 4h03m and then kept lowering it in the next month, eventually breaking four hours. Even with pre-loaded blueprints, that’s insane.

I mentioned House of Dynamite in my media links this month, but was annoyed at some aspects of the plot. Marginal Revolution discusses the game theory of HoD (and a comment links to this much more detailed takedown/discussion which links to many more discussions).

Sumo: The Sumo Food channel demonstrates the ten most common winning techniques (for ~10 minutes, then onto watching them make lunch).

Sept-Oct ’25 Media

27. Oktober 2025 um 22:49

A fair amount of this media was consumed on vacation (either on International Flights or while travelling) and some of the things I watched were because there weren’t many options.

Recommended

The Diplomat (S3) — The episodes ride the “West Wing Long Arc” Vibe train as far as it can go …. (I never mentioned Season 2, but it also tugged on the West Wing Fan Service rope until the butler answered).

The Great British Baking Show — Watching the newest season, never seen it before. There is something wonderful about the old school British show style of “people who are very good at what they do, doing it, with nothing but pride at stake.”

The Perfect Neighbor — A documentary mainly via police body cam footage of the escalation between neighbors that eventually leads to a shooting and death. Not an easy watch, but also one of the more compelling documentaries I’ve seen (mainly because most documentaries are just “talking heads” and “stock images” while this is almost all “found footage” and no narrator to tell you what to think).

Sinners — I had high expectations, and this didn’t live up to them; but it was still good and even if it had been worse I think it would have been a noble failure. Discussing why it didn’t live up to it would involve spoilers. Also, the “One Day Earlier” caption made me sigh out loud even though I knew it was coming (and totally obvious).

Stop Making Sense (A24 re-release cut from last year) — I’ve watched and recommended the original, and watched the re-release because its a perfect rewatch on a red eye flight (as I’m mainly listening to music). This edit also showed much more of the crew working between (and during) songs, which was nice. Whether you care enough to rewatch is up to you.

Wednesday — I resisted this, figuring it would be derivative and hacky. Derivative? Yes. It’s a sequel, and the plot is a mystery set in a supernatural school. But well done and well acted (although I did not like Luis Guzman’s/Catherine Zeta-Jones as Gomez and Morticia. As they were a bit one-note, but that might have been screen time). Props to Emma Myers for channeling the still-living spirit of Alyson Hannigan for her role as Enid.

Maybe

A House of Dynamite — OK procedural (on the US responding to a rogue nuclear strike). I didn’t like the format (of showing the scene three times in a row from various POVs) and also their view of how the US would respond is … odd. (More would be spoiler-y).

I Like Me — A documentary on John Candy. Seems like a genuinely nice guy.

The Longest Day — OK if you are interested in the topic. Very static & slow, as is typical if B&W films. But a few battle scenes were impressive (state of the very-limited art: long takes with Crane shots). Also I fired up Wikipedia (and Chat GPT) to find the inaccuracies … despite the look it is not a true documentary and embellished a few points.

Sound of Music — I’d never seen this (despite my sister playing it on VHS every day for … possibly years) but it was available to watch on the cruise during a sea-day and Tyler Cowen had recently sung the praises of the 60th anniversary re-release. It drags in the second act, and you already know all the (good) songs, but still of interest. Honestly if you haven’t already seen it, you probably don’t need to, but it was good. A factoid I learned after reading a bit … The Sound of Music’s initial theatrical release in America lasted four and a half years. (” In some cities in the United States, the number of tickets sold exceeded the total population”)

Under the Skin — Weird SF movie that only got made because Scarlett Johansson gets naked. But it’s almost a silent movie … Scarlett is an alien, but speaks only to deceive and lure men to their fate (despite the S.J. nakedness it is a role reversal — she is clearly a predator and males are prey). Almost nothing is explained. Good soundtrack. Good cinematography (the visuals are stunning, and I’m not referring to the nudity). I’m planning on reading the book.

The Verdict — Never seen this, a typical slow burn 70s film (although it was ’82). David Mamet is the screenwriter but the dialogue was not his typical earlier stuff. Solid, though.

Maybe Not

Crime Scene Zero — Another Korean reality/game show (like Devil’s Plan). It’s a Murder Mystery Party where five players (actors?) roleplay the suspects, with another playing the detective (who is not guilty). Great … in theory. The sets are custom built/staged for the murder, have a ton of clues, shows the body, crime scene, etc. (They appear to sometimes have puzzles/activities that can be triggered). Players rush around to uncover more clues. Thankfully, they wear costumes and refer to each other by character name (“Pretty Boy X,” “Village Chief Y”, “Shaman Z”, “Doctor A”) which really lets you follow along.

But the bad: A) Clues are written in Korean. The dub sometimes provides the gist, but some important stuff is missed. B) After evidence gathering there’s a long “everyone gathers to argue/point fingers” and its melodramatic and over-acted (The players sometimes break character, which is often quite funny, though I suspect there are in jokes you’ll miss unless you know who they are). C) The editing suffers the same problem as Devil’s Plan of repeating the same scene three times and being semi-deceptive, which is terrible in a murder mystery. D) The rules of the game aren’t explained until the end of first murder.

Also (at least in the first episode) the amount of complications (both for the guilty and innocent) is ridiculous. There are too many schools of red herrings swimming around. In the real world each innocent (sometimes with air quotes around that word) would already be in jail before the murder was solved.

Each murder takes ~2.5 hours to resolve (split over 2 episodes). I stopped after one mystery, but the idea might be worth it for someone.

Idiocracy — Not good at all, but annoyingly prescient.

The Loneliest Whale — I mean, I finished it, but this is one of those documentaries I mentioned above where it’s talking heads (like the director producer talking about how he is interested in the subject and how he feels) and footage of people setting up to do stuff. And then edited to drag things out. “This movie could have been a one line email.”

Turned off / Not recommended

Companion — Pleased to see this on a long flight, as I’d vaguely wanted to watch it after the trailer, but I turned it off after 15 minutes due to the cringey banter and general lack of interest. If the trailer really interests you it might be worth watching.

Haunted Hotel — Animated series “by the creators1 of Rick and Morty” yet I don’t recognize the name. Seemed like a bog standard sitcom taking advantage of the fact that its animated to have ghosts and stuff and just riffs on existing stuff. (Oh, you have a sassy robot? psycopathic bunny-ear wearing 3rd grader? demonic child!). But it forgot to be funny. Not one laugh in the first fifteen minutes.

The Day The Earth Blew Up — A recent Loony-tunes film (Porky+Daffy) I tried to watch on a flight. A chuckle or two in the first 15 minutes, but no guffaws. I bailed.

  1. The more accurate tag appears to be “A writer of one Rick and Morty episode, but a story editor on an season.” To be fair, it was a good episode and good season … ↩

RIP Daniel Naroditsky

21. Oktober 2025 um 03:47

I’ve mentioned GM Daniel Naroditsky a few times on my blog, and probably watched 100+ hours of his chess content. Tonight there was a new video “You thought I was gone? Speedrun returns!” from a few days ago, but I didn’t watch it and was instead reading tech news on Slashdot … which had his obituary.

It’s a weird thing, like a celebrity death. He didn’t know me, I only knew him from his videos but unlike a celebrity he was more of a lecturer/teacher. I actually wondered if it was a prank or joke, but the Chess.com article seems legit.

He wasn’t “just a kid”, but still young enough to be a big surprise.

Update — It now appears likely that Naroditsky committed suicide due to the cheating accusations (witchhunt) from Kramnik … I knew Kramnik acused him last year but did not realize that Kramnik’s campaign against him was ongoing. (Both Magnus and Hikaru say as much in recent videos, as well as an Indian GM Nihal Sarin(?), who played and chatted with Naroditsky the day of his death).

Given this, I’m thankful that for all of the flaws, in bridge public accusations are swiftly sanctioned and stay private until they are investigated (there have still been suicides for it, but its not public harassment like Danya received).

How to Lose in 1822 (MX, PNW, etc)

20. Oktober 2025 um 17:08

As of this writing I only have a few games in each of them, so I don’t have enough info on how to win; but I feel like I have some good advice on how to lose. I figure these are probably “more true than false” but not 100% true. As in anything, it’s situational.

  1. Undervalue the special trains — The 1822 family is all about the auctions, so if you get the auctions wrong that’s a problem in any case; but the special train privates are valuable. They (usually) don’t count against the train limit, they let you pay out on your first OR. You can withhold all the other trains and pay out the special (or vice versa) to effectively withhold without taking the stock hit. Getting the SR1 “5” train private should cost …. but means you can run your first major company balls out — you’ve got a permanent coming!
  2. Too few minors — Early money is always good and these are the best early money around, but …
  3. Too many minors — The minors are much better “bang for the buck” than concessions, but also ticking time bombs. If you can’t absorb them in time you’ll be on the hook for a five train for each (or at least one to shuffle around, losing stock value). Instead of “Too Many Minors” you may also suffer from “One minor that’s very out of the way and you can’t link up with.”
  4. Running out of cubes — Particularly at 5p, putting a cube on a private “just in case” may be a problem. Sure, some things are better than others, but seeing someone win a minimum bid (or two) because you are out of cubes hurts. (There is a secondary thought to sometimes start a bid high not only to speed up the game, but to make sure that others have an extra cube which will ensure that nothing else goes cheaply).
  5. No money in SR2 — It’s not so bad if its just one person, but if multiple people spend it all in SR1, there will be bargains galore.
  6. Build a great company but only get 30-40% of it — Usually the result of “too little early money.”
  7. No E Train — These allow for huge end game jumps. Getting a permanent 5/6/7 by itself usually isn’t enough. The special trains allow for a non-stock killing withhold (as do mail routes, etc).
  8. Timing Oopsies — Mis judging how long it will be until Ls die, or not pulling in your private companies and accidentally missing out on a certificate slot. (The major timing oopsie is the “Too many minors” having to eat an extra train).

I’m sure there are more …. perhaps I should do a roundtable on ’22, but for now just post them in the comment.

RIP Bill Cleary

13. Oktober 2025 um 00:21

I’ve been informed that Bill Cleary (BGG User Puffinge) passed away this morning. (I don’t use facebook, but if you do here’s the link).

I met Bill Cleary after he allowed a local gamer to bring me and Mrs. Tao as a “plus two” (sight unseen) for a weekend of gaming at his place (‘BillCon’) which occurred 2-3 times a year. A dozen-ish gamers would descend on Casa de Cleary. One perk of showing up as a married couple was that Bill magnanimously declared we’d get a guest bed and not have to sleep on the floor.

I met Alan Moon at BillCon and that’s how we got invited to the Gathering. Alan has just posted a note saying that the Gathering literally would not exist except for Bill (who prodded him into doing it), which means that not only do I directly owe my introduction to hundreds of gamers to Bill, but a good chunk of the gaming world was introduced to each other (indirectly) by Bill’s actions.

I’ve seen Bill almost every year since then … as the convention got larger I’d spend less time with him each year, but still chatting at least a few minutes here and there. But it was a far cry from the early years where we’d play together for days. Board games, party games, card games, video games (Bomberman!). Anything.

At one BillCon (they blur together in my mind) Bill played Celebrities partnered with a young man (possibly a college freshman?) and together they shared exactly zero common knowledge. Bill was a pop culture obsessive with an extensive Rock/Pop/Motown CD collection. The kid (Nate) had grown up without a TV and listened to classical music. Needless to say, their score was disastrous, but their team was dubbed “Geezer and the Fetus.” I remember thinking “Bill’s not that old, probably less than two decades older than us….” but it was funny, one of those jokes that might have been memes, if memes had been a thing.

20 years is a much bigger gap as the years go on, at least physically. But when I saw him earlier this year, he didn’t look great, but …. I didn’t think it would be the last time I’d see him, either.

I honestly don’t remember what we talked about.

RIP Bill.

Update — Created a BGG Geeklist in his memory.

Haba files for Bankruptcy

13. September 2023 um 21:19

But it is at least just a restructuring bankruptcy, according to the article “The company will continue.”

Haba is/was an excellent company. Sure, all their games were for (very) young children, but my kids learned to count playing Monster Speziale, and it wasn’t just a roll and move. You could roll and move either clockwise or counterclockwise, which is more decisions than Monopoly, but a number that a kid could handle. Roll die (which I think was 1-2-3 only) and then tap the spaces one direction … does that work? No …. tap the spaces the other direction …. does that work? (You’d also have to determine if you wanted to add or lose the number of slices of pizza on the landing space).

Similarly, Highly Suspect is like a mini-Ricochet Robots, a spatial puzzle where you tilt the board and all the pawns slide to the end of the row (of the little maze like city) and you are trying to get the cop to catch the robbers, but you only get one or two tilts to move them. So, a great idea pared down to something small children can handle.

I remember my mother commenting that Candyland (etc) drove her crazy when I was a child, so any game a 3-5 year old likes that you can tolerate is a win. One that actually inspires kids to learn how to do some math (or thinking about what a board position will be after a move) is a blessing.

Switching Mediums Is a Red Flag: Slay the Spire and Ozymandias.

25. November 2022 um 20:58

Whenever I start up Slay the Spire (via Steam) I’m reminded that there is a Slay the Spire boardgame on Kickstarter. I see posts for it on r/slaythespire. I’ve played 4,000 hours of Slay the Spire, it’s fair to say I like it. I own ~200 boardgames (and have bought and sold ~5x that). So, automatic pledge, right?

Nope.

Apart from my natural reticence with Kickstarter, or the fact that tie-in games are usually bad, there is the simple fact that this game crosses mediums (which, come to think of it, tie-in games automatically do). I think I’ve danced around this issue before, but I’ve also been playing a bunch of Ozymandias (alternating that and StS), and it cemented some of my thoughts on this, so I felt like it might be interesting to discuss.

Lets assume, arguendo, that the Slay the Spire board game developers are honest, competent, hard working and have a ton of board game experience. (For all I know this is true, but that is certainly not the case on many Kickstarter projects). It doesn’t really matter: My goals with StS and boardgames are different.

Slay the Spire is a small exercise in optimization and risk management. Certainly many Eurogames (particularly J.A.S.E. games) exemplify that. So let’s even grant that they can turn this into a decent board game. But when I’m playing Slay the Spire (in steam), I’m getting a fundamentally solitaire experience at my own pace. I normally don’t play too carefully, and many average ~20 minutes (playing at A20, Act I is ~10 minutes, Act II is ~20 and III/IV is ~30-40). I can play slower to improve my win rate, but StS is essentially “Television” for me. Its a (mostly) mindless few hours instead of watching netflix. It’s not a competitive experience, and its not a particularly social experience.

Board games are primarily competitive and social, for me. They are relaxing, but not in the same category of “Television/Netflix.” I have different motiviations between boardgames and computer games, so even a perfect replica of Slay the Spire in board game format might bomb for me.

But what is lost in the board game format of StS (I’m assuming, not having followed it closely):

First, All the computer moderation. Slay the Spire is a deckbuilder (to be sure) but also a roguelike, and part of the joy is having 10+ modifications (via relics). But I don’t have to do anything, I can just click and play, and its handled. In a boardgame, these get overwhelming. In a competitive board game, losing because I forgot Player B has Relic Q (when each of my opponents has ~5 relics)? Ugh. (I now see that the Slay the Spire is a co-op, but it would be the same thing if we lost because we lost track of some modifier….)

A super-fiddly game is made better by an automated moderator that plays the fiddle.

Even Ozymandias (which is basically a board game) takes full advantage of the computer to handle persnickety math, shows you numerical differences in your choices and smooths things out. Calculating and resolving all the battles in 5 seconds instead of minutes of dice rolling, with no mistakes. (It could be done faster, but the computer gives time to see it).

Second, downtime. In the computer games, I take as long or as little time as I want. I get a 100% return on my time. In Slay the Spire or (theoretical) Ozymandias board game, I have downtime. Even if they aren’t fixed fun games (where the fun is divided up between players) strictly speaking, there’s some loss. Ozymandias would take a huge hit unless it managed to do a simultaneous selection.

None of that is to say that these games might not work, but the switching between mediums might mean they work in a way that is very different than what made them addictive as a computer game. (The same way the Sandman, for example, had to rework the 24/7 episode (the one in the diner) because what works in a 20 page comic you can read in 5 minutes does not work as an hour of television).

I suspect the most likely result of the Slay the Spire boardgame will be something like Thunderstone … not a bad game, but one of those games you play a few times and move on from. (Again, that’s not a knock. In the past if I got 5 plays from a board game, I considered that a reasonable purchase, but my standards are higher now).

Of course, it is certainly possible that the mold the developers are aiming for is more Gloomhaven campaign, or an epic four hour adventure. All those would be fine; but again a big change from a pringles like solitaire where I just play after dinner until I’m bored or tired.

I would certainly play the Slay the Spire Boardgame … it might be that what they end up with is satisfying as a board game. But if that is the case, it will scratch a very different itch than the computer game. And given how many board games I have, that’s not an itch I need felt the need to back.

Update — If you are new here from r/slaythespire, I have a number of StS related posts.

Metascaling in Roguelike games

21. August 2022 um 15:42

(Further thoughts on Across the Obelisk that weren’t in my review).

Is it literally impossible to win Across the Obelisk on your first play? (Or, more realistically, can an experienced player start a new campaign with no XP and win?) I suspect a great player could, but apart from not having unlocked various cards, the characters are literally weaker. After each (failed) run I’ve got XP that I can spend to boost characters. More damage, more HP, more resistances. An extra mana on the first turn (and mana is saved). And I just unlocked a new equipment type (pets).

Hades really leaned on this, but in Hades it made sense. When you “died”, you were simple returned to the Hell you were trying to escape. You were still you. You retained your knowledge and skills! Slay the Spire doesn’t really have meta-scaling. You have your knowledge (and the in game events do imply you are being reincarnated with some of it), but you start each run with the same deck and one random gift. It’s like Nethack in that the only scaling is that you’ve gotten better at the game.

Old school arcade games were difficult because the designer didn’t want people to play too long on a quarter, but didn’t want game over to be a few seconds. Perhaps the new dynamic is “I want people to feel like they are getting better, even if they aren’t.”

Just a thought.

Published — 13. März 2021 The Tao of Gaming

Too Many Words about Slay the Spire, Pt II — The Characters

13. März 2021 um 16:14

This article, yada yada yada. See Part I for disclaimer. This covers the basic thoughts for each character, it is not intended to be “card by card complete” or cover all possibilities. Also, while I discuss strategies and archetypes, these are intended as a “Discussion” or suggestions, not as a crutch or exhaustive list. They are just archetypes. For the most part I am not going to get into too many relics in this discussion.

One more definition — A naked pick is picking a card that doesn’t do anything for you yet. (Like taking a Limit Break which doubles your strength bonus, when you as of yet have no way to get a strength bonus). Since this violates the “focus on the near term,” taking a card that is a dead load for the near future and potentially the game indicates that the card has tremendous upside.

And I realize I didn’t really talk about density as clearly as I could. It hurts that there are interrelated concepts, but one idea that a “dense” deck also has is the ability to dump all of its mana into Attack or Defend (as desired). As I mentioned, if you only have strikes or defends (and a five card hand) you will be able to spend three mana on either, but not both. (You may want to split it up, but if you want to go all the way with either, you can’t). If you have only two cost cards, you can (with three mana) only spend two mana. If you have one “attack two” and one “defend two” then its fine that you can’t necessarily play both, because you’ll play the one that matters (and then a one cost card to round it up). Iron Wave gives you attack and defense, but poor ones. Still, with an Iron Wave and two strikes and defends, you have some flexibility. “X cost” cards also let you dump as much as desired into them (with the caveat that it has to be the last card played, mostly).

Also — Something I didn’t mention in the prior article. Sometimes you pick a card knowing that is often dead-weight, but that really helps out in specific fights. Cards may solve a problem. I’ll try to note problems and the counters.

Ironclad

The basic deck is 5x Strikes and 5x Defends. Barely serviceable cards that you should (in general) despise. Ironclad’s bonus card is Bash, which provides two vulnerable and his artifact (Burning Blood) is your healing (at 6 HP/combat). Combined with a nice maximum health, this makes Ironclad a forgiving character. In the early game you block only insofar as you didn’t get any damage, effectively trading HP for murder. Ironclad’s card pool is loaded with big hits — grabbing a quick two-energy front-loaded damage (ideally Carnage) will get you through early Act I. Vulnerable means your attack this turn (and next turn) do 50% more damage, so even with just the starting deck Ironclad can deal out 44 damage in two turns (Bash+Strike/3x strikes) if you draw Bash in your opening hand.

One of Ironclads early problems is the embarrassment of front-loaded damage riches. There are so many decent 2-energy damage cards, you’ll be tempted to load up. But (with only three energy) they’ll simply block each other. (One reason why Ironclad was such a popular “Swap Boss Relic” option for Neow’s gift … Ironclad can exploit the fourth energy, although now with so many damage interactions the original healing relic is also more valuable).

Back before I started tracking, I would often die in late Act I because I’d rely on the healing, get a bit low, hit a bit of bad variance or a rough hallway fight (Gremlin Gang, Slime Gang), and then either die outright or be poorly placed for the boss fight, missing an upgrade or two, and then poof. The classic death spiral. Ironclad can’t totally ignore defense. The healing is a boon, not a crutch.

Once you get past the early game, Ironclad tropes that often work include:

Strength Scaling — Other classes can do this, but Ironclad has numerous ways. New players are enamored of Demon Form (indeed, at low ascensions its an auto-win for me), but the high cost make that suitable for slow fights only. A simple Spot Weakness or semi-scaling like an Inflame or two) is often good enough to handle scaling in Act II. Card coordination (via Headbutt) to re-use a Spot Weakness (or start this and re-use Limit Breaks) can lead to obscene strength. Any “doubling” card can lead to geometric scaling which is why if I lack any strength, I’m still tempted to take a naked Limit Break at the end of Act I, since a single later pick can turn into tremendous upside. With the recent patch, Rupture could be close to Demon Form, because Ironclad has a number of cards that cause damage (such as Combust), and then you also get strength . (Toss in Self-forming Clay and you have the damage synergy archetype). If you have a strength scaling deck, the typical problem is that is is slow (if you are hunting for a specific card, or draw your Limit Break before you have strength) and — particularly in Act III you can be hit very quickly for 40+ damage. You’ll need defense.

The “Infinite” combo — When the opponent is vulnerable, Drop Kick does damage, recovers the mana played and draws a card. It totally replaces itself (a “cantrip”). With a small enough deck, you can draw your entire deck into your hand, then cycle two drop kicks back and forth forever. Especially for slow fights like Champ that give you time to build up, you can take the time to shrink your deck by exhausting cards with Burning Pact or True Grit over a few turns, and then go infinite. (A Flash of Steel doesn’t hurt here, either). “Infinites” have problems with Time Eater and the Heart (who blocks all damage past a certain point on a turn, and has the Beat of Death for each card play) but often you can fall into a real (or semi-) infinite when using exhaust synergies. Infinite Combos are very vulnerable to status being added to the deck, so Evolve/Firebreathing as a counter is reasonable (especially since they don’t take up any space once played).

Exhaust Synergies — Exhausting bad cards is its own reward. You’d like to totally remove them in the shop, but getting rid of a relatively weak card in combat for a long fight is fine. Even better when exhausting a card provides a tangible reward. Compare uncommon power Feel No Pain to Metalicize. If you exhaust one card a turn, they both provide 3 (4 if upgraded) block. But with Corruption the Ironclad can exhaust all his skills the turn he draws them, for free, and provide bonus block. Even without the ability to retain block (see below), a few FNPs may provide 30+ block a turn (particularly against the heart if you can Sever Soul to exhaust the trash the heart gives you). MVP Relic for this is Dead Branch, exhaust, get replacement cards with some of them free! Corruption + Dead Branch is a meme for a reason.

(Sidebar — For a while I had a fear of Dead Branch giving me random bad cards that would clog my deck. I suggest you ignore it, as I learned to. Because the second time through the deck isn’t nearly as important as the first and even without corruption the weight of the misses is more than compensated by the great cards you’ll get. Paul Graham called the Stock Market “Mr. Market” because it would just say “Would you like to Buy X?” and you can always say no. Often Mr. Market offers you trash. “Would you like to buy Pets.com?” but sometimes he offers gold. “Would you like to buy this grossly underpriced commodity?”

The number of times that Dead Branch has a run into a cakewalk — even lacking Corruption — is high, and I don’t recall many fights where it trashed my deck. Obviously with a Runic Pyramid you have to be careful. I’ve bought Dead Branch as a nearly naked artifact, having only my Ascender’s Bane, and then built around it to good effect with all the characters. (That may be overdoing it, but it shows that its possible, even without corruption. With Corruption its gross).

Exhaust strategies are fairly robust, once they get going. But they are slow. Also, since you exhaust cards their is a psychological temptation to take “so-so” cards (because you can exhaust them) and your variance grows…

Status Synergy Evolve draws extra cards for Status, Fire Breathing does damage per status. and then you load up on Wild Strikes, take Mark of Pain, Reckless Charge, use Second Wind to get rid of them all to block. (Everyone like Immolate already, so that’s just a good pick, but this makes it better). This isn’t great and has the typical variance kills, because your deck might clog before you setup.

Block ScalingBlockade (or the Calipers) let you save block between turns. Feel No Pain can easily net you a metric ton of block. Entrench lets you double it. Headbutt lets you then put Entrench back on the top of the deck. Slay the Spire limits you to 999 block, but that’s good enough. (Body Slam does damage equal to your block, but is often not necessary if you can get to hundreds of block. Normally you need it when you have decent blocking that doesn’t carry over, then you use Body Slam/Juggernaut as extra, necessary, damage). You can also toss in Juggernaut to do damage each time you gained block, but again that is not necessary.

Take it then Dish It — Eat some damage setting up your strength scaling, then Reaper later end to recover your lost health. A Feed early in the run to meta-scale your Max HP helps, because you can’t recover from lethal damage. Duel Wield or Exhaust to play multiple Reapers (or just having multiples). This is the only type of deck you can really buy brimstone with, in my experience. Brimstone gives you and your enemies strength each turn. It took me many tries to beat the heart using Brimstone and this strategy, but it usually makes it fairly easy to get to the heart….

Of course, for any given archetype you may mix and match. If you have great block scaling, you don’t need anything. If you have great strength scaling you won’t need to block for long, etc.

The Silent

Silent adds Survivor and Neutralize to her basic deck and draws two extra cards on the first turn. She is much more into counter-punching than Ironclad. Weak isn’t great at the start, but gets better as the run goes on (as it knocks of 25% of the damage and that will grow. The Neutralize saves you ~30 damage against the heart if you’ve upgraded it and hit on T2, assuming you weren’t intangible). Silent has a number of reasonable zero cost cards (like Backstab for front-loaded damage), but still likely wants at least one early big hit card, like Predator, Riddle with Holes or Skewer, or Dash (which also does significant defense). Jorbs had a discussion where he points out that Dash is much better than two Iron Waves, because its density makes it more efficient). You also will need a heavy hitter card against Lagavulin, because many Silent 0 and 1 cost cards lose significant value with even a single strength loss.

The card that is now a near auto-grab is Blade Dance. 12 damage for 1 mana is already excellent (better than Ironclad common attacks!), but the list of relics that Shiv gets bonuses (or greatly improves) by itself is amazing — Kunai, Shuriken, Pen Nib, Nunchaku, Ink Bottle, Ornamental Fan, Dead Branch. (There are others, any strength bonus is great). There are a fights where the 4 tempo to play it are a penalty (Time Eater, the Heart) but by then you may have gotten an Accuracy (or some of those relics) and /or you may have a backup scaling and simply not play the Blade Dance during those fights. An additional use of Shivs is to draw them and then Calculated Gamble them away, trading a mediocre later draw to speed through your deck the first time.

Silent — having less damage than Ironclad — has to take more damage to beat the first boss and must also worry more about the Goblin Nob fight. Many of Silent’s better cards are skills, which trigger Nob’s rage. Poison scaling and defense will usually make the Guardian the easiest first boss (Silent is well placed to simply defend and not attack on any given turn), although doing enough damage to avoid the eating the first Fierce Bash may be a problem.

Silent also has decent card control with Well-Laid Plans to hold a card for the right moment. While Ironclad does have some touchy scaling (Limit Break wants to be last), the Nightmare card can scale whatever card you want, assuming you get them into the same hand.

Silent has the following Archetypes, and typically mixes one of the offensive types with one of the defensive types.

The Shiv Deck — As mentioned above. Finisher and Accuracy (and Phantasmal Killer to double damage) add punch. Ironically, Infinite Blades (a shiv a turn) isn’t a must add. I used to auto-grab it, but there are enough opponents who have thorns or punish tempo that now I consider it more carefully.

The Poison Deck — An early Poison Stab, Deadly Poison or Bouncing Flask can help against the first boss, because they are decent damage even if you only hit them every four turns or so. If you can hit them every three turns (or get out a Noxious Fume) you are scaling hopefully fast enough for Act I. Two decent poison cards are good scaling for Act II, and once you add in a Catalyst or two you can suddenly kill almost anything (if you draw them in the right order and survive). Typically the easiest wins for Silent are those with solid poison and defense to survive. Double Catalyst+ ends fights. (Catalyst is an acceptable naked draw, given the amount of poison commons and uncommons).

The Dex Deck –Stack a few Footworks (Feetwork?), and even plain old defends are large. Dodge and Roll provides block for multiple turns, Blur to carry over block. Cloak and Dagger for block + some small attack (and Shiv synergy). Escape Plan will hit more often than not (particularly if you remove strikes for Poison or Blade Dance) and is free. Even very slow scaling

The Intangible Deck –Any character can get Apparitions from the Council of Ghosts event in Act II, but with Wraith Form (and Nightmare) Silent can load up on Intangible Turns. Which is not to say that you need more. But a dozen+ turns of intangible are usually enough with even the most limited damage production. But Silent can (more so than other characters) use even the three turns that are more routine. Silent has discard for tossing unimproved Apparitions (which are Ethereal) to save them for a later turn. Silent has Burst to double the value of each Apparition, and Well Laid Plans to get the cards in the same hand. Nightmare copies cards (effectively quadrupling them!). Six intangible is usually enough defense against the Heart, although you’ll need block for the multi-attack turns and if you can’t avoid the Dexterity loss from Wraith Form that will be a problem (along with the beat of death).

The Shuffler — The deck uses Acrobatics, Prepared, Backflips, Tools of the Trade and Calculated Gambles to race the deck (discarding curses and trashes, but sometimes also Reflex and Tactician for extra cards/mana). The Shuffler shrinks the deck by skipping over the parts that don’t matter. After Image can provide solid block and free cards (Slice or Deflect) show great value. Sneaky Strike is free-ish once you get a Tools of the Trade in play. (And is a decent early pick before hand, to provide a decent punch to Nob or Lagavulin).

The Defect

Disclaimer — My win rate with defect is something like 30% of the other two classes. And its not that I’m dying late game. I just don’t have a handle on him.

Other classes have scaling. The Defect is scaling … sometimes. Defect wins fights by pressing the “End Turn” button after getting setup. Adding orb slots and focus (even just a bit of each, say one Capacitor+ and one Defragment+) then splitting slots between Lightning and Frost is 15 damage and 12 block a turn. More focus and slots provides full block every turn.

Defect suffers the problem of scaling — spending time setting up. Taking ~10 a fight getting setup wears you down over the act. I win much less with Defect than Ironclad or Silent, and looking up my notes, I see — “no healing,” “not enough fast defense,” “too aggressive in pathing,” and then there’s the “never saw enough scaling.”

Capacitor deserves mention as the only card that adds orb slots (Inserter — a homage to my beloved Factorio — and Runic Cylinder relics also provide them). If you see a Capacitor, its a near automatic take (even on floor 1). The runs you skip it and then never see it again will haunt you. Orb slots do have a downside if you want to play and evoke orbs quickly, but its fairly limited in application.

As with orb slots, “Too much focus” is a phrase rarely uttered. Consume is a reasonable early card (early Act I is the time when ‘less slots’ is usually a plus). Biased Cognition (with no way to remove the “lose one focus a turn”) is still a great card, and its existence makes Core Surge (one artifact charge, to hopefully counter the downside of Biased Cog) and Orange Pellets strong selections, even if you have no immediate use for the artifact. (Typically you skip the Biased Cog until you are setup and then the fight is over before the downside really kicks in. And if you you eventually get driven to zero focus, you probably were losing the fight earlier without it).

You don’t need orb slots, you can pump focus and that works (but that also takes card draws). Similarly, you don’t need focus if you have plenty of (full slots). But getting both has a multiplicative effect (there’s that “doubling” again!). But there are also some oddball plays, although rare. Hyperbeam is a powerful card that costs focus, and Plasma Orbs provide mana and aren’t affected by focus loss. (Even worried about Focus Loss, Hyperbeam and Biased Cog are still worth taking, as they end fights).

Apart from focus/slot scaling, Defect has still more. Loop triggers your first orb multiple times. A great pick because for one card and one mana you get double or triple value out of one orb for the rest of the fight. Echo Form doubles your first card play (the second one doubles your first two card plays). Creative AI is long fight scaling in a can, because the “one power a turn” you get will (eventually) give you other forms of scaling. Amplify doubles powers. Scaling, Scaling, Scaling.

Which can overwhelm the deck and then you die because of a lack of front loaded block. My last run was an early Runic Pyramid, Consume+, sustain with a Self-Repair (heal 7 at the end of combat), and access to Frost and Darkness orbs. Easy boss at Act I, grab a mana relic, and then boom, dead after the first 4 hallway fights when I drew no block against a 24 point attack on Turn 1. Boot Sequence blocks when you are most likely to need it, even though it slows the time to get to your good cards by a draw. As always, there’s a balance.

In reading the above, I suspect that my problem may be the following — I am too focused on the future and not on the next five floors, so I should focus on that and not scaling. And literally after I wrote that sentence, I won by getting — massive scaling. (I also got healing in an early Bird-Faced Urn (heal 2 HP per power) and a Creative AI (one power a turn), so once I set up my frost orbs and focus, I could fully heal). Even then it was touchy, because I decided (rightly or not) to lose half my maximum HP to take the apparitions, which made fights easy when they appeared early and near lethal when they didn’t. (I actually would have lost to Shield and Spear, but I had gotten the Lizard’s Tail, which saves you from dying once). So the lesson is — I don’t know. Sometimes you just get lucky.

The Defect Archetypes

The Thunderer — Lots of lightning orbs. Electrodynamics to handle multiple enemies. Static Discharge to add or cycle the orbs. A lot of my early (pre-ascension) victories used this, but as I increased the difficulty this was too fragile. (Thunder Strike as scaling isn’t really necessary, either, unless you have no focus). But I’ve found it more reliable to …

Mr. Freeze — … load up on Frost Orbs. Any archetype can suffer a bad hit on the first (few) turns, but frost orbs at least limit the damage to that time. You’ll need a way to damage your opponents, but with enough block, cycling through your front loaded damage may be fine (albeit slow), or you can have a single lightning (or darkness) orb.

The Cheapskate — Lots of free cards, some card draw and an All For One to grab the free cards back. Often you back into this with OK cards that help with the relics you’ve got (FTL with Shuriken, a Recycle to thin out a deck) and then get the offer. Hologram — already a reasonable pick to get back a Boot Sequence you don’t need on T1 or a Go for the Eyes for weakness — can be used to redo the All for One.

All The Powers — As mentioned above, Creative AI gets one power a turn. With Heatsinks, those get you cards. With Storm they get you lightning orbs (with Mummified Hand you get discounts). And the powers will get you more stuff. The obvious downside is Awakened One (who gets stronger with each power you play) but with some careful restraint you can setup and scale faster than she can, then wait for her to die before resuming. (And sometimes your combo just goes off, you play 20+ powers, don’t care that she scales, and wins).

The Multi-Darkness — Usually mixed with Frost orbs, you simply sit and wait for a darkness orb to get big, then dual- or multi-cast it (or even single cast).

I’m sure I’m forgetting stuff, but this is already nearly four-thousand words long.

Advice for Watcher — Take some overly powerful cards, do math, make sure you don’t get stuck in Wrath form on a turn you’ll die, win!

Next Time in Part III — The Many Deaths the Spire has to offer!

Published — 06. März 2021 The Tao of Gaming

Too Many Words About Slay the Spire — Part I Introduction

06. März 2021 um 21:01

This article covers my (evolving) thoughts about the Slay the Spire videogame. There are (much) better players than me (many can be found on r/slaythespire or on twitch). I’ve watched hundreds of hours of Jorbs (Youtube, Twitch) who is currently tied for the world championship at A20 heart kills. You could get better advice by watching him for a long time and osmosis. But that requires, you know, hundreds of hours. (While there are other good streamers playing, Jorbs’ entire vibe reminds me of my graduate school boardgaming club, so he’s my personal favorite).

I normally play at Ascension 15, because while I can win at Ascension 20 it’s an admittedly rare event and I like having a win rate in the double digits. (With my recent improvement I may up the level a bit). Also, I don’t normally play Watcher that much, which means that there may be some watcher-specific exceptions I don’t mention (and my watcher advice is less trustworthy). I play with the goal of “Killing the Heart.”

As always, I assume you are familiar with the basic mechanisms, rules, etc. Many of these examples will use numbers appropriate for Ascension 15 (enemies values vary based on Ascension Level).

Definitions and concepts

Deck — Often when I say deck, I mean “All your cards plus all your relics and the current potions.” Just assume the latter part.

Position — Deck plus current state (hit points, number on relics that count, etc). “Positioning” means trying to win the fight and also get all of your relics “set up” for the next fight.

Front-loaded damage — “How much damage can I do without setting up a particular combination?” There’s no exact measure of this, but a decent proxy is “How much damage could I do if I played all of my attack cards once?”. Also called “Fast” damage. Front-Loaded block is similar, but just for blocking. Improving your front loaded damage is generally first thing you want to do at the game. There is also front-loaded block.

Scaling damage — “How much damage can I do once I get my combos set up?” If you only have front loaded damage, when you go through your deck a second time, you can only double how much damage you’ve done. After Act I, this isn’t fast enough (typically) to kill the elites and bosses unless you have great scaling block, which lets you chip away slowly. Front loaded damage grows linearly. You do roughly X damage per unit time (turn or deck cycles). Scaling damage grows faster (sometimes only a little faster, sometimes much). The most obvious form of scaling for each character is Strength (Ironclad), Poison (Silent), Orb Slots/Focus (Defect). Typically to improve your scaling damage you are not playing some fast damage in order to setup your scaling.

Meta-scaling — Something that doesn’t scale in this fight, but makes your position better across multiple fights. Things like Feed (which improves Max HP if it strikes the killing blow).

Semi-scaling — A small one-time bump. Inflame (with +2 strength) is semi-scaling. It makes all of your attacks going forward bigger (which is nice) but it will never scale again. (Again, this is my own coinage, but I wanted to be able to differentiate between cards like Inflame and cards like Spot Weakness, which boosts strength and may do so multiple times.

All Out Attack (AOA) — An attack card that damages all enemies (useful for hallway fights that have multiple enemies, or elites that have minions). For some reason this appears to be called “AOE” often, but my blog, my acronym.

Variance — You could have a “good” draw (all the cards in the right order) or a “bad” one. You will hit some good and bad events, relics, etc. Consider the very first fight you might have versus a cultist as Ironclad. Basically, you need to do 50 damage and he attacks for 0,6,11,16, etc. If you get a good draw, you’ll bash+strike (17 damage on T1), 2x strike and defend (18 damage, take 1) on Turn 2, and then on T3, you can either hit for 18 (and kill) or defend x2, strike (6 damage, take 1) and then kill the next turn. You have ended the fight losing 1-2 damage. The worst possible opening is to draw all of your defends on T1, when they are useless. If you draw only strikes (not even your Bash! Its your bottom card) on T2 you do 18 damage and take 6. You will likely take 15+ damage for this fight.

“High-rolling” — “Getting lucky.” Jorb’s speak (and maybe twitch speak). When someone says “Maybe I just have to high-roll this next encounter” they mean “I need something good to happen, therefore I assume it will happen.” Usually this means hitting a good event, getting a good reward, having a great draw for a combat, etc. Bridge players should be familiar with this. Once your deck gets solid you worry about low-rolling (what if the one key card I need is the bottom card of my deck? what is the worst possible elite fight I can face)) Similar to a bridge “safety play.”

Density — If front loaded damage is “how much damage can I do once through the deck” density is that damage divided by number of cards. A “dense” deck is better because you are reducing variance, and on any given turn you will be more likely to be able to have the right cards for what you want to do.

Efficiency — How much damage can you do per mana spent on damage? (OR how much block do you get per mana spent blocking). Scaling damage is often very mana efficient, but slower than a comparable front-loaded card. If you drop a Noxious Fumes, your opponent will take triangular damage (1+2+3+4+…) with no further expenditure.

Conversion — On some turns you don’t get attacked, so you want to sink as much mana as possible into damage dealing (or setting up scaling, etc). Other turns you’ll want to block for as much as possible. If you have the wrong cards (due to variance) you may not be able to convert any mana to attack or defense. A basic deck (with only strikes and defends) will not be able to convert all three of its mana to attack every turn. If you had a card “2 Mana for 12 Damage” that is two strikes, but its denser and also means that (when you draw it) you are much more likely to be able to convert all your mana to damage that turn (and other turns).

Coordination — Some cards require being in your hand at the right time (or in the right order). I’ll call this “coordination.” (There appears to be no standard phrase for this). Watcher (who holds some cards) starts with a bit of coordination, but most decks don’t start with any.

(Density, Efficiency and Conversion are all related, but slightly different. I’m not sure my thoughts on these are clear, but I wanted to define them in case I use them).

Sustain –Another word for Healing. I’ll try to use Healing, but “sustain” appears to be a common phrase in the community.

Why Slay the Spire is addicting. Its not something you notice at first, but the enemies you face in the Spire challenge your deck in multiple ways. There aren’t nearly as many enemies as in (say) Nethack, but each Elite and Boss comes at you in a different way. (Even the later hallways fights). To take a concrete example from Act III — the Giant Head gives you a few turns of relative peace, then starts hitting hard every turn, starting at over 50% of your base health and ramping up from there. He (?) takes 520 points of damage to kill. You simply can’t defeat him without scaling (counting intangible as scaling block). AOA is no better than regular attack.

Compare to The Reptomancer. Her ~200 HP doesn’t need nearly as much scaling, but her minions are going to hit for significant, life ending damage on Turn 2. ~25 points of AOA by the end of Turn 2 are a god send. If not, you’ll need ~60 points of very fast damage or lots of block. The Nemesis is a coordination problem. Some turns damage is nigh-useless. (You can often beat it with scaling block but if your deck is well coordinated, the Nemesis is easy).

Some deck builds plow through one and die to the other. A good deck can reasonably handle either (and some bad luck, as well). Jorbs (in one of his videos I can’t remember) called these various ways the game challenges the deck “orthogonal.” You don’t just need “more” of one strategy to beat both of them. You need different combinations.

General Guidelines

A good deal of getting better at Slay the Spire is just knowing the game. If you know all the possible enemies (and their attack patterns), rewards, events, then you will do much better. Most of really high level play is thinking “well, what is coming up that I am weak against?” and “what events might I see, and do I want them or hallway fights?”

Take as many elite fights as you think you can. They provide relics (and improved card rewards). Also, hallway fights get harder as you go further in the act, but Elites don’t. They are also more predictable (fewer options you can face and they are generally more scripted than hallway fights).

Hit Points are insurance against bad variance. But like any insurance there are good and bad deals. If you have a rest then a boss, being able to model the fight in your head tells you whether you need to rest. What you have (etc) tells roughly how the fight will go. If you are 99% likely to win the fight, then resting is a waste if you could have upgraded (or grabbed the key). If you are only 10% likely to win the fight (but 60% with more HP), resting is great.

Floors are a finite resource. Don’t waste them. Ideally, every floor makes you stronger:

  • Hallway fights offer card rewards. Don’t automatically take them, but you’ll need to see a good number of cards to get offered those that improve your deck. Hallway fights also offer potions (sometimes). Especially in the first three floors of an Act, the hallway fights are “easier.” (But each Act ramps up the difficulty).
  • Elites provide a relic as well as the same rewards a hallway fight can. (And the card rewards are more likely rare cards). But they are difficult. Particularly in Act I an Elite will average 30+ damage against a deck with just a starting relic and a card or two.
  • Campfires let you heal or upgrade a card. In a perfect world, you’ll not need to heal and will upgrade a great card. But often you need to heal either to survive or to take an extra elite fight.
  • Shops let you buy better stuff and/or remove a card from your deck. If you’ve played Dominion (or any deckbuilder) you’ll know that removing a starting card is incredibly powerful, improving density and reducing variance.
  • Treasures (chests) provide relics.
  • The end of act boss will give you a rare card and a boss relic (although not at Act III).
  • Note that to get to the heart you must sacrifice one chest, one campfire and take a ‘super’ elite (who will get either metalicize, strength or regeneration).

Focus on the near term. Can you handle all the potential next elite fights (or most dangerous next elite?) Make your deck ‘good enough’ to deal with it, then turn your gaze to the next problem (the boss, etc).

Good Enough is good enough. Sometimes a weakness can be fixed with a single card, maybe two. Turning a “Good enough” into a strength often weakens other aspects. Adding a scaling card means you’ll draw one less card of some other category that turn. There are lots of areas you’ll need to improve –front loaded damage, front loaded block, all out attack, scaling damage, scaling block, healing, card draw, and mana to pay for all your new cards (Few decks need all, almost no deck needs all equally). Sometimes what’s “good enough” in one Act needs to be buffed again in further acts.

If you have a weakness, the right potion gives you more time to find a card/relic that fixes it. Before I would use potions whenever they seemed to apply, but now … if a potion fixes a key weakness, I hold it until I’m desperate fight or the end of act boss. If the potion is a strength I already have, I’m willing to let it go depending on how much health it saves me and how likely I am to get another potion soon, especially if I am already full.

Skipping cards is not a bad option! Adding a card necessarily increases variance. Take a deck with a nice balance of front-loaded damage, block, scaling damage & block, healing, card draw, etc, and then double it. Still the same balance, but the variance goes way up. (Any Race for the Galaxy Fans will remember the number of explore powers grows in each expansion in the first arc, to help compensate for the increased variance). Card removal is also very good.

Be flexible! I mention archetypes below but when a reward happens, examine what you have and see if there are good/bad interactions. You can’t force the game to give you what you want, so you’ll have to make do. (This is also the “good enough” mantra).

If you are losing, take risks! Hope to high roll, etc. If you are winning, then solidify your position, consider defending against low-rolling, etc.

Of course much of the above advice depends on being able to evaluate your position. Slay the Spire strategy is an evaluation problem. Being able to model (in an intuitive way) the likely outcomes of a deck versus a specific elite fight (average HP loss, variance, etc) is hard. Better players do this much better, and that is hard to teach. You’ll learn by being wildly over- and under-optimistic. This guide can’t really help with that. Only experience can.

The (Basic) Plan

No Plan survives contact with The Spire. Good cards can be bad in the right situation. Vice versa. There are no hard and fast 100% rules. But there are guidelines. Here’s the basic flowchart, focusing on the early game.

  1. You need more front loaded damage. That’s your first weakness to fix. Even early hallway opponents take 50 damage or so to kill. Act I Elite fights take 90+ damage to kill and will deal real damage. Your starting deck does ~18/turn (if you don’t defend and draw smooth). Not enough. In particular, you need a plan to deal with Gremlin Nob who scales his damage for every skill you play (punishing defensive cards). A potion can be a big part of this, particularly if you need to hit an elite on floor 6.
  2. You’ll want some all out attack, particularly before Act II (where two of the elites and many of the hall way fights have multiple targets). But good AOA should be grabbed as early as it shows up, because its also front-loaded damage and the Sentinels elite fight is possible on Act I.
  3. Don’t just grab every single damage card you see. You want efficient cards. If you take five “slightly better strikes” then your deck will bloat and you’ll need to take more cards to block and scale just to be equal. Your variance will shoot through the roof during Act II, and you will die, and your parents will mourn you.
  4. Campfires — Upgrade key cards as possible. Rest if you are likely to die before the next campfire.
  5. Once you have a steady enough source of damage, start improving defense. Ideally this is after Nob. You can start in the middle of Act I, because the early hallway fights in Act II can hit for 20 points on the first turn. Its common to have enough damage to take out the first Boss, get a mediocre card and relic, and then get slammed right away in the first few floors of Act II and be on the ropes heading into your elite fight — a downward spiral that requires a high-roll or you die.
  6. As soon as you can, start removing cards (unless there are better options of course). As I mentioned in a comment on an earlier thread, when I win it seems like I have (on average) removed at least half of the starting strikes and defends from my deck. This reduces variance and improves density (etc).
  7. You need to be able to deal with the first Boss. Obviously which boss you face will determine how much front loaded damage versus block and scaling.
  8. By the end of Act I you should have a vague idea of what your decks strengths and weakness are, and an idea as to which relics/cards/etc “fill in the gaps.” (Your Boss Relic and Rare Card will further define your deck). By the end of Act II you’ll need almost certainly need scaling (either scaling damage or block) to deal with the Boss (and later enemies). Your deck may have an archetype … you shouldn’t force it into those, but as in Chess (or any game), if you recognize a position you will probably play it better. There are plenty of “weird” wins, but — at least for me personally — being able to say “My deck is an X type” lets me easily make the jump to “And when I’ve played X types before, I need to do A/B/C to win”.
  9. In Act II you must pick up scaling (if you don’t already have it, or have some insane front-loaded damage) and generally improve for the Act II Boss. But other weaknesses will become apparent and must be address. (Defect often needs healing by Act II).
  10. By this point you have probably added enough cards that you’ll need some card draw and/or searching to get to key power(s) or any lynch-pin cards you have. Again, you don’t want to overdo it, like the Dominion Village Idiot (the deck that adds a bunch of cantrip card draws, but has nothing really important to do with any of the cards drawn). In Act I you often play your deck a few times (especially in Elite fights) but now in Act II the second time through your deck isn’t nearly as important as the first time. You might get lucky and get all your setup cards on Turn 1, but if you low roll then being able to cycle through the deck the first time is very important.
  11. Act III is more of the same — now hallway fights can hit for 40 and the Elites are tougher, but you should have powered up to compensate. Scaling block (and being able to draw and play more cards than you could in earlier acts) really come into play.
  12. As you have more combos and items, specific circumstances likely dominate general advice. But you fix weaknesses, try to push strengths. Even by the beginning of Act II you’ll (hopefully) have relic combos, so now you are trying to find things that really work well with multiple cards (or across multiple aspects of your deck). The Elites/Boss can still kill you, but now is also the time to figure out how you are going to deal with Act IV (The Shield and Spear and the Heart). If you are doing well you may have “locked in” your potions for the heart fight. If not, you’ll have to use them to survive.
  13. Also in Act III you’ll need to pick up any keys you’ve missed.
  14. Finally, beat the Act III boss, then go onto Act IV. Last chance store for that key missing item or potion.

Pathing

Here’s an great act one path. Three easy hallway fights (to get damage and a potion), an event or two, a campfire to upgrade (or rest), an elite fight, an event, the chest, a rest, an elite fight, a rest, an elite fight, a store (to spend all that money) a rest and then a boss. I’m always looking for campfires and elites, and sometimes stores.

Upgrades are your friend. Need front loaded damage? Upgrade a damage card. Need block? Upgrade a block card. Your variance is never hurt. And by the late part of the act, Elites are often better than hallway fights. Late Act hallway fights may hit for more than elites. They get tougher as the act goes on (and you see more of them). A floor 6 Nob and a Floor 14 Nob hit for the same. A floor 14 hallway fight is more dangerous than a floor 6 hallway fight (and before you hit it, you are less likely to guess what will be there). And of course you want the Elite rewards.

So I simply look for the most campfires and elites. The hard questions are: should I take the super-elite now? Is your deck ready for it? I try to take the super elite as soon as my deck feels like ahead of average, because leaving the super elite for Act III forces you on pathing that may be terrible. Question marks are more random and could still be fights, but could also be a chest or event or store. Events are generally slightly better for you than not (“Spin the Wheel” is 66% good, 33% bad, strictly by outcomes. That’s typical), but can be bad. Hallway fights are more consistent. A lot of whether you want a late hallway fight is “Is your deck ready for the boss?” If not, a hallway fight is a necessary risk to get a good card reward and/or potion. The “Fight vs Question Mark” is definitely an area where knowing all the possible outcomes (and technical details like which events can show up where) and a good evaluation function help.

Coming In Part II, discussion of the main characters, typical deck strategies, and another few thousand words!

A Practical Test of ‘Gaining the Mental Edge at Bridge’ using … Slay the Spire

30. Januar 2021 um 20:59

One of the most unusual bridge books I’ve read is Kim Frazer’s Gaining the Mental Edge at Bridge. Unlike the vast majority of bridge books, there is practically no advice on bridge. This is all about “how to think” (a topic that I love enough to have a category in this blog for). Bridge forms the majority of the examples here, but apart from that these articles would not be out of place in any coaching symposium.

Kim was an international caliber shooter who took up bridge and later represented Australia in International events, so she has definitely “walked the walk” in two separate sports. There are chapters on focus, positive mindsets, mental preparation, rehearsal, match preparation & fitness, relaxation, goal setting and tracking.

The book itself was interesting — I don’t think much of it will come as a surprise but having it all done in a nicely packaged book (and providing references to sports journals, etc for more information) is good. I’ve started to try and build up a routine for the playing of bridge hands (still more forgotten than observed) so as to reduce the number of stupid errors. In fact, the first night (on BBO) I did it, I think I played well and then I went and forgot to look at the checklist this week, didn’t use it, and had a large number of errors. (The checklist is just a routine to do at the start of each hand …. say “Focus” to start the routine, note the board information (dealer,/vulnerability) count the HCP, decide on my opening bid (should it pass to me), and my likely continuations, responses.

I normally do this (in some shape) on most hands, but not in a formalized way. But (as per the book) I wrote out a checklist and used it, to good results (the times I remembered).

While thinking about this training, I realized that I could run a quick experiment on the chapter on goal setting and tracking using … Slay the Spire. I mean, while this book is aimed at Bridge it is not specifically for it, and right now my StS play is much more prevalent. (And is a solitaire game). Consider it a training run.

So — what are my goals? I’d like to improve my win rate (a win defined as “Beating the corrupt heart at ascension 15” (which is what I normally play at). There is a “Victory?” where you win without getting to the heart, but I consider that a loss. It means I’ve forgotten to claim one of the three keys required to unlock the fourth act.

Control Data

Anyway, the first part of goal setting was to set a record keeping standard. I decided to review the last 50 runs I had for each of the three main characters I played (I do not particularly enjoy playing Watcher, so I rarely do). Fortunately StS keeps a record of runs, so I pulled out some basic information (like which floor I died on) and put them into an excel spreadsheet.

Here are the stats:

Died during….Character — IroncladCharacter — SilentCharacter — Defect
Act I (Exordium)1073
First Boss676
Act II (The City)111621
Second Boss335
Act III (The Beyond)335
Third Boss241
Act IV Elites113
The Corrupt Heart344
Victory!1152
Checksum505050
Not a huge sample size….

It struck me as odd that the Second Boss and Act III numbers matched, but I doubled checked and its just a coincidence.

First thought — I won at a 12% rate, which was lower than I thought (I would have guessed I won at a 20% rate overall), but perhaps I am just deluding myself. I do think I had some bad luck (a certainly have a better than 4% win rate as defect!) so I would expect over the next 150 games to improve the rate in any case. The book states that I should set a goal that seems difficult but achievable. Let’s try for a 25% win rate overall (doubling the control).

I also need to build a checklist for the game, so I did. (Commentary in Italics)

  • Start of Act
    • Examine the floor layout, pick likely path and alternates if I get good/back luck.
    • Note who is the end of act Boss!
    • (Act I only) Decide on Neow’s gift (a special bonus you get at game start), re-evaluate
  • Checklist for each fight/event
    • Upon revealing the enemies, decide on how dangerous this fight will be (win easily, win but take significant damage, likely die, etc).
    • Note relics that I have that may have an interaction
    • Set out my goal for the fight is (Not just winning while taking as little damage as possible, do I want to set up relic counts for the next fight, etc).
    • Decide on general fight strategy …. if I will likely be using a potion(s) (In general the fight strategy will be set by how my deck is built and not change much from floor to floor, but I wanted to explicitly call out this step).
    • Per Turn Checklist:
      • Examine hand, enemy action (if varied)
      • Is my luck good/bad enough to change strategy? (Maybe I’m getting killed an need to drink a potion or assume a good draw next turn….or maybe things have gone well so I can shift from “just win the fight” to “win the fight and set up my relics counts”)
      • Determine candidate plays, pick one (may iterate if plays draw cards).
    • (For events this is basically the same, but simplified since the fight is “picking which event outcome to take”)
  • Post fight analysis
    • Did I accurately judge the fight? Did I miss anything that I could have done better?
  • Post-fight rewards
    • Examine offered rewards
    • State how each option affects my deck. Do I need it to cover a weakness (a specific enemy/elite), or to solve a general problem (front loaded damage/scaling damage/blocking).
    • Double check for good/bad interactions. Look at your deck and relics when deciding!
    • Decide which is best and take it (or skip).
    • Determine a rough “State of the game” (my ‘equity’ in the game). (Don’t need an exact number, but has it gone up or down).
    • Adjust strategy based on state of game. Pick next floor.
  • Post-game analysis.
    • Record tracking information
    • Write up a quick summary as to why I think I won/lost
    • Think of at least one positive and one “need to improve”

Again, I probably did a lot of this automatically, but there are a few things I’m calling out to myself — Making sure to double check potions and relics (because forgetting to use them is a big mistake).

Things to track:

I’ll track everything as before, but also keep track of my mistakes and notes. (For the above, I didn’t show it but I also noted which enemy I died to).

“Oops” Mistakes — Playing too quickly (if I make a move I want to “take back” then that’s a mistake. You can quit a fight and restart, but I’ll only do that if I make an actual misclick. I’ve been somewhat casual about that, but the real goal of this is to slow down and think more — which is the one skill that translates directly to bridge). In order to make this more “Apples to Apples” I’ll divide this by # of floors which isn’t an exact measure since not all floors can have them, but is at least reasonable.

Why did I lose — For my losses, I will categorize them as follows. I’ve decided to assign points to each category, with a total of 10 points.

  1. Too Aggressive — Taking an upgrade when I should have rested, and in general not respecting that.
  2. Too Passive — The downside of that is not recognizing when I’m poorly placed and need to be taking more short term risks to be able to face the next boss, etc. Note that I think I can be too passive and aggressive in the same game (obviously at different times).
  3. Gross Oversights — I missed something and it got me (missed a relic interaction, etc). I’d really like this number to be low … that’s the point of the checklist. These are things that get me killed or a huge chunk of HP.
  4. Math mistakes — Sometimes you have to just run the numbers.
  5. Bad micromanagement of fights — Small errors in fights that cost a HP here and there, missing subtle interactions.
  6. Bad Luck — Sometimes you just don’t get offered great cards, you bottom deck the fights, etc. Things that are outside my control. In theory there should only be points in this category on half (or less) of my games, but sometimes you just lose without doing anything wrong. (Negative Points means I had good luck and wasted it), so if I assign less than 10 points, I’ll dump the rest here.

When I win I will assign a “Good luck” score, how much was it just destined (because I got great cards/relics, etc).

As I normally do, I will rotate characters (Ironclad, then Silent, then Defect), just to match the controls.

Final thoughts (before starting)

Just looking at the stats was useful, because I have noticed a few things:

I play Act I too aggressively as Ironclad. Ironclad’s “schtick” is that he does a lot of damage and heals a bit after fights, and I clearly rely on that too much and end up dying in the first act (or at the first boss) much more so than other characters. My Ironclad win rate is higher (caveat for small sample size), but many of the runs are short, quick deaths.

I may be too passive with the other two characters …. For the silent/watcher (who don’t automatically heal) my play gets through Act I but am not well placed and die in Act II. I suspect I am not taking enough fast damage or all out attack.

I need to respect the Second Act more and start looking “past the first boss” when I think I have it beaten.

Let the games begin.

Update — After thinking about it (and playing a round of games while I was editing this), I think that “Bad Luck” should probably average 3. Jorbs only wins 70% of the games, so assuming that 30% are unwinnable at my level of play seems reasonable. (He’s on a higher ascension, but a better player). I’m not going to agonize over it too much (especially since it would lead to negative thinking, a “no-no” in the book.) I had a few games where things just didn’t seem to line up….

Slay the Spire

25. Dezember 2019 um 04:36

During the Steam Winter Sale I picked this up for $12 ish. This is another rogue-like (similar to Dicey Dungeons), except that your character is basically:

  • A Dominion deck, plus
  • A Collection of power-ups, plus
  • a few stats (HP, max HP, $$, etc)

And as you “Climb the Spire” you gain new cards, trash a few old ones, and get the power ups.

Like FTL, the game isn’t impossible to beat, but it definitely takes some finesse. And while there’s no “Easy/Normal/Hard” once you finally beat the game with each character you can start trying to be the “Ascension” game with increasing levels of difficulty. I thought after 20 hours it was getting some what samey, but even Ascension Level 1 adds a fair amount.

And — you know — $12.

Rating — Suggest

❌