[BONUS] Kirk Dennison on Pledge Managers
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The post [BONUS] Kirk Dennison on Pledge Managers appeared first on Board Game Design Lab.
Kirk Dennison of Piecekeeper Games is back on the show, and we’re talking about the various uses of 3D printing in game design.
Kirk got into the world of 3D printing a while back and has found a lot of ways to put it to good use in his designs and for his company.
And check out Kirk’s latest game, Rurik: Dawn of Kiev, which is on Kickstarter now. It’s got some really cool minis.
Notes from the show:
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Coming to you from Dice Tower Con 2018, Eric Lang had a free 20 minutes and agreed to answer some questions, so we found a not so quiet side room to chat.
Eric gives his best advice on several design topics, and he provides incredible insight that all designers need to pay attention to.
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BGDL founder, Gabe Barrett, talks about many of the really cool and helpful creativity/productivity hacks he’s been learning about recently.
He discusses some rather interesting findings that have come from researching some of the best in the world in different fields. There are also a lot of things that you’ll hopefully find encouraging.
The end of this episode has an exciting announcement in which Gabe talks about the new BGDL Patreon page. Please check out the page and consider supporting it HERE.
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Adrienne Ezell, professional board game artist and art director, discusses how to work effectively with artists.
Adrienne has been a pro artist for 15 years and now works full time in the board game industry. We talk communication, contracts, timelines, costs, and everything in between.
Link to the 3d box maker we discussed: https://www.boxshot.com/
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Ted Alspach, designer Suburbia of and founder of Bezier Games, discusses city building games.
Suburbia is ranked 94th on Board Game Geek and is easily on the Mount Rushmore of city building games, so Ted really knows what he’s talking about when it comes to designing one of these types of games.
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Nolan Nasser, illustrator and founder of Deep Water Games, discusses art direction in board games.
Nolan has a ton of experience in directing art for well known games and shares a great deal of what he’s learned over the years.
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Cody Stevens, the designer of Dino Dunk, discusses dexterity games.
We talk about lots of different dexterity style games, how they work, and what makes them good.
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As a big fan of High Frontier, one of my regrets for this years GoF is that I didn’t get to try Leaving Earth. (And in a teeth-gnashing development, Mrs. Tao played it and liked it!) Well, we had a game day last weekend, and one of our coworkers owns that as one of the games in a tiny collection (he’s more a rocketry history enthusiast). So a copy arrived!
I missed that game, too.
But we borrowed his copy and I read the rules. There’s much to like:
So I setup a solo game and worked through an easy mission (winning) then a harder set of missions (failing).
And here’s where I started to feel the big difference. In HF, you can play a variety of missions and rules. The scenario may guide you, but it may not. In LE the missions change the game in the sense of “Well, the superpowers have decided that sending a probe to Mars is more important than a manned lunar mission, so let’s do that, boys!” but you are always working from the same (common) set of parts. Your Juno/Atlas/Soyuz/Saturn rockets stay the same from game to game.
HF forces you down different paths. A game where you build a solar sail driven raygun robonaut will naturally play out differently than your E-M buggy. It drives your mission and paths. More subtly, you can tweak your fueling and time vs fuel costs to a much greater extent. LE does have this by combining rocket stages, but even by the third game this felt somewhat repetitive and while looking up a rules question I stumbled on a “Book of Missions” that just laid out “Well for this mission the following stages are optimal.” (I didn’t read it, but just glanced at it).
I then tried two multiplayer games (with the TaoLing). Tense games. But I’m also less enthusiastic than I was pre-rule reading.
Firstly, a minor launch failure on your first rocket is wonderful. You chuck it for $5 and the minor failure (unlike success or major failure) does not use up the rocket. So, you are ahead of someone who has a success but pays $10 to thin out their deck to prove it. (You are up $5 and a rocket). This — coupled with the paranoia of even after 5-7 checks wondering (what if there’s a disaster lurking in the deck) makes proving out nice. I’m not sure how I feel about this. There are some catchup rules, but there’s also some snowballing. I can’t claim this is a dealbreaker (since I play HF).
Secondly, this is much more a push your luck game. Which is fine, but it’s a push your luck brain burner that’s slow. So in my last game I made a relatively low-risk play of sending up a mechanic to orbit with two capsules to earn the “Space station” mission. No, I hadn’t tested life support, but the deck is 4/6th successes, 1/6 minor failures and 1/6 major failures (I didn’t know this at the time, but I knew it was roughly 50+% success). In order to fail I had to draw two major failures (since I had the money to pay to remove the first failure, it would not be redrawn). I rolled snake eyes (1/36…actually slightly less likely because cards not dice) and so my 6 VP for first space station became negative 2VP (death) and a bunch of time and money lost. On the other hand, I then later did a daring “Don’t test everything, let’s just have a Soviet-style run for the Moon” and risking 3 years budget on unproven rockets and I got a yahtzee. So, it balances.
BUT …. dice versus cards. If I get a bunch of bad cards, that means that other people are getting less. Compare that with HFs hazard dice. A minor point, perhaps (and HF is a longer game where everything can hinge on a roll, so that’s not a downside). You never have to make a roll in HF if you don’t want to, and any events that happen happen to everyone. They may hurt someone much more than another, but it feels linked.
I do have a few nitpicky rules which could be more thematic / better. (Surveying takes no time and is practically automatic. Rockets that fail during a suborbital phase can be recovered. Life Support is assumed for single year missions, it should really be called multi-year life support).
But what keeps coming back to my head is that even after a handful of games the missions felt predictable. “Oh, I’ve seen that before.” There only real combinatorics of the game are weight and mass. Even without the support module (or the other more complex ones) HF had more surprises after a dozen games than LE did after three. I suspect there is an optimal opening, and for the missions nobody says “Well, what patents do you have?”. And there are no faction differences.
It seems unfair to blame LE for not being High Frontier, but the heart wants what the heart wants. I like calculating space missions more than the average gamer, and I’m always on the look for solitaire games, but after 8 hours of this I’m nowhere near the same level of enthusiasm.
I am far from writing LE off — I spent a fair chunk of this weekend playing it — but it does not appear to threaten to displace HF in the long run.
Rating — Indifferent plus, I’m willing to explore it a few more times. The rest of my family is looking at acquiring a copy, so I may have an opportunity.
Joseph Z Chen discusses catch-up mechanisms.
Joseph is a designer and indie publisher who did a fairly in-depth analysis on ways different games keep players involved until the end. We talk about several popular games and their catch-up mechanisms as well as Joseph’s personal experiences.
And don’t forget to check out Joseph’s game, Fantastic Factories, on Kickstarter HERE.
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Erin Dean, author of For the Love of Board Games, discusses her book and what she learned from the designers she interviewed.
You can check out Erin’s documentary, The Board Game Boom, here.
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Here’s Daniel’s article about receiving feedback from a design contest.
The post [BONUS] Daniel Fremgen on Receiving Feedback from a Design Contest appeared first on Board Game Design Lab.
Matt Holden discusses the Indie Game Alliance.
Matt started the IGA four years ago to help small publishers and designers get their games demoed at conventions and game stores, and it’s grown into a robust organization that offers quite a few services.
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Brad Talton, designer of BattleCon and Pixel Tactics, discusses dueling games.
Brad has been creating dueling combat games for years and has found incredible success with his company, Level 99 Games.
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