Mike's our host so join us as he takes the gang to component corner, asks What we're Playing and How'd it rate
This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below.
Compania, Flip 7 With a Vengeance, and DC Breakout each scratch a very different itch, but together they paint a fun snapshot of where modern tabletop design is heading. Compania leans into the current wave of streamlined games, that incorporate two types of mechanics, worker placement and area majority. It’s the kind of design where every turn feels consequential—don’t plan accordingly and be challenged to catch up to the other players. The game’s charm comes from how accessible it feels despite its core; turns are quick, the iconography is clean, and the tension ramps steadily as players jockey for position on a board that never quite seems to have enough to go around.
Flip 7 With a Vengeance takes the opposite approach, embracing chaotic, push‑your‑luck energy with a theatrical flair. It builds on the original Flip 7 formula but adds a layer of “gotcha” cards and combo‑driven moments that make the table erupt. It’s fast, loud, and intentionally swingy—the kind of filler that shines when you want to reset the mood or get a group laughing.
DC Breakout, meanwhile, provides quick, fun experience in a racing game where random dice roll meets strategic position that allows for some tense situations as players jockey for the finish line.
Thanks for listening and hope you are able to get one of the games above to the table.
Nick takes the host seat this week in a show all about stats, toast and the dumbest Higher or Lower yet
This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below.
Two cooperative games hit the table this episode, along with a few thoughts on the Star Wars TCG. It’s always refreshing to switch gears and dive into something fully co‑op, where the tension comes from the puzzle instead of the players. And no, your ears aren’t deceiving you—Marty actually convinced Vanessa to join him for a discussion about Arkham. Who knows… maybe this is the start of her becoming an investigator convert.
Corps of Discovery invites players to retrace the legendary Lewis and Clark expedition, but with a sharper strategic edge than you might expect from a historical adventure. You’re managing a small but determined team as you push westward, balancing resource scarcity, shifting terrain, and the constant pressure of the unknown. The game thrives on its tension: every decision feels like a trade‑off between speed and sustainability, and the modular map keeps each journey fresh. It’s a thoughtful blend of exploration and logistics, capturing both the wonder and the hardship of charting unmapped territory.
Arkham Horror: The Card Game, by contrast, plunges you into a very different kind of expedition—one into cosmic dread and psychological unraveling. Its living‑card‑game structure turns every campaign into a branching narrative where your deck evolves alongside your investigator’s triumphs, traumas, and terrible choices. Scenarios twist the rules, warp the environment, and force you to improvise under pressure, making each session feel like a bespoke horror story. Where Corps of Discovery celebrates discovery and perseverance, Arkham Horror LCG revels in uncertainty and creeping doom, offering a deeply immersive experience that rewards clever deckbuilding and narrative investment.
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This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below.
Every now and then, three games land on the table that have nothing in common thematically yet feel spiritually linked by the way they create tension and leave players talking long after the last turn. Angel’s Share, Soothsayers, and One Hour World War II each approach strategy from a different angle—one slow and atmospheric, one mystical and tactical, and one brisk and historical—but all three deliver that satisfying “let’s run it back” energy we love to highlight.
Angel’s Share wraps its theme around you like koozie around a can your favorite beverage. It’s a game about aging spirits, but more importantly, it’s a game about timing—when to wait, when to bottle, and when to accept that the angels are going to take their cut whether you like it or not. The tension builds slowly as barrels mature and opportunities evaporate, and the emotional arc is surprisingly rich for such a streamlined design. Every choice feels like a negotiation with time itself, and the payoff—good or bad—lands with a satisfying thud.
Soothsayers is a sharp, thematic card game where players become mystics interpreting omens to shape the future in their favor. At its heart, it’s a tableau‑building and card‑manipulation puzzle: each turn you’re choosing which actions to take, trying not to hand your opponents an advantage, and racing to assemble a tableau that makes everyone else wonder where things went sideways. The tension comes from reading both the shifting cards on the table and the intentions of the players around you—every decision feels like a moment of doubt, a quiet question of whether you made the right call or just sealed your fate among the stars.
One Hour World War II does exactly what its title promises: it delivers a full, satisfying wargame experience in the time it takes to watch a TV episode. Despite its brevity, it captures the sweep of WWII with asymmetric powers, meaningful tactical choices, and a tempo that never drags. The design rewards bold plays and clever positioning, offering just enough historical flavor without bogging down in simulation. It’s an ideal entry point for players curious about wargames and a refreshing palate cleanser for veterans who want strategy without the marathon.
Thanks for listening and appreciate all the support
This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below.
We finally got Thebai, the newest release from Boards & Dice, to the table. After seeing it at Gen Con, the production immediately caught our eye, and the designers hinted at the kind of tough, timing‑sensitive decisions players would face. That promise absolutely shows up in play. Turns are wonderfully clean—place your die, resolve the action, then move your Archon for a bonus action—but the simplicity hides a surprising amount of depth. Positioning is everything. The strongest move in the moment can easily create problems down the line, and the board state shifts just enough each round to keep you second‑guessing your priorities. On top of that, the looming battles add a steady undercurrent of tension. You can’t ignore them, even when you’re tempted to chase a clever combo elsewhere. Thebai ultimately becomes a race for victory points, and the endgame accelerates fast. Points pour in quickly, so timing your big plays matters just as much as choosing the right ones. It’s a sharp, elegant design—easy to teach, but full of those delicious “oh no, that changes everything” moments that make Boards & Dice titles so satisfying.
We love historical games that look beyond the familiar battles and instead explore the lesser‑told moments—especially those late‑war pivots where everything hangs by a thread. WunderWaffen fits that niche perfectly. The Allies are closing in on Germany, and the German player is scrambling for a last‑ditch path to victory through experimental research. It’s a tense, asymmetrical setup, but not a simple 3‑versus‑1 scenario; only one player can win, so everyone has to keep each other in check, even if that occasionally means helping Germany to prevent someone else from running away with the game. One of the standout mechanics is the turn structure. Each round, you choose two of your three action tokens to use and must hand the third to another player. That single decision point creates delicious pressure—what you keep, what you give away, and who you empower all shape the board in subtle ways. It’s a small rule with big strategic consequences. The game moves quickly, and for groups that enjoy negotiation, table talk becomes an extra layer of strategy. Deals, promises, and threats can shift the momentum just as much as the research tracks or battlefield positioning. WunderWaffen ends up being a fast, interactive contest of timing, leverage, and opportunism—exactly the kind of historical “what‑if” experience that keeps us coming back.
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Paula is here to lead the gang in some highly fashionable rounds this week!
This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below.
Arkwright is an economic engine-builder that revels in its own weight. It drops players into the heart of the Industrial Revolution and asks them to run competing factories—managing workers, improving machinery, manipulating prices, and navigating the volatile tides of supply and demand. What makes it so gripping is the way every lever you pull affects the entire market. Lowering prices might boost sales but crush profits; upgrading machines cuts labor costs but risks unemployment penalties. It’s a game where efficiency is power, foresight is everything, and every decision feels like it echoes across an entire industrial landscape.
We’re heading back to Plum Island to talk about the desperate scramble to evacuate civilians from an infected coastline—and how the new expansion tightens the experience into a sharper, faster, and even more chaotic rescue puzzle. But that’s not the only horror creeping into the episode. Marty and Vanessa dive into Film Fatale, the newest scenario for Arkham Horror: The Card Game, where silver‑screen nightmares spill into reality and investigators find themselves trapped in a reel of stylish, cinematic dread.
To balance all that terror, we close things out by building something far more peaceful—an entire ecosystem in Pondscape. Frogs, insects, and shifting waterscapes weave together as we try to craft the most harmonious (and high‑scoring) pond possible. It’s a gentle puzzle with clever spatial decisions, offering a refreshing contrast to the tension earlier in the show and reminding us how beautifully varied the board‑gaming world can be.
Thanks for listening and appreciate all the support
Mike is at the helm with Taglines, Buzzwords and some very mysterious ratings.
This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below.
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